Katarina Boudreaux | Thesia

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United States - Connecticut

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Blues: Louisiana Blues Jazz: New Orleans Jazz Moods: Type: Vocal
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by Katarina Boudreaux

Bluesy Jazz with a pinch of Groove and a whole lot of Louisiana for flavor. Vocals give life to the lyrics, piano and upright bass complete the sound.
Genre: Blues: Louisiana Blues
Release Date: 

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  Song Share Time Download
1. Back
3:43 $0.99
2. Concentrate
3:17 $0.99
3. work...work...work...
3:22 $0.99
4. Earthworm
3:34 $0.99
5. Lagniappe
5:24 $0.99
6. Peach Pie
4:02 $0.99
7. Cat and Mouse
3:50 $0.99
8. Run Down
4:37 $0.99
9. Dry
6:01 $0.99
10. Turn
4:25 $0.99
11. Mercy
4:11 $0.99
12. run...run...run...
2:55 $0.99
13. Burn
4:53 $0.99
14. hey hey
4:19 $0.99
Downloads are available as MP3-320 files.


Album Notes
About Thesia:
There's always been the music. From South Louisiana, via Texas, to Connecticut -- the musical story has been on a journey with me. Thesia is short for synesthesia -- when sound, color, taste, vision, thought is all mixed together in experiencing life. Blurring the edges of my personal experiences with this concept in mind, I let the music speak where spoken words are silent.

About me:
I was born screaming and the doctor commented that I had good lungs.

I still do.

A soundtrack has always run in the background of my head, and writing it down, recording it, performing it — it helps to clear the space for new ideas and creation.

We are all citizens in music’s world. I revel in the fact that the tone, the core and structure of my music, can be translanted into any language or non-language via the intent of sound.

As a pianist, vocalist, and composer, I try to incorporate my love of melodic line with my fascination with the piano’s ability to function as my percussion section, my orchestra, and my string section. When I blend the piano’s function with my voice…becoming one with my instrument… I feel most powerful in my writing and performing.

My songs reflect my Louisiana heritage, and my love of jazz and blues. I also feel some of my songs reflect my love and knowledge of Broadway literature and the golden age big-band and standards that shaped my musical heritage. I also credit singer-songwriters from the sixties and seventies in shaping my writing style.



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