Mary Gauthier | Rifles & Rosary Beads

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Rifles & Rosary Beads

by Mary Gauthier

These songs were all co-written with members of the military and their spouses, and are descriptions of what it has been like for them over the last seventeen years of conflict.
Genre: Folk: Folk-Rock
Release Date: 

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  Song Share Time Download
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1. Soldiering On
5:32 $0.99
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2. Got Your Six
2:39 $0.99
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3. The War After the War
3:45 $0.99
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4. Still on the Ride
5:04 $0.99
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5. Bullet Holes in the Sky
4:46 $0.99
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6. Brothers
2:50 $0.99
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7. Rifles & Rosary Beads
3:37 $0.99
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8. Morphine 1-2
4:04 $0.99
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9. It's Her Love
4:19 $0.99
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10. Iraq
4:18 $0.99
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11. Stronger Together
3:42 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Every day.
Every single day, which means some days are better and some much worse.
Every day, on average, twenty-two veterans commit suicide.
Every day.
That number does not include drug overdoses or car wrecks or any of the more inventive ways somebody might less obviously choose to die.
It seems trivial to suggest those lives might be saved — healed, even — by a song. By the process of writing a song.
And yet.
And yet there is nothing trivial about Mary Gauthier's tenth album, Rifles & Rosary Beads (Thirty Tigers), all eleven songs co-written with and for wounded veterans. Eleven of the nearly four hundred songs that highly accomplished songwriters have co-written as part of the five-year-old SongwritingWith:Soldiers program.
Participants of the program have shared that the experience of songwriting was life changing for them, some even said life saving. Something about writing that song — telling that story — is healing. What program co-founder Smith calls post-traumatic-growth.
Gauthier's first nine albums presented extraordinary confessional songs, deeply personal, profoundly emotional pieces ranging from “I Drink,” a blunt accounting of addiction, to “March 11, 1962,” the day she was born — and relinquished to an orphanage — to “Worthy,” in which the singer finally understands she is deserving of love. Maybe that's where the confessional song cycle ends, for she has midwifed these eleven new songs in careful collaboration with other souls whose struggle is urgent, immediate, and palpable. And none are about her.
Each song on Rifles & Rosary Beads is a gut punch: deceptively simple and emotionally complex. From the opening “Soldiering On” (“What saves you in the battle/Can kill you at home”) to “Bullet Holes in the Sky” (“They thank me for my service/And wave their little flags/They genuflect on Sundays/And yes, they'd send us back”), while “Iraq” depicts the helpless horror of a female military mechanic being dehumanized and sexually harassed by fellow soldiers.
Darrell Scott, returning from one of Smith's first retreats, called and told Mary she needed to
participate. “I felt unqualified,” she says. “I didn't know anything about the military, I was terrified
of fucking it up. I didn't feel I knew how to be in the presence of that much trauma without being
afraid. But Darrell knew I could do it. Turns out, I was able to sit with the veterans with a sense
of calmness and help them articulate their suffering without fear. I was shocked by that. And I
took to it.”
It has become a calling. “My job as a songwriter is to find that thing a soul needs to say,” Mary
says. “Each retreat brings together a dozen or so soldiers and four songwriters, three songs
each in two days. We don't have a choice. We have to stay focused, listen carefully, and make
sure every veteran gets their own song. And we always do.”
“None of the veterans are artists. They don't write songs, they don't know that songs can be
used to move trauma. Their understanding of song doesn't include that. For me it's been the
whole damn deal. Songwriting saved me. It's what I think the best songs do, help articulate the
ineffable, make the invisible visible, creating resonance, so that people, (including the
songwriter) don’t feel alone.”
The impact of these songs becomes visible quickly, unexpectedly.
Featured in the TV series “Nashville,” the Bluebird Cafe now prospers as a tourist destination.
The room fills twice a night with people thrilled to be in the presence of real live Nashville
songwriters.
Who, in turn, are thrilled to be in the presence of a paying audience that can do nothing to
advance their careers, save give a genuine response to their songs.
The gentleman at the next table has handsome white hair and a hundred-dollar casual shirt, and
almost certainly had no idea who Mary Gauthier was, nor what her songs might be about, when
he came out of the sunlight into the darkened listening room. He knows, now. Thick, manicured
fingers cover his face, trying to catch his slow tears. His wife sits close, watches carefully, but
knows better than to touch him.
He is not alone in that small audience.
Every day we are touched by the veterans in our lives, whether we know it or not.
Every single day. Even if it's only the guy on Main Street, in the wheelchair, with the flag.
Every single day.
And, yes, a song may be the answer.
“Because the results are so dramatic, this could work for other traumas,” Mary says. “Trauma is
the epidemic. You say opioid, I say trauma epidemic. As an addict, I know addiction is selfmedication
because of suffering, and beneath that pain is always trauma. Underneath so much
of the problems in the world is trauma, it's the central issue humanity is dealing with. We've
found something powerful here, that brings hope to people who are hurting. So they are truly
seen, and know they are not alone.”

Rifles and Rosary Beads is a new studio album co-written with Mary Gauthier and wounded combat veterans over the last four years via SongwritingWith:Soldiers.

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