Order 3 or more physical items and get 1¢ shipping
Marley's Ghost | Haunting Melodies

Go To Artist Page

Recommended if You Like
Austin Lounge Lizards Grateful Dead Van Morrison

Album Links
Marley's Ghost

More Artists From
United States - Washington

Other Genres You Will Love
Folk: Traditional Folk Folk: Scottish Traditional Moods: Type: Acoustic
There are no items in your wishlist.

Haunting Melodies

by Marley's Ghost

Renowned for inspired 4-part harmonies, the group is as much English folk roots (Jacob) as Jamaican reggae (Bob), plus Gospel, Country, R&B, Cajun and even Scottish bagpipe tunes, Marley's Ghost is known as the "One Band Music Festival.
Genre: Folk: Traditional Folk
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
just a few left.
order now!
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
clip
1. Lay Down You Weary Tune (Dylan)
2:54 album only
clip
2. The End is Not in Sight (Smith)
3:09 album only
clip
3. Alone Together (Jon Wilcox)
3:39 album only
clip
4. Pass Me Not (Trad.)
3:22 album only
clip
5. I'm a King Bee (Moore)
4:09 album only
clip
6. Sitting in Limbo (Bright, Cliff)
6:31 album only
clip
7. One Love (Marley, Livingstone)
5:21 album only
clip
8. Rachel (Ringer)
3:36 album only
clip
9. Who Will the Next Fool Be (Rich)
3:27 album only
clip
10. And It Stoned Me (Morrison)
3:59 album only
clip
11. Bob Dylan's Dream (Dylan)
3:16 album only
clip
12. Iko Iko (Trad.)
3:59 album only

ABOUT THIS ALBUM


Album Notes
Marley's Ghost moves effortlessly between reggae, folk, blues, Celtic, Gospel, old-time music, bluegrass, Scottish bagpipe tunes and Mardi Gras funk. No wonder that Marley's Ghost is known as the "One-Band Music Festival". This inspired band uses powerful vocal harmonies and superb instrumentation to drive the music home.

Marley's Ghost began as a trio in 1986 when Mike Phelan, Dan Wheetman and Jon Wilcox played for a St. Patrick's Day show. Ed Littlefield, Jr. joined soon after when they all came together at Littlefield's recording studio to work on Wheetman's solo album. With four notable parts creating a synergistic whole, they banded together as Marley's Ghost.

DANNY WHEETMAN (baritone vocals, bass, rhythm guitar, fiddle, harmonica, banjo, dobro, lap steel) has toured and recorded with John Denver, played with Itzhak Perlman, opened for Steve Martin, and written a Christmas song for Kermit the Frog. His humor and showmanship provides a focal point for Marley's Ghost's upbeat entertainment. Wheetman's great passion is to tell the story of America through music in concert and on stage. When he's not touring with Marley's Ghost, he collaborates in the writing, composing, performing and directing of musicals including "Lost Highway" about Hank Williams; "Fire on the Mountain" about coal mining; "Cider House Rules" about abortion; and "It Ain't Nothing But the Blues", the Tony Nominated Broadway musical about Black American history. He received the Hollywood Drama Logue Award for musical direction of "Lost Highway."

JON WILCOX (vocals, mandolin, rhythm guitar, Irish bouzouki) is a singer-songwriter and interpreter of traditional American and British Isles music who first gained national recognition in folk music circles in the 1970s. He plays and records with Marley's Ghost and the Rincon Ramblers, both of which are known for rich vocal harmonies and a de variety of musical styles. A graduate of Stanford Law School and former high school history teacher, Wilcox has been influenced by the tenor vocal styles of Ralph Stanley and Sam Cooke, the songwriting of Van Morrison and Jesse Winchester and the gospel genius of Sweet Honey in the Rock.

MIKE PHELAN (vocals, lead guitars, fiddle, dobro, bass, lap steel) grew up in Columbus, Ohio, where he was inspired at an early age by the great bluegrass and blues players who performed there. In the mid-1970s, he first worked with various bluegrass and old timey bands around Santa Barbara, CA. Later, he settled in the Sonora area, where he soon became the vocal and instrumental mainstay of numerous Mother Lode country, rock and swing bands. A fine singer in the classic country style and soulful lead instrumentalist, Phelan cites guitarists Steve Cropper and B. B. King and Western swing vocalist Tommy Duncan as his major influences.

ED LITTLEFIELD JR. (vocals, pedal steel guitar, Highland bagpipes, keyboards, mandolin, dobro, lead guitar) dove into the Northern California folk music scene as a teen. In the early 1970s, he toured extensively with the Seattle-based Western swing band, Lance Romance, before founding Sage Arts recording studio. One of the most innovative and creative of the new breed of pedal steel guitarists, Ed counts among his major influences Buddy Emmons, Bobby Black, Jerry Garcia and bluegrass greats Flatt and Scruggs.

Read more...

Reviews


to write a review