Andrea Marcovicci | Here, There and Everywhere

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Andrea Marcovicci

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United States - California - LA

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Pop: 60's Pop Folk: Gentle Moods: Solo Female Artist
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Here, There and Everywhere

by Andrea Marcovicci

A recording for Baby-Boomers. With songs from ’65 – ’85 Andrea blends poignancy and whimsy to capture an era of rebellion and reflection with the music of Peter, Paul and Mary, The Beatles, Joni Mitchell, Billy Joel, Paul Simon, and MORE!
Genre: Pop: 60's Pop
Release Date: 

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  Song Share Time Download
1. Summer, Highland Falls
3:02 album only
2. Secret Of Life
2:54 album only
3. In My Life
2:11 album only
4. The 59th Street Bridge Song (Feelin' Groovy)
2:35 album only
5. Downtown
2:34 album only
6. Someday Soon
2:41 album only
7. All I Want
3:00 album only
8. Leavin' On A Jet Plane
3:22 album only
9. Here, There And Everywhere
2:27 album only
10. For No One
2:28 album only
11. If There Walls Could Speak/MacArthur Park
4:49 album only
12. All In Love Is Fair
2:53 album only
13. When I'm Sixty-Four
2:33 album only
14. The Way We Were
2:27 album only
15. Send In The Clowns
3:10 album only
16. Time In A Bottle
2:47 album only
17. The Sweetest Of Nights And The Finest Of Days
2:59 album only


Album Notes
“The greatest cabaret star of her generation, she sings with a haunting tenderness that once heard is never forgotten.”

“Andrea Marcovicci has an incandescent enthusiasm and masterly balance between poignancy and wit.”

“Her seductive physical beauty is uncannily reflected in a lilting voice shot through with fire. Andrea Marcovicci - torch singer, spellbinder, heartbreaker is here to stay.”

“Andrea Marcovicci is at the top of her career, and she’s one of the few who can consistently fill a room with crowds searching for a bit of musical elegance.”

Andrea Marcovicci, a champion of the American Popular Songbook, has created full-cast variety shows and over forty solo cabaret shows. Her many recordings reflect her deep devotion not only to classic songwriters of the past (like Irving Berlin, Cole Porter, and Rodgers & Hart) but her encouragement of new voices composing in that same tradition. Andrea began her career with appearances on The Today Show and The Merv Griffin show, subsequently appearing at the legendary New York nightclub Reno Sweeny, and eventually mounting a solo concert at Carnegie Hall with guest, Michael Feinstein.

Her many awards and honors include a MAC, BISTRO, and MABEL. Andrea was inducted into The Cabaret Hall of Fame in 2016. She holds the record – an unprecedented 25 seasons – at the legendary Oak Room of the Algonquin Hotel, and was the final performer ever to grace that stage.

In a career spanning over five decades, the singer and actress, has co-starred with Danny DeVito, Sir Michael Caine, Tom Selleck, Sam Waterston and many others. Her film debut in “The Front” brought her a Golden Globe nomination. She’s played Broadway, the White House, and sold-out the esteemed LICEU Opera House in Barcelona and Town Hall in NYC. Andrea ushered in the millennium with the Chicago Symphony. “Ten Cents a Dance,” her tribute to Ruth Etting, aired on PBS. Andrea has guest starred on Garrison Keillor’s Prairie Home Companion and read poetry, and stories, for NPR.



to write a review


Being an interpreter is much more than just being a singer: it means getting in touch the music(and the world , the values, the emotions the music comes from) with the listener's world and emotions.
That's what Andrea is doing. Listening to her singing is a precious gift to our souls.

Alison M. Swann

Here, There and Everywhwere
The track that brought me in was the title cut, Here, There and Everywhere. I heard her sing it live on A Prairie Home Companion on NPR and loved the way she sang it and the fact that she did not change the gender. It was very sensual. After hearing the entire CD, Here, There and Everywhere remains my favorite song. This CD makes me want to hear her live at the Algonquin. Any singer who dares to adapt solid gold hits like these, songs so identified with the vocalists/bands who originally performed them, to cabaret is bold. I think it is easy to evaluate them out of the context of cabaret and be overly critical. Marcovicci takes each song and sets it free to be heard and float off. That\'s a neat quality, but one it may sometimes be difficult for us to appreciate.

carolyn okeefe

here there everywhere
I can't imagine rating any AM recordings less than four stars. This one is uneven but there are some real gems: Feelin' Groovy, the title song, and For No One. I winced on the All I Want song because I like the Joni Mitchell original and didn't think AM's voice was suited to it. Still, sometimes I like that AM isn't perfect; it makes her realer to me, so I may end up liking that song after more listening. In general I would prefer AM either sticking with 1-- freshening old standards OR 2--doing songs I haven't heard pop artists sing.