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Muriel Grossmann | Earth Tones

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Joe Henderson John Coltrane McCoy Tyner

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Spain

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Jazz: Jazz quartet Jazz: Contemporary Jazz Moods: Featuring Saxophone
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Earth Tones

by Muriel Grossmann

Spiritual Jazz; this album is a suite. The classical guitar/saxophone Jazz Quartet is accompanied by a drone of multiple acoustic instruments. A great musical journey.
Genre: Jazz: Jazz quartet
Release Date: 

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  Song Share Time Download
clip
1. Earth Call
11:26 $1.40
clip
2. Hope
10:56 $1.40
clip
3. Sharing
17:04 $1.40
clip
4. Wisdom
11:40 $1.40
clip
5. Unconditional Love
12:29 $1.40
clip
6. Earth Tones
16:10 $1.40
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
The journey to accomplish Earth Tones comes from a deep wish to create music that will express my profound search for connection with our true universal values: Peace, Harmony, Love and genuine Happiness.

The seed for this record was planted listening to a CD of Gongs, that I would put during the whole winter for bedtime with my children, in the house on top of the mountain of St. Carlos in the northeast of the Island of Ibiza. The house was situated in a huge forest of pinewood, hidden, and we had our bed above the chimney and the fire was burning every night, creating the beautiful shapes of light and shadow on the walls during the winter.

The winter after, I started to get interested in overtones, colors of tones and Coltrane’s circular musical handwriting. I wanted to dedicated more time to the soprano saxophone and I composed Earth Tones, a suite, based upon simple melodies, structures and overtones.

When I started to record I wanted to create an organic drone that would give me a peaceful base for the story of the record: the earth calling us (EARTH CALL) to participate to turn in harmony (EARTH TONES). I found four essential qualities: HOPE of everybody / SHARING of experiences that would lead to WISDOM and to UNCONDITIONAL LOVE, all based on the universal principle of harmony that was guiding me.

I started to record the drone orchestra, rich in overtones, first tambura, an Indian accompanying instrument and afterwards sarangi, a South Asian violin, then I added piano, flute, melodica, percussion instruments (maracas and bells). I recorded all instruments of the drone orchestra linear and tried to create a natural bow through that process. After the drone orchestra I recorded melodies and solos all in one take, in the order they appear on the record. Radomir came up with an equivalent idea of the guitar drones, consisting of drone guitar, arpeggio guitar, oscillating guitar and slide guitar (in SHARING und UNCONDITIONAL LOVE).

We were listening over months before we decided to invite Christian and Robert to record. They had already recorded with us the previous record Awakening (Dreamlandrecords DR 06 CD) and we knew that they would be able to feel the necessities of this music.

We finished complementing the last song (EARTH TONES) with an acoustic bass and a Percussion Drone, recording timpani and concert bass drum, chau gongs and wind gongs and Tibetan bells, which I had brought from Austria in the time of my fathers funeral. The Tibetan bells reminded me of the church bells that I could hear from my parents apartment in the south of Vienna on Sunday mornings, and I was amazed sitting in my fathers library after his departure experiencing them through ‘new ears’.

I hope that the listener will feel the same joy and excitement hearing this music.
Muriel Grossmann, Ibiza, January 2015

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