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Kathryn Kaye | Songs of Changing Light

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New Age: Contemporary Instrumental New Age: Neo-Classical Moods: Featuring Piano
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Songs of Changing Light

by Kathryn Kaye

A collection of piano solos by pianist/composer Kathryn Kaye.
Genre: New Age: Contemporary Instrumental
Release Date: 

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  Song Share Time Download
1. Winter's Deepest Sleep
5:15 $0.99
2. Summer Afternoon
3:00 $0.99
3. Taos Song
3:24 $0.99
4. Heavy as a Feather
3:38 $0.99
5. A Rose in Winter
3:33 $0.99
6. Distances
4:37 $0.99
7. Dreaming Still
3:54 $0.99
8. A Lark in the Last Light of Day
4:44 $0.99
9. Willow Waltz
4:44 $0.99
10. Adrift in Fading Light
4:43 $0.99
11. So Much Sky
2:17 $0.99
12. There Was a Time
4:29 $0.99
13. Frost
4:59 $0.99
14. Arctic Night
4:14 $0.99
Downloads are available as MP3-320 files.



to write a review

Candice Michelle / AuralAwakenings.com

Gentle, reflective, nature-inspired solo piano
Kathryn Kaye is a pianist and composer who has previously released six albums. Her seventh album, Songs of Changing Light, is a collection of thirteen solo-piano works from her past releases of which prominently feature subtle ensemble arrangements. Characteristically gentle, reflective and softly-lit while occasionally basking in the shade of more shadowy atmospheres, Kathryn’s music mostly revolves around themes of nature, changing seasons and the passing of time. As with her previous albums, Songs of Changing Light was produced by Will Ackerman and co-produced by Tom Eaton along with herself – and likewise recorded at Will’s own Imaginary Road Studio in Vermont.

Opening the album is “Winter’s Deepest Sleep”, a lovely piece that begins with a moderately-paced melody while injecting thoughtful pauses along way. Although its title may allude to a cold winter’s night, the piece feels quite comfortingly warm and more akin to that of cozying up by a fireplace. On “Summer Afternoon” Kathryn’s left-hand moves at a waltzing pace, while her right-hand employs softly tinkling notes up-and-down the keys. Gentle and leisurely with a lightly-swaying motif, one might aptly imagine rocking on a swing or hammock on a summer afternoon. “Taos Song” is a contemplative tune that showcases bolder chords with smoothly rounded edges, while “Heavy as a Feather” exudes a lightly-dancing quality with a gentle touch of wistfulness. Possessing more neoclassical underpinnings, this piece is one of my favorites.

The introspective yet softly buoyant “A Rose in Winter” opens with delicate keystrokes in the upper register, until mid-range chords join in towards the midway point. Comparatively, the elegantly understated “Distances” resonantly hovers in the lower register and is another one of my favorites; its title may either or simultaneously refer to distances of land or the space between two people. “Dreaming Still” nicely follows it up with an equally introspective and slower-paced melody. Ensuing next is “A Lark in the Last Light of Day”, which starts off rather cautiously, before unexpectedly bubbling over with radiantly resonating chords that soon revert to the piece's original motif. “Willow Waltz” could easily allude to a willow trees’ branches gently swaying in the wind. Similarly, the drifty notes and rolling undercurrent of “Adrift in Fading Light” (another favorite) might suggest a sailboat slowly drifting over the horizon.

“So Much Sky” feels more open and outward-flowing with a melodically colorful range. It’s followed up by “There was a Time”, which imparts a reflective and tender mood with a touch of sentimentality. And finally, “Frost” perfectly concludes the album as another one of my favorites. Here, Kathryn plays a lightly drifty melody with her right hand in the upper register, while employing a gentle give-and-take maneuver of her left hand in the lower registers – overall creating a shimmery effect like that of moonlit snow.

Never one to be excessively elaborate in her musical approach, I’ve always particularly enjoyed Kathryn Kaye’s thoughtful, down-to-earth and nonintrusive piano-playing style. For those who’ve enjoyed her past works, but would like to pick out the solo piano pieces on those, this is a worthy collection to own. Likewise, fans of solo piano music who are new to Kathryn’s music will find Songs of Changing Light a great place to start!

Kathy Parsons

From MainlyPiano
For the past several years, it seems that the first review I’ve written each year was for a new album by pianist/composer Kathryn Kaye. I really can’t think of a better way to start the new year! Kathryn Kaye has the most incredible velvet touch on the piano keys I have ever heard. "Songs of Changing Light" is her seventh album in as many years and is a compilation of fourteen pieces inspired by light and nature. The pieces were chosen from each of Kaye’s previous six albums, and this time they are all presented as piano solos. What an amazing treat this music is - from one heart to another with grace, beauty and that amazing touch. I have always enjoyed the additional instrumentation from Will Ackerman’s very impressive crew of artists, but Kaye’s music in solo form is so delicate, expressive and intimate. Even though it’s my first review of the year, I can promise that "Songs of Changing Light" will be on my Favorites list for 2018!

The album begins with “Winter’s Deepest Sleep” from Kaye’s 2017 release, "Reflected In a Flowing Stream." As a solo, the beauty of Kaye’s lyrical melody and expressive touch gently soothe and caress the senses. “Summer Afternoon” is languid and lazy, feeling something like a sweet daydream. “Taos Song” was one of my favorites from Kaye’s 2010 debut, "Dreaming Still," and I like it even better as a solo. The title song from her 2011 "Heavy As a Feather" effortlessly drifts on the gentlest of breezes - perfection! “Distances” expresses feelings of longing with a delicate melancholy. “A Lark In the Last Light of Day” makes almost as much use of the space between the notes as the notes themselves - very Impressionistic and elegant. “Willow Waltz” is one of my all-time favorite Kathryn Kaye pieces. Delicate, graceful and bittersweet with a hypnotic slowly-swirling melody, I just love this one! “Adrift in Fading Light” is another favorite, also from "Patterns of Sun and Shade" (2015) - melancholy, and very poignant. “There Was a Time” seems to be a fairy-tale of sorts told without words. Who needs words with an expressive touch that says so much? I’d be very hard-pressed to choose a favorite between “Willow Waltz” and “Arctic Night,” the closing track on the album. Fortunately, I don’t have to choose, so I won’t. Both pieces are amazing and paint very different pictures. You can almost feel an icy wind in “Arctic Night” as well as experiencing the profound silence of falling snow.

This is my favorite of Kathryn Kaye’s albums so far! If you are new to her music, this is an excellent place to start. If you have any or all of her previous albums, this one is a must! I give "Songs of Changing Light" my highest recommendation!