Mehmet Okonsar | Schumann-Fantasie

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Classical: Romantic Era Classical: Piano solo Moods: Instrumental
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Schumann-Fantasie

by Mehmet Okonsar

Two key masterpieces of the romantic piano repertoire.
Genre: Classical: Romantic Era
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  Song Share Time Download
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1. Fantasie in C Major, Op. 17, I: Durchaus Fantastisch Und Leidenschaftlich Vorzutragen; Im Legendenton
12:57 $0.99
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2. Fantasie in C Major, Op. 17, II: Mäßig. Durchaus Energisch
7:34 $0.99
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3. Fantasie in C Major, Op. 17, III: Langsam Getragen. Durchweg Leise Zu Halten
11:08 $0.99
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4. Etudes Symphoniques, Op. 13 Theme: Andante, Etude 1 (Var.1): Un Poco Più Vivo
2:30 $0.99
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5. Etudes Symphoniques, Op. 13 Etude II (Var.2): Andante
2:43 $0.99
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6. Etudes Symphoniques, Op. 13 Etude III: Vivace
1:30 $0.99
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7. Etudes Symphoniques, Op. 13 Etude IV (Var.3): Allegro Marcato, Etude V (Var.4): Scherzando
2:16 $0.99
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8. Etudes Symphoniques, Op. 13 Etude VI (Var.5): Agitato
1:16 $0.99
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9. Etudes Symphoniques, Op. 13 Etude VII (Var.6): Allegro Molto
1:20 $0.99
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10. Etudes Symphoniques, Op. 13 Etude VIII (Var.7): Sempre Marcatissimo
2:17 $0.99
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11. Etudes Symphoniques, Op. 13 Etude IX: Presto Possible
1:05 $0.99
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12. Etudes Symphoniques, Op. 13 Etude X (Var.8): Allegro Con Energia
1:24 $0.99
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13. Etudes Symphoniques, Op. 13 Etude Xi (Var.9): Andante Espressivo
2:22 $0.99
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14. Etudes Symphoniques, Op. 13 Etude Xii (Finale) - Allegro Brillante
6:50 $0.99
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15. Supplement to Op.13: Five Additional Variations: Variation I
1:53 $0.99
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16. Supplement to Op.13: Five Additional Variations: Variation II
1:33 $0.99
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17. Supplement to Op.13: Five Additional Variations: Variation III
1:42 $0.99
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18. Supplement to Op.13: Five Additional Variations: Variation IV
3:16 $0.99
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19. Supplement to Op.13: Five Additional Variations: Variation V
3:26 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The Fantasie in C, Op. 17, composed in 1836, is a music of passion, and also of profound pathos. It is textured with all the soul of the late Beethoven. As outlined by Franz Liszt, who played the composition for Schumann and to whom it is actually dedicated; the piece needs to have a very dreamish (träumerisch) character: "it's a noble work, worth of Beethoven whose career, incidentally, it's supposed to represent."

Études Symphoniques, op.13 are “études” in the sense of ones by Chopin or Liszt. Actually concert pieces, where an exhaustive evaluation of the techniques and timbres of the piano is achieved. They are "symphonic" with all the riches as well as intricacy from the shades evoked; the piano turns into an orchestra capable of combining, contrasting and super-imposing various timbres.

If studies Nos. 3 and 9, where the relationship with the theme is actually tenuous are omitted, all pieces are in variation form. Here variation means free transformation, no more of a theme, but of a musical cell or cells. In those specific Études, the theme functions like a unifying factor, varied to be the building blocks for those incredibly imaginative figures.

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