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Robert Lurie | you speak in too many voices

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angelfire.com

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United States - Georgia

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Rock: Psychedelic Pop: Quirky Moods: Type: Experimental
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you speak in too many voices

by Robert Lurie

folkadelic psycho-ambient experimental pop ditties
Genre: Rock: Psychedelic
Release Date: 

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  Song Share Time Download
clip
1. cornered in the tomb
2:13 album only
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2. vanishing act
3:20 album only
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3. dreamlover
2:39 album only
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4. interzone
5:20 album only
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5. i'm her slave
2:21 album only
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6. disorder
1:53 album only
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7. kashmiri skies
3:16 album only
clip
8. body and soul
2:42 album only
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9. pills (instrumental)
2:56 album only
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10. branca tonic
4:54 album only
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11. all my girlfriends are getting married
2:24 album only
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12. caste system
5:20 album only
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13. all i want
3:09 album only
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14. belong
7:06 album only
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15. i sleep alone
1:04 album only

ABOUT THIS ALBUM


Album Notes
Critically-acclaimed space-folk music for thinking people. Good for parties, seances, or private listening pleasure! Don Campau of No Pigeonholes calls it one of the best CDs I've heard this year.

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Reviews


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Various

critically-praised debut
""you speak in too many voices has a depth and charm reminiscent of Bowie's Hunky Dory and Neil Young's After the Gold Rush but with a style all its own." --Angus Nurse, The Independent Distribution Network.... "It's a fantastic sample of Lurie's diverse work." --J Mundok, The Kettle Black.... "One of the best CDs I've heard this year" --Don Campau, No Pigeonholes.... "Lurie displays a broad range of styles from solitary singer-with-guitar tunes to unique instrumental cuts which are strange and wonderful" --Bryan Baker, GAJOOB.... "I'd have to recommend this album for anyone that's not impressed by clone mainstream music" --Terry Allen, hEARd Magazine.... "Try landing on 'Vanishing Act' and 'Body & Soul,' fractured pop songs that roil to voices' surface like perfectly distilled chemical impurities" --Shannon Zimmerman, The Big Takeover.... "The first person dialogue of individual experience is very powerful on such mature cuts as 'interzone,' and most of the cuts feature a very spare, elegant -- I'd almost say even existential -- approach." --SD Fitzpatrick, Ink 19" --

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