Martha Mooke | No Ordinary Window

Go To Artist Page

Recommended if You Like
Brian Eno Jean-Luc Ponty Laurie Anderson

More Artists From
United States - NY - New York City

Other Genres You Will Love
Classical: Contemporary Avant Garde: Classical Avant-Garde Moods: Type: Sonic
Sell your music everywhere
There are no items in your wishlist.

No Ordinary Window

by Martha Mooke

The evocative sounds of the electric viola are as windows: gateways to the world and the soul. Both mesmerizing and stimulating, the music illuminates dark corners of the mind, reflecting the true nature of the listener.
Genre: Classical: Contemporary
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
cd in stock order now
Buy 2 or more of this title's physical copies and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. No Ordinary Window
16:47 album only
2. Virtual Corridors
7:32 album only
3. Future Prayer
9:27 album only
4. Ice 4
8:29 album only
5. A Dream in Sound
16:08 album only
Downloads are available as MP3-320 files.


Album Notes
No Ordinary Window, by groundbreaking Electro-acoustic violist/composer Martha Mooke is her new CD/performance experience of highly evocative, provocative and emotion driven music. It is a journey of the illuminating power of music – to the world, to the soul, to the imagination... where music is a window that never closes.

Mooke writes, "No Ordinary Window started as the title of a new work for solo electric viola and has evolved into a passion about sharing music that reaches inside and opens windows to the soul. It's about moving the listener in profoundly personal ways."

CD Review

Martha Mooke’s No Ordinary Window on Monkmusic Records is an amazing look into what is possible with one musician and a few pieces of technology, yet it is also a display of an amazing living composer and performer with an imaginative ear. Mooke’s compositional craft permeates throughout this album, and the musical worlds she creates are purely authentic. Her compositional style is only matched by her viola performance chops as she is the sole performer on each piece.

The title track No Ordinary Window is just that, a unique window through which Mooke lets the listener view her electro-acoustic landscape. This piece is beautiful and well put together. Rather than make the viola’s electronic effects and altered timbres the main idea, there is a tonal theme that permeates throughout the piece. This theme is not only developed in the traditional way, but also through different effects pedals. In many ways, it is symphonic and grand, but still intimate and fragile in some sections. It is amazing how Mooke has found certain effects and lines that layer in the ways they do. Also, the way in which she performs makes each musical idea seem natural and easy.

Virtual Corridors is a piece that is much more frantic and quite dramatic in certain sections. It is a work that could easily fit into a movie soundtrack adding tension while still propelling the action forward. The pizzicato line that starts the piece acts as its engine, and the bowed line put through heavy distortion sets the tense tone from the start. Even through the distortion and electronic timbral effects, Mooke still evokes a human sentimentality through her playing. There is a connection to the excitement as the listener is taken for a ride.

The opening of Future Prayer sounds like a combination of large church bells and a gamelan ensemble, making it hard to believe that a 5-string viola is making all of these aural effects. This comes back to bookend the piece, but with a more unique and haunting string sound. The sounds evoke an indistinct place of worship. The col legno bowing that comes in quickly, disturbs the calm, serene setting, and from there, the piece is almost a constant battle between the calm ostinato layer and the high viola line coupled with sweeping electronic effects.

In ICE 4, Mooke views ice in a variety of different ways including its use as an acronym for “In Case of Emergency.” Sparse pizzicato notes and a digital delay help to set a very frozen scene, but as the music builds and becomes more intense, the emergency starts to show itself. A quick bowed ostinato line starts to push the music forward, but the climax is built more on rhythmic intensity and pitch rather than dynamics. The piece ends much like it began, striping away any warmth the climax provided. It conveys the image of being trapped in a maze of ice, futilely trying to escape.

The final track on the album, A Dream in Sound, is “a sonic representation of the dream state,” according to the album notes. It is also the part of the album where the listener may forget that they are listening to a single viola player. A few of the different timbres of the viola are more akin to an electric guitar and a Native American flute. The piece seems to borrow stylistic ideas not only from Rock but from Jazz and Latin styles, as well. The work is formally complex, too, demanding many different character changes from the performer, which Mooke makes sound effortless.

No Ordinary Window is a beautiful example of the doors technology can open for acoustic instruments. Each track on this album is haunting, yet beautiful; alien, yet human. Throughout it all, Martha Mooke still remains true to excellent compositional craft which makes this album all the more impressive. No Ordinary Window is truly engaging, from top to bottom.
by Jarrett Goodchild,

Program notes:
The title track, No Ordinary Window is a journey of the illuminating power of music – to the world, to the soul, of opportunity... where music is a window that never closes. Scored for solo viola and electronics (recorded using the Eventide H9 and Boss RC300 Looper)), this is as much an ensemble work through the interaction and interplay of the effects processing. Digitally delayed harmonization, enhanced resonance of selected pitches and special looping techniques created by the composer, serve to significantly augment the palette of the viola’s musical world.

Virtual Corridors begins with haulting steps through the metaphorical corridors of the universe. As it progresses, the work picks up courage and momentum, with the solo viola adding textures, exploring echoed patterns and reaching a rhythmically driven climax before seemingly returning to yet another hallway, whistling a ghostly line of reminiscence.

Future Prayer intones the tolling of church bells, utilizing harmonic effects to represent the rewinding of time and setting up an overdriven rhythmic ostinato under soaring viola lines, and disturbing musical images from the evening news. Peace eventually triumphs, in the form of a final meditation by a wordless choir.

ICE 4 Here, the word “ice” takes on many forms including frozen water, icicles, frozen in time, ICE is also an acronym for “In Case of Emergency”. Harmonics, pizzicato effects and digital delay emphasize the frozen nature of the music. A nod to the music of Brazil serves to warm the landscape along with a passage that seems to set the “bow” on fire. In the end, the temperature plunges and returns to the frozen world once again.

A Dream in Sound is a sonic representation of the dream state, incorporating an extended sound world of atonal melodies, extended string techniques, cascading harmonies and electric guitar-like elements infused by rock and jazz styles.



to write a review