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Kudo Kamome & Crunchybird | Midnight Blooming

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Cornelius King Krule The XX

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Pop: Dream Pop Rock: Shoegaze Moods: Mood: Dreamy
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Midnight Blooming

by Kudo Kamome & Crunchybird

Ethereal, Japanese female vocals intertwined with dark shoegaze guitars and heavy beats.
Genre: Pop: Dream Pop
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  Song Share Time Download
clip
1. Smells of Flower (Crunchybird Remix)
Kudo Kamome
3:50 $1.00
clip
2. The Road Away (Kudo Kamome Remix)
Crunchybird
4:05 $1.00
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Recommended if you like: My Bloody Valentine, The XX, Cornelius, Caribou, genre-swapping, collaboration, fun

Two Japan-based artists reimagine each other’s musical visions.

Kyoto-based Kudo Kamome and Tokyo-based Crunchybird (a.k.a. Gregory A. Perez) are both artists on the aptly named record label Twin Capital (coincidentally named for the artists’ respective cities). Through a mutual connection with Twin Capital’s Hamacide, Kamome asked Crunchybird to remix a song from her 2011 debut release Mind Party! called “Smells of Flower” (「 花のにおい」). On the original track, Kamome intertwines jangly guitar with plinky electronics, a foot-stomping rhythm, and her haunting, child-like vocals. It’s raw, loose, and full of lo-fi life.

In exchange, Crunchybird offered a song for Kamome to remix. “The Road Away” is a pensive instrumental from his recent album “The Incident at Fallthrough Bridge” released on Twin Capital in late 2017. Featuring manipulated strings, galloping piano, and burbling alien synths, it seemed like fresh clay for Kudo to stretch and shape into her own style.

The collaborative split E.P., "Midnight Blooming", is a reimagining of two different artistic visions. Kamome’s upbeat and fuzzed out track “Smells of Flower” becomes a darker shoegazer epic in Crunchybird’s hands, with a bit of electronic frost for added menace. Think My Bloody Valentine hitting on The XX at a party hosted by King Krule. In Japan.

“I was fascinated with the idea of turning ‘Smells of Flower’ into the opposite of what it originally was - from loose and playful to more regimented and dramatic,” says Crunchybird. “Maybe even a little oppressive.”

Conversely, Kamome transforms “The Road Away” from a slow-burn sci-fi road trip into electronic gymnastics. Her version swerves from pastoral ambient passages to a pulsing club vibe reminiscent of something off of Cornelius’ “Fantasma” or Caribou’s blurry genre-bending. All of it is tied together with Kamome’s soaring, ethereal vocals.

“I really loved the dream-like quality of ‘The Road Away.’ I wanted to preserve that but collage it in my own way… lo-fi and loud.”

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