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Giorgio Koukl | musica vocale

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Classical: Contemporary Classical: Traditional Moods: Type: Vocal
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musica vocale

by Giorgio Koukl

Compelling, engaging and bewitching contemporary classical music for solo voice with piano.
Genre: Classical: Contemporary
Release Date: 

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  Song Share Time Download
clip
1. Tre Canti Disperati: Cosa scrivere
Giorgio Koukl, Roberta Invernizzi
6:09 $0.99
clip
2. Tre Canti Disperati: Da dove sgorgano
Giorgio Koukl, Roberta Invernizzi
6:09 $0.99
clip
3. Tre Canti Disperati: Cuore, rimpianto
Giorgio Koukl, Roberta Invernizzi
7:19 $1.29
clip
4. Quattro pezzi per pianoforte: Drammatico
Giorgio Koukl
1:10 $0.79
clip
5. Quattro pezzi per pianoforte: Leggero
Giorgio Koukl
1:22 $0.79
clip
6. Quattro pezzi per pianoforte: Ostinato
Giorgio Koukl
1:37 $0.79
clip
7. Quattro pezzi per pianoforte: Capriccioso
Giorgio Koukl
1:58 $0.79
clip
8. Niponari
Giorgio Koukl, Keiko Kashima, Leandro Galassi, Valentino Marré
9:46 $1.49
clip
9. Ceremony after a Fire Raid: Among the Street
Giorgio Koukl, Carole Manzoni
6:51 $0.99
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10. Ceremony after a Fire Raid: I know not
Giorgio Koukl, Carole Manzoni
5:55 $0.99
clip
11. Ceremony after a Fire Raid: Into the organpipes
Giorgio Koukl, Carole Manzoni
7:06 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
MUSICA VOCALE
music by Giorgio Koukl

Roberta Invernizzi & Carole Manzoni, sopranos
Keiko Kashima, contralto
Giorgio Koukl, composer, pianoforte, cembalo, celesta, glockenspiel
Leandro Galassi & Valentino Marré, percussion
Sergio Albertoni & Dylan Thomas, poets

Giorgio Koukl's music is representative of the end of the twentieth century, dominated by a certain stylistic syncretism, by the individual performer's virtuosity, and by a tendency to bring together all the "-isms" that have succeeded each other in the last hundred years of music - a century in which the wounds left by the Second World War have not been entirely healed. It expresses the eternal dichotomy between good and evil, and the complexity of reconciling the ethical and moral components in modern man, and the qualitative spirit of struggle and hope.

Here we find the intensely creative lyricism that has left such a strong imprint on the chamber lyric of Luigi Dallapiccola. In the THREE SONGS OF DESPERATION, above all, we find this predisposition towards total vocal identification without excessive intrusion by musical instruments, leaving the voice its rightful space for expansion and breathing.

FOUR PIECES FOR PIANOFORTE: Strong dramatic impact, the subtle distinctions of dynamic weighting and the nuances of colour, the spiritedness of some pages of Prokofiev's piano music, and the naturalistic intimacy - albeit fragmentary and dispersed - of his fellow-Czech, Bohuslav Martinu.

NIPONARI: Piano keys and percussion instruments bring to the surface small but significant colorations of timbre. Koukl portrays a poetic and oriental world which is altogether neutral, capable of a kind of acquired interior peace, where his compositional ability tends to lose itself in the drapery of airy, reassuring sounds.

CEREMONY AFTER A FIRE RAID (original title in English): Based on poems by Dylan Thomas, is a return to the most natural dimension of chamber song (that is, of lied). It is "implosive" and condensed, often highly phonic and chordal, to the point where conclusive reconciliation is achieved between voice and instrument. As often happens with George Koukl, this leads on to eternal confidence in man, and in his search for a superior pietas capable of annuling the dislocations of history and restoring peace.

[Freely adapted from Richard Matthews' English translation of the liner notes by Sergio Mora]

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Reviews


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CD Baby


A striking and engrossing collection of contemporary classical compositions that tumble, explode and hang with excitement and theatrics. These pieces weave a dynamic and vivid canvas of lucid color and imagery with a common thread of fervent piano diversified by vocalists as well as nuanced percussion. These emotional and impassioned works expand the ear of the listener with harmonic and melodic abandon, yet still maintain an emotional accessibility that engages and injects the listener with their zealous voice.
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Tamara Turner, CD Baby Music Editor/Reviewer

A striking and engrossing collection.
A striking and engrossing collection of contemporary classical compositions that tumble, explode and hang with excitement and theatrics. These pieces weave a dynamic and vivid canvas of lucid color and imagery with a common thread of fervent piano diversified by vocalists as well as nuanced percussion. These emotional and impassioned works expand the ear of the listener with harmonic and melodic abandon, yet still maintain an emotional accessibility that engages and injects the listener with their zealous voice.
Read more...

Phil Muse, Creative Loafing (Jan. 8, 2004)

poignant songs in three languages
Please read this review at: Creative Loafing (Atlanta).
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Jonathan Woolf, MusicWeb International (April 2005)

Another diverting and toughly lyrical disc from Koukl.
Please read this review at: MusicWeb International (Great Britain).
Read more...