Nasar Abadey And Supernova | Diamond in the Rough

Go To Artist Page

Recommended if You Like
Herbie Hancock John Coltrane Wayne Shorter

Album Links
MySpace page Band Wedsite

More Artists From
United States - United States

Other Genres You Will Love
Jazz: Modern Creative Jazz New Age: Healing Moods: Instrumental
Sell your music everywhere
There are no items in your wishlist.

Diamond in the Rough

by Nasar Abadey And Supernova

Music in Multi-D from the threshold of jazz to beyond space and time. Diamond In The Rough illustrates the refinements of a true craftsman; Abadey took his time with this one, befitting the process necessary to arrive at an ear-catching Diamond indeed!
Genre: Jazz: Modern Creative Jazz
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Sign up for the CD Baby Newsletter
Your email address will not be sold for any reason.
Continue Shopping
cd in stock order now
Buy 2 or more of this title's physical copies and get 10% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
1. Diamond in the Rough
9:56 $0.99
2. Sacred Space
12:48 $0.99
3. Eternal Surrender
13:32 album only
4. Multi-D
13:23 album only
5. The Covenant
5:44 album only
6. NotNu
9:39 $0.99
Downloads are available as MP3-320 files.


Album Notes
For Diamond Nasar Abadey has assembled an agenda of six originals and one standard. “Diamond in the Rough” is a lovely opener blessed with a rich harmonic pallet. The tone poem-like “Sacred Space” reflects Abadey’s spiritual side. “Eternal Surrender” takes flight during a brotherly tenor/alto exchange between Thomas and Ford. Throughout the disc the saxophonists achieve admirable simpatico, not always an easy task for two saxes sharing a frontline sans brass.

“Multi D”, whose title reflects a basic Abadey premise about his goals towards multi-directional music, has a bit of a hitch in its opening, a certain withholding from commitment from the saxophonists to King’s insistent suggestion of swing metrics. Ford and Thomas appear to discuss the matter a bit before Ford finally succumbs to King and Abadey’s groove at the 2:50 mark. Shortly Thomas gets in the spirit and effectively rides the Abadey/King carpet, Johnson anxiously comping. Soon the pianist also quaffs deeply from the groove challis as well.

“Covenant” finds King and Johnson establishing a mood of foreboding, with Thomas and Ford once again engaging at King’s insistence.

“Notnu” opens with an apt illustration of Abadey’s subtle dynamics. He’s always right there, never one to force the issue in a manner that upsets or unnecessarily stresses the momentum beyond the intent of the composition. Ford essays “Notnu” on soprano and the piece proves to be an ideal vehicle for Allyn Johnson’s narrative capabilities. The closing flag-waver “No Greater Love” is an aptly swinging standard feature largely for Johnson and Ford’s soprano. SUPERNOVA presents colors...textures...and strong grooves!

Excerpt from liner notes by: Arts presenter-journalist-broadcaster Willard Jenkins who can be read at in The Independent Ear and heard on WPFW in Washington, DC. His latest effort is African Rhythms, the as-told-to autobiography of NEA Jazz Master Randy Weston (Composed by Randy Weston; Arranged by Willard Jenkins) on Duke University Press.



to write a review