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Liz Lottmann | Memphis Revisited

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Memphis Revisited

by Liz Lottmann

True Memphis sound featuring the right-on vocal performance of Liz Lottmann, and members of the Amazing Rhythm Aces, and Ben Cauley of the legendary Bar-Kays.
Genre: Urban/R&B: Rhythm & Blues
Release Date: 

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  Song Share Time Download
1. Why Do You Treat Me Like You Do
2:52 $0.99
2. So Many (Wo)Men So Little Time
3:38 $0.99
3. Why Can't I Be Satisfied
2:53 $0.99
4. Let Love Make It Right
5:24 $0.99
5. New York City
3:23 $0.99
6. Love and Happiness
3:29 $0.99
7. Who Will the Next Fool Be
2:54 $0.99
8. Trouble
2:32 $0.99
9. Spellbound
4:06 $0.99
10. You Were Never Mine
4:19 $0.99
11. Shake
2:26 $0.99
12. Do Right Woman Do Right Man
3:39 $0.99
Downloads are available as MP3-320 files.


Album Notes
LIZ LOTTMANN (Lectric Liz) has been touring nationally and internationally with rock and blues bands since 1968. In Memphis in the 1980s, she performed with Don McMinn's Blues Revue, which at times featured Steve Cropper, Duck Dunn, and Willy Hall of The Blues Brothers, and Jeff "Stick" Davis and Billy Earheart of The Amazing Rhythm Aces. She has shared stages with Fleetwood Mac, Dizzy Gillespie, Huey Lewis, ZZ Top, and a host of blues legends including Furry Lewis, Lightnin' John Hopkins, and Stevie Ray Vaughan. She is the only female singer/songwriter to have recorded under contract at Sam Phillips Studio in Memphis.

The other players on Memphis Revisited are:

Jeff is a co-founder of the Amazing Rhythm Aces, and has also done tours and studio sessions with Al Green, B.B. King, Bob Dylan, Ron Woods, Bo Diddley, John Mayall, Tommy TuTone, Jamie Hartford, Billy Jo Spears, Tanya Tucker and Jesse Winchester. Liz and Jeff played gigs together in Memphis during the 80s with Don McMinn & The Memphis Blues Revue featuring Willy Hall and other Memphis luminaries. Stick makes frequent blues excursions to Europe and to blues venues across the country with Roscoe Shelton and Earl Gaines (The Excello Legends). For more information on Jeff, link to http://www.stickdavis.com.

Billy "From Tennessee" Earheart is an original member of the Grammy-winning Amazing Rhythm Aces, and is a member of Hank Williams' legendary Bama Band since 1985. Billy has toured and recorded with Al Green, Waylon Jennings, B.B. King, Wet Willie, Memphis Slim, Ace Cannon, Gatemouth Brown, Willie Cobbs, Kris Kristofferson, Sammy Hagar, Jimmy Buffet, Glen Frey, Rufus Thomas, Leslie West, and a host of other acts. Liz was a featured vocalist with Don McMinn & The Memphis Blues Revue when Billy and Jeff were members. For more information on Billy, link to www.theaces.com and http://www.members.aol.com/wteiii/bebio.htm.

FRED JAMES (Guitar, Vocals)
Fred has five Grammy Award nominations for songs he wrote on albums nominated in the "Best Traditional Blues Album" or "Best Contemporary Blues Album" category. Fred was nominated for a Nashville Music Award in the "Best Producer" category. He also won a Nashville Music Award for producing the "Outstanding Blues Album". Fred joins Stick to play with The Excello Legends, playing Europe and blues festivals in the U.S. He has played guitar for Johnny Copeland, Arthur Williams, The Jelly Roll Kings, Billy Joe Shaver, Bo Diddley, The Carter Bros., The Memphis Horns, Dr. Hook, Tommy TuTone, David Houston, The Sam Lay Blues Band, Homesick James, The Amazing Rhythm Aces, Billy C. Farlow, Townes Van Zandt, Roscoe Robinson, Vern Gosdin and many, many others. For more stuff on Fred, link to www.blueslandproductions.com.

Brian drums with the Amazing Rhythm Aces, and has played with Delbert McClinton, Shelby Lynne, Kenny Vaughan, T.Graham Brown, Patty Griffin, Buddy and Julie Miller, Steve Conn, Webb Wilder and the Delevantes, Lee Roy Parnell, and so many others. You can review his extensive discography at http://ubl.artistdirect.com.

BEN CAULEY (Trumpet, Vocals)
Ben is a founding member of the legendary Stax recording act, The Bar-Kays. Ben has played on most of the greatest soul hits of all time. Anyone who has ever heard "Soul Finger" has Ben Cauley indelibly imprinted in their party-down souls. Ben is the sole survivor of the plane crash that took the lives of Otis Redding and other members of the Bar-Kays. In the following years, Ben has played and arranged music for Isaac Hayes, the Staple Singers and the Doobie Brothers. If you're traveling through the Memphis International Airport, be sure to stop by Da Blues next to Gate 35 where you can catch Ben performing. You can also find him working with the choir at Calvary Longview United Methodist Church, which he and his wife, Shirley, attend.

