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Neil Rambaldi | A Call to the Wild

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United States - California - LA

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Rock: Instrumental Rock Rock: Progressive Rock Moods: Featuring Guitar
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A Call to the Wild

by Neil Rambaldi

67 minutes of an epic rock-fusion soundscape featuring stellar electric and acoustic guitar work, and truly melodic, mostly-instrumental songs. Blues, classical, Latin jazz and other flairs also make their way out here through Neil's diverse artistry...
Genre: Rock: Instrumental Rock
Release Date: 

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  Song Share Time Download
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1. When the Days Were Young
6:34 $0.99
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2. The Day the Tides Stood Still
6:32 $0.99
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3. Mi Corazón
4:27 $0.99
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4. Everything You Say
5:20 $0.99
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5. And the Sun Goes Down...
4:48 $0.99
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6. The Punchline
3:43 $0.99
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7. Into the Twilight
2:39 $0.99
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8. Shadow Armada
5:34 $0.99
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9. Paradise Lost
4:34 $0.99
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10. Wild Seed
4:49 $0.99
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11. The Sleeper
8:09 $0.99
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12. Brave New World
6:12 $0.99
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13. A Call to the Wild
3:51 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
"A Call To The Wild" album review excerpt from KKUP 91.5 FM (Cupertino, CA, USA):

"One of my favorite albums of the year. Great, great stuff all the way through. ...Just as strong as Neil's other releases. Terrific guitarist."
-Don Campau, KKUP 91.5 FM (Cupertino, CA, USA)

"A Call To The Wild" album review excerpt from Sea of Tranquility (USA):

"Much more than just an instrumental guitar-oriented album... Neil Rambaldi not only has all the chops, but the songwriting skills to match them every step of the way. Highly recommended. While his technique is still quite stellar, evident by the acrobatic riffs & solos on the upbeat rocker "When the Days Were Young", it's his sense of emotion on the dramatic "The Day The Tides Stood Still", the Latin jazz & flamenco flavors of "Mi Corazon", and the gorgeous classical strains of "And the Sun Goes Down..." that reveals all the tools in his arsenal. Of course, plenty of gritty hard rockers to be found, such as the molten funk of "Everything You Say", the driving blues-meets-Middle Eastern tones of "Shadow Armada", and the feisty shred of "Wild Seed", each one a sizzling vehicle for Rambaldi's serious chops of doom. ...The songs here contain a wealth of variety, tones, textures, and colors... ...Can't-miss melody. ...Incredible lead guitar! ...Scorching lead guitar solos."
-Pete Pardo, Sea of Tranquility (USA)

"A Call To The Wild" album review excerpt from ProGGnosis (USA/Canada):

"I'm very much impressed by what I hear on A Call To The Wild... Obviously Rambaldi is a great guitar player that can shred with lightning speed, but he does not use his music as a vehicle that allows him to showcase his technical abilities. His emphasis is more on the melody, not just on prowess. References can be made with great Blues Rock guitarists like Joe Bonamassa, Jeff Beck or Stevie Ray Vaughan, but his playing style is quite unique... He even sings (very well) on one track... One thing that really got me hooked on A Call To The Wild is that Rambaldi inserts a good number of pieces in a "Non Blues Rock" style; Latin Rock, Spanish guitar... Luckily he manages to do this without breaking the general mood of his album. A Call To The Wild is an excellent album that is good from beginning to end. Highly recommended indeed." From Facebook @ProGGnosis: "Fans of Jeff Beck, Joe Bonamassa... this album should really interest you."
-Marc Roy, ProGGnosis (USA/Canada)

"A Call To The Wild" album review excerpt from Mundo Rock & Heavy (Chile):

"...A whole myriad of details and adventures to discover if you like to explore the ever-fascinating world of guitar and virtuosity. ...Has a series of resources that are magically articulated through creative compositions, some with a simple touch, melodic and quite poignant, as in that fantastic half-time boot such as "When The Days Were Young," a piece that immediately captivates with its bluesy breath and that little by little goes decanting to a hard rock more and more powerful in its effect. ...Crushing with all the most sensitive aspect that the guitarist has to give of himself."
-Miguel Ramirez, Mundo Rock & Heavy (Chile)

From Neil's "A Call To The Wild" bio:

Heavily inspired by the epic landscapes and wide-open spirit of the American southwest, rock fusion guitarist/multi-instrumentalist, songwriter, and vocalist Neil Rambaldi’s highly-anticipated sophomore release A Call To The Wild conjures up the spirit of the wild with its fire-red, blues-laden guitar lines and epic multi-instrumental soundscapes, carrying listeners to a place where a guitar has never taken them before. Neil’s guitar sound and compositions, time and time again, have been described as powerful and earthy, with one critic calling them “a stunning barrage of sound” (20th Century Guitar Magazine). He paints a scenery with “the brush that is the virtuoso guitar of Rambaldi” (Patricios 95.5 FM, Buenos Aires, AR).

