Kaoru Azuma | Footprints In New York

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Footprints In New York

by Kaoru Azuma

A modern jazz singer from Japan brings a fresh take on jazz classics recorded with energy from the streets and avenues of New York City. Songs by Chick Corea, Wayne Shorter, Bill Evans, Charlie Parker and more.
Genre: Jazz: Jazz Vocals
Release Date: 

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  Song Share Time Download
1. High Wire
4:54 $0.99
2. Confirmation
5:38 $0.99
3. Hana & A Flower Is A Lovesome Thing
8:23 $0.99
4. Another Yes Or No
7:05 $0.99
5. Jungle City New York
4:44 $0.99
6. Footprints
5:19 $0.99
7. Now's The Time Giant Steps
4:55 $0.99
8. Without A Trace
6:33 $0.99
9. Along Came Memory
5:25 $0.99
10. Turn Out The Stars
6:37 $0.99
Downloads are available as MP3-320 files.


Album Notes
■BIOGRAPHY & Liner notes
Kaoru Azuma performed jazz vocal in her hometown of Osaka, Japan. But she realized that to get to the heart of the music, to understand the culture in which it was born and to master the nuances of the language, she had to continue her studies in New York City, the capital of jazz. In 2003, Kaoru enrolled in the jazz studies program at the City College of New York (CUNY), where she became immersed in the study of jazz theory, history, arranging, English diction, improvisation and vocal technique. The melting pot of New York City changed her profoundly; according to Kaoru "it opened my mind and let me know who I am." She discovered herself and had a story to tell through her music.

After receiving her BFA degree from City College, Kaoru began performing in clubs around New York, but the needs of her family have drawn her back to Osaka. The CD, "Footprints in New York," is her dedication and farewell to the city that taught her so much about American jazz.

"High Wire" by Chick Corea was originally recorded with vocalist Chaka Khan
on Chick's Echoes of an Era, but Kaoru's arrangement gives it a new twist.

Kaoru learned Bird's classic "Confirmation" from her teacher, the legendary
jazz vocalist Sheila Jordan. Her arrangement brings a hint of Horace
Silver's "Juicy Lucy" into the mix.

The medley of "Hana" and "A Flower Is a Lovesome Thing" combines a Japanese song
by Okinawan Shokichi Kina with Billy Strayhorn's classic. Both songs talk about flowers
and the traditional Japanese scale blends beautifully with Strayhorn's exotic harmonies.

The second Wayne Shorter classic on the CD, "Yes or No," has also been
transformed by Kaoru's recasting of the rhythmic underpinnings of the tune.

"Jungle City New York" is Kaoru's version of Monk's "Bemsha Swing." Her
Japanese lyrics to Monk's quirky melody gives us her impression of life in
New York. For us non-Japanese speakers, the translation follows below.

"Footprints" has been recorded many times, but Kaoru gives it new life by blending
voices with trombone, the outgrowth of a project for an arranging class she took
with pianist Mike Holober.

"Giant Steps" has been intimidating instrumentalists for years, let alone
vocalists. Kaoru was inspired to record it because "the chord changes gave me
the idea for the lyrics, as well as the realization that even small and slow changes
can bring about the next step. Everything is connected. I also wanted to make
this song cute, not just an improvisational exercise."

"Without a Trace" was recorded by my quintet, but after I wrote a lyric to the song,
I wondered if the wide intervals and obtuse harmonies would make a vocal version
impractical. But I was so impressed with Kaoru's fantastic ear and her technical ability
that I decided to give it to her exclusively. Kaoru not only mastered the angular melody,
but imbues its with great depth of emotion in this premiere vocal performance.

Benny Golson's classic "Along Came Betty," is recast as "Along Came Memory"
in Kaoru's lyric. She states "the rain and cold night in early autumn made me
melancholy, which inspired the lyrics while I was practicing the song."

Bill Evans's "Turn Out the Stars" is another melody with wide intervals which
could be intimidating to vocalists. Kaoru turns in a beautiful, heart-wrenching
performance on this recording.

liner notes: Scott Reeves, Professor of Music, City College of New York

Kaoru Azuma - Vocals
Mike Holober - Piano
Scott Reeves - Alto Flugelhorn & Trombone on Footprints
Jesse Forest - Guitar
Robinson Morse - Bass
Paolo Orlandi – Drums

■Recorded in New York City on April 2, 2008
Produced and arranged except Without a trace arranged by Scott Reeves: Kaoru Azuma



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Congratulations on GrIndie Award
RadioIndy is proud to present Kaoru Azuma a GrIndie Award for their CD "Footprints In New York." A GrIndie Award is RadioIndy's stamp of approval that this CD is an excellent quality CD. Please join us in congratulating this artist on this accomplishment.

William & the RadioIndy.com Review Team

Fantastic Modern Jazz Album Brought To Life By a Talented Jazz Vocalist
\"Footprints in New York\" by Kaoru Azuma is a fantastic modern jazz album brought to life by a talented jazz vocalist. Kaoru, though born in Osaka, Japan, has honed her craft as an American singer and will leave you feeling musically satisfied and pleasantly soothed. She has certainly made her way around the New York jazz scene and her experience and poise shines through on her smooth, graceful vocal performances. The musicians behind her are certainly no slouches either. The performances are solid and the arrangements are creative, lively, well-layered, and compliment the vocals well. The album is well-produced, reflecting a perfect balance of instrumentation and vocals, and illuminates a sound that is very crisp and smooth. \"High Wire\" opens things up with a haunting vocal intro and evolves into an upbeat performance, both in the arrangement and in the vocal performance. \"Footprints\" invokes images of a smoky, low-lit room and features a great tandem between Kaoru\'s voice and the saxophone. This track is fantastically heavy on the mood. \"Turn Out The Stars\" wraps things up with nice piano progressions that gives the hint of closure and an intimate vocal performance from Kaoru. This album will leave any lover of crafty and soul-filled modern jazz wanting more.