Mo-Ah Kim | Clara Wieck Schumann (1819-1896) Art of Preluding

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Classical: Romantic Era Classical: Piano solo Moods: Type: Improvisational
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Clara Wieck Schumann (1819-1896) Art of Preluding

by Mo-Ah Kim

Clara Schumann's “mosaic” of short gems strung together into a cohesive whole
Genre: Classical: Romantic Era
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  Song Share Time Download
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1. Uebungen Exercise No. 1 in C Major
1:09 $0.99
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2. Uebungen Exercise No. 2 in a Minor
0:46 $0.99
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3. Uebungen Exercise No. 3 in G Major
0:41 $0.99
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4. Uebungen Exercise No. 4 in E Minor
0:59 $0.99
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5. Uebungen Exercise No. 5 in D Major
0:42 $0.99
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6. Uebungen Exercise No. 6 in B Minor
0:35 $0.99
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7. Uebungen Exercise [No. 7] in a Major
0:36 $0.99
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8. Vorspiel Prelude No. 1 in C Major
1:05 $0.99
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9. Vorspiel Prelude No. 2 in F Minor
1:10 $0.99
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10. Vorspiel Prelude No. 3 in E Major
0:58 $0.99
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11. Vorspiel Prelude No. 4 in E-Flat Major
1:32 $0.99
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12. Vorspiel Prelude No. 5 in D Minor
1:25 $0.99
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13. Vorspiel Zu “des Abends” V. R. S. [No. 6] in D-Flat Major
0:46 $0.99
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14. Vorspiel Prelude [No. 7] in G Major
0:44 $0.99
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15. Vorspiel Prelude [No. 8] in a-Flat Major
0:55 $0.99
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16. Vorspiel Zu Aufschwung [No. 9] in F Minor
0:41 $0.99
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17. Vorspiel Zu Aufschwung [No. 9] in F Minor: Shorter Closure
0:24 $0.99
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18. Vorspiel Zu Schlummerlied [No. 10] in E-Flat
0:37 $0.99
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19. Vorspiel Prelude [No. 11] in E-Flat Major
0:56 $0.99
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20. Einfache Praeludien Für Schüler No. 1 in C Major
0:18 $0.99
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21. Einfache Praeludien Für Schüler No. 2 in a-Flat Major
0:22 $0.99
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22. Prelude in a-Flat Major: Einfache No. 2
0:45 $0.99
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23. Impromptu in a-Flat Major, Op. 29
4:17 $0.99
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24. Vorspiel Zu “des Abends” V. R. S.
0:43 $0.99
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25. Fantasiestücke, Op. 12: Des Abends
3:38 $0.99
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26. Prelude in C Major: Einfache No. 1
0:28 $0.99
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27. Fantasiestücke, Op. 12: Traumes Wirren
2:37 $0.99
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28. Prelude in C Major
0:20 $0.99
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29. Piano Sonata No. 1 in C Major, Op. 24: IV. Rondo
4:17 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The works on this recording are from Clara Schumann’s autograph, published posthumously upon her daughters’ request in
October 1895 or shortly thereafter-seven prelude exercises, eleven written-out preludes, and two short progressions titled Einfache Praeludien für Schüler (“Simple Preludes for Students”). Although these were sketches only, jotted down to satisfy her children, there is much to learn and enjoy from these brief works. The last half of this recording reimagines this performance, using my own improvised preludes in the style of Clara Schumann to create a “mosaic” of short gems strung together into a cohesive whole. With this recording, I invite you to join me in listening to a recreation of the nineteenth-century concert experience of well-known favorites by Robert Schumann and Frédéric Chopin.

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