Order 3 or more physical items and get 1¢ postal shipping
L. Subramaniam | Samarpanam

Go To Artist Page

More Artists From

Other Genres You Will Love
World: Carnatic Classical: Traditional Moods: Instrumental
There are no items in your wishlist.


by L. Subramaniam

India's greatest violin maestro enthralls audiences in Trinidad with this mellifluous carnatic classical concert.
Genre: World: Carnatic
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
available for download only
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Viribhoni (Varnam) [Raga Bhairavi, Tala Ata]
18:31 album only
2. Raga Mohanam
14:35 album only
3. Kriti Ennai Katharulvai (Raga Mohanam, Tala Adi)
22:35 album only
4. Kriti Devi Brova (Raga Chintamani, Tala Ad)
10:03 album only
Downloads are available as MP3-320 files.


Album Notes
Dr. L. Subramaniam, the global representative of Indian classical music and one of the finest bowmen of the century presents the art of South Indian classical music to the Trinidad audience. For the past five decades Dr. Subramaniam has been one of the most important carnatic music exponents and has recorded/performed with some of the biggest names in the classical tradition. He is also credited with several innovations in carnatic music both in terms of technique and music.

The first track is the very traditional and extremely intricate varnam in raga Bhairavi set to Ata tala, a 14 beat cycle divided as 5+5+2+2. Dr. Subramaniam performs this compositions in five different speeds by dividing the beat into different pulses.

The second track is a raga alapana, a free-style improvisation, in raga Mohana. This is a prelude to the composition in the third track.

The third track is a kriti in raga Mohana set to Adi tala, an 8 beat cycle divided as 4+2+2. This is a composition in praise of lord Ganesha.

The final track is a kriti in the rare raga Chintamani set to Adi tala. It is a composition of Shyama Shastri, who is one of the greatest composers in the Carnatic tradition. This is a song dedicated to the goddess Kamakshi.



to write a review