Various Artists | Milton Estevez: Symphonic and Chamber Music

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Avant Garde: Classical Avant-Garde Classical: Orchestral Moods: Instrumental
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Milton Estevez: Symphonic and Chamber Music

by Various Artists

This album includes a selection of five representative works by Estévez, ranging from a combination of full symphony orchestra and electro-acoustics (Apuntes con Refrán), chamber music with electro-acoustics (Cantos Vivos y Cantos Rodados, Patch 13), to s
Genre: Avant Garde: Classical Avant-Garde
Release Date: 

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  Song Share Time Download
clip
1. Symphonic and Chamber Music: 1. Apuntes Con Refran I - II
National Symphony Orchestra of Ecuador & Alvaro Manzano
10:59 album only
clip
2. Symphonic and Chamber Music: 2. Cantos Vivos y Cantos Rodados. I Citas y Clones - II Clone 2
Milton Estevez
17:14 album only
clip
3. Symphonic and Chamber Music: 3. Evocacion Prematura
Milton Estevez
5:22 album only
clip
4. Symphonic and Chamber Music: 4. Evocacion Prematura II, Episodio & Dal Segno (Live)
Gary Barnett & Milton Estevez
8:00 album only
clip
5. Symphonic and Chamber Music: 5. Guitarra… Guitarra… I, Cantaleta (Live)
Jean-Luc Mas
3:56 album only
clip
6. Symphonic and Chamber Music: 6. Guitarra… Guitarra… II (Live)
Jean-Luc Mas
4:13 album only
clip
7. Symphonic and Chamber Music: 7. Guitarra… Guitarra… III, Cantaleta y Final (Live)
Jean-Luc Mas
3:33 album only
clip
8. Symphonic and Chamber Music: 8. Patch 13 I
Gary Barnett & Andrés Carrera
1:19 album only
clip
9. Symphonic and Chamber Music: 9. Patch 13 II
Gary Barnett & Andrés Carrera
1:20 album only
clip
10. Symphonic and Chamber Music: 10. Patch 13 III
Gary Barnett & Andrés Carrera
1:19 album only
clip
11. Symphonic and Chamber Music: 11. Patch 13 IV
Gary Barnett & Andrés Carrera
3:46 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The works included in this album share some of the composer’s explorations in acoustical music, featuring his constant search for unfamiliar, yet distinctive, colors of individual instruments as well as orchestral textures. They also illustrate his ways of approaching electro-acoustics and computer-assisted music as part of the broad –mixed- instrumental palette of composers, rather than as exclusive ways to creating new music.

Guitarra… Guitarra… and Evocación Prematura might be conspicuous samples of this way of regarding to musical color of an individual instrument. It also features the composer’s preference for non-symmetrical rhythm, tempo, and metric.

Apuntes con Refrán and Cantos Vivos y Cantos Rodados, on the other hand, show his approach to blending complex textures, both instrumental and electro-acoustic, as a form of counterpoint of systems.

More detailed comments on each work listed in this album may be found at the composer’s website.

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