In addition to her own recording career, Mary-Ann is a three-time Grammy-nominated songwriter whose songs have been covered by blues greats like Johnny Winter, Koko Taylor, Lonnie Brooks and C.J. Chenier. Liz covers her song, "Let Love Make It Right" on Memphis Revisited. Mary-Ann's 2002 release on R.O.A.D. Records features guest appearances by Johnny Winter, Duke Robillard, Anson Funderburgh and a duet with blues legend and Black Top recording artist, Roscoe Shelton. Mary-Ann has worked as a background vocalist with David Olney, Tommy TuTone, Tim Krekel, Earl Gaines, Roscoe Shelton, Johnny Jones, Al Garner and the Roadrunners, Sam Lay, Fingers Taylor, Larry Burton, Billy C. Farlow, Charles Walker, Stan Webb, Freddie Waters, James Nixon and Fred James. For more information on Mary-Ann, link to www.blueslandproductions.com.

DENNIS TAYLOR (Tenor and Baritone Sax) and SCOTT DUCAJ (Trumpet)
Grammy-nominee Dennis Taylor plays with Duke Robillard. Dennis's discography is much too long to include in these liner notes. Scott Ducaj plays with Salsa En Nashville, a 10-piece Afro-Cuban dance orchestra, and with Zia, a new-age jazz combo.



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Brings It All Home to Memphis
I like this album.

Don Wilcock/King Biscuit Magazine

'Lectric Liz Lottmann Brings It All Home to Memphis
Lottmann is "right at home" with some of the most experienced Memphis musicians to assemble since the Bar-Kays went down with Otis Redding in his tragic plane crash. In fact, the only founding member of the Bar-Kays to survive that crash, Ben Cauley, plays trumpet on this session that was pulled together by Jeff "Stick" Davis on bass and keyboardist Billy Earheart, both of the Amazing Rhythm Aces. The connections are "Lectric," and Liz is in her glory. If she's a little over the top on "Trouble" and "Spellbound," you can understand. How would you feel if you got to mix it up with artists who not only defined Memphis soul but share several Grammy nominations between them and resumes that include work with everyone from Webb Wilder to Al Green? Home is where the heart is...and Liz is nothing if she's not all heart.

Fritzie -- All About Town

Memphis Revisited is a Triumph!
The first impressions delivered by 'Memphis Revisited' were the excitement of the kicking horn section and the tastefulness and versatility of the guitarist. The arrangements overall and how effective they were for the different songs was next. The lasting impression though is how versatile Liz Lottmann is as a vocalist. 'Memphis Revisited' is her triumph. She really delivers the package -- the songs, the arrangements, all the star players, she leads the pack.

Amy Cotham, The Morning News of NWA

Singer Revisits Memphis
Over four days around Thanksgiving 2003, Lottmann and her merry band of musicians gathered for a memorable reunion and recording session. The long weekend produced a lot of special memories for all involved as well as some superb recordings. Lottmann's session with (Ben) Cauley is a prime example of the history that was made. (Ben is the only survivor of the plane crash that killed Otis Redding and Ben's other Bar-Kays band members.) The goal of the studio time was to capture the Memphis sound. Mission accomplished.

The Free Weekly

Liz Lottmann Goes Back to Play It Forward
Liz Lottmann has just released a new CD "Memphis Revisited" on her own Ginnin' Cotton label. The new recording includes backup from a crew of Memphis icons. It is a first-class project that showcases Lottmann's wide ranging vocal talent on a variety of Memphis tunes from the bluesy "Why Do You Treat Me Like You Do" the the smooth, jazzy "Why Can't I Be Satisfied." Liz said that the recording sessions for "Memphis Revisited" with musicians of this high caliber is one of the greatest moments in her music experiences.

Don Chambers -- The Don Chambers Group

Unbelievably great....
If albums were judged by quality and merit rather than the prowess of one's distributor, this CD falls squarely into the double platinum category. Every aspect of this production is a superb, goosebump-generating, masterful performance, from Liz's unique and versatile and extensive vocal talents to every lick from the incredible collection of players Liz brought together to the song selections to the lyrics to the orchestrations to the background singers to the myriad musical decisions made for every song of this CD... It is just all there. All of it! When Liz was paying her considerable dues throughout the years, she must have been kicking in a little extra every week, and in this CD it all comes back and pays off with interest! I'm no musicologist, and this may very well be how they do it in Memphis, but this is no narrow, regional musical interpretation. In it I hear East, West, North, and South. This is one for the world... and the ages.