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Marin Spivack & Milo Francis | Hypnotique

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United States - Massachusetts

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Jazz: Avant-Garde Jazz Jazz: Modern Free Jazz Moods: Spiritual
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Hypnotique

by Marin Spivack & Milo Francis

Impressionist improvisation unlimited by 'free jazz' tropes nor 'jazz' conventions journey to uncharted lyrical, abstract esoteric and ecstatic states, performed by a duo of uncompromisingly independent artists.
Genre: Jazz: Avant-Garde Jazz
Release Date: 

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  Song Share Time Download
clip
1. Arrival
Marin Spivack & Milo Francis
4:10 $0.99
clip
2. Autumn Eddies
Marin Spivack
5:50 $0.99
clip
3. Hypnotique
Marin Spivack
3:43 $0.99
clip
4. Gnawah Latah
Marin Spivack
7:38 $0.99
clip
5. Convertible Days
Marin Spivack
3:47 $0.99
clip
6. Haunted House
Marin Spivack
4:19 $0.99
clip
7. Hidden Pocket
Marin Spivack
4:34 $0.99
clip
8. Fire Circle
Marin Spivack
4:09 $0.99
clip
9. Danaus Plexipus
Marin Spivack
4:07 $0.99
clip
10. Jupiter Probe
Marin Spivack
5:13 $0.99
clip
11. Anonymous Self Portrait
Marin Spivack
5:09 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Marin Spivack is an American saxophonist, composer, improviser and multi-instrumentalist with decades of performance as well as a background of study with greats such as Bill Dixon and Milford Graves as well as experience and influences from many continents and traditions. Milo Francis is an American percussionist and multi instrumentalist with previous association with Sonny Murray and a background in mid-eastern and Indian percussion as well as American forms.

This recording was the culmination of many years of focused improvisational practice and study in the San Francisco Bay area in the late 1990's to the early 2000's. This unit performed frequently as a duo and sometimes with added musicians as well, and made a few recordings of which this was the seminal example. The unity and formula for the music was no accident as various routes, patterns and approaches to improvisation were deeply studied and practiced. Some of the compositions were arranged specifically as both launching points for improvisation as well as thematic constructions, while others were 'written' utterly spontaneously.

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