Upon the album’s release in March 2017, Neil peaked at #6 on the Reverb Nation rock charts for Los Angeles, surpassing artists such as rock guitar legend George Lynch. And the San Francisco area veteran radio DJ Don Campau (KKUP 91.5 FM) is calling Neil’s A Call To The Wild one of his “favorite albums of the year.”

Entirely producing, writing, and performing all of the instruments and the occasional vocals on the album (including guitars, bass, keyboards, and various percussion with the exception of some drum programming), this monumental 67-minute work is Neil’s second solo release on his own label Prismism Music, with worldwide distribution on CD and digital download through CD Baby, Amazon, iTunes, Google Play, and many more online music retailers and services, as well as additional CD distribution through Alliance Entertainment and its large and small retail affiliates worldwide. Mainly influenced by a wide spectrum of early rock, progressive rock, hard rock, blues, metal, and even classical, funk, soul, jazz, Latin jazz, and flamenco (including anywhere from Led Zeppelin and Stevie Ray Vaughan, to Beethoven and Paganini, to Eric Johnson and Joe Satriani, to Jimi Hendrix, Steve Vai, Freddie King, Eddie Palmieri, Vinnie Moore, Greg Howe, Al Di Meola, Jeff Beck, Stevie Wonder, Yngwie Malmsteen, Francisco Tárrega, and Paco de Lucía, among others), Neil’s second album has major crossover appeal – and although Neil’s sound is eclectic, it has a distinctive thread throughout that is all his own. His guitar playing is highly melodic, soulful, sometimes aggressive, and often deeply-textured with sounds spanning his stylistic palette. Pete Pardo of Sea of Tranquility (USA) says:

“Much more than just an instrumental guitar-oriented album... Neil Rambaldi not only has all the chops, but the songwriting skills to match them every step of the way. This guy is a monster player. ...Each (song) a sizzling vehicle for Rambaldi's serious chops of doom. The songs here contain a wealth of variety, tones, textures, and colors. ...and he knows how to cross different genres and really mix it up a bit. He's a guy that deserves to be heard by the masses. Lion Music and all the guitar labels out there – check this guy out. I think he is well deserving of finding a spot on one of your rosters.”

Once voted as a top-10 international finalist by guitar legend Steve Vai in the Tonos & Ibanez Guitar Challenge early in his career, Neil has much more than just two solo albums under his belt... There are also dozens of other releases and projects that he has either recorded with or performed with as a session and touring guitarist, backing vocalist, music director, songwriter/composer, or producer, including projects with former member of the Grammy-winning group The Commodores – Kenny Simmons, Universal Records recording artist / WWE ring announcer Lilian Garcia, guitarist Ty Oliver (Powerman 5000), multi-instrumentalist Carl Restivo (Perry Farrell’s Satellite Party, Rihanna), drummer/percussionist Demian Arriaga (Richie Kotzen, Nick Jonas, Iggy Azalea), among many others. Between both his incredible live solo band and these other projects, he has performed extensively in the U.S. and on stages as far as Tokyo, Japan, as well as on national and regional TV in the U.S. Neil’s music has also garnered terrestrial radio airplay in at least 15 countries to date, including the U.S., Canada, Germany, Argentina, Chile, Mexico, Italy, Czech Republic, France, Belgium, Austria, Poland, Australia, and others; he has amassed countless rave reviews and features in the U.S. and abroad for both of his solo albums – including 20th Century Guitar Magazine (USA/Canada), The Aquarian (USA), Guitar Chef (Italy), Mundo Rock (Chile), and on CNET (USA) as an “Editor’s Pick,” among many others; and his music has also been licensed and heard on national and international TV in at least 35 countries for numerous programs, as well as feature films, video games, commercials, and other media including the Wii video game “Dancing With The Stars: We Dance,” AMC TV's “Hollywood Icon,” the feature film “199 Lives: The Travis Pastrana Story,” and many others including productions featured on MTV, AMC TV, National Geographic, Fuel TV, radX, and Rush HD, among others.

Unlike his all-instrumental critically-acclaimed first album Perpetual Horizon, the mostly-instrumental A Call To The Wild expands even deeper into Neil’s range of styles, featuring some of Neil’s vocals as well, where the listener can clearly hear some of his blues and soul influences projecting over catchy rock-blues guitar riffs, drums, and bass on the all-out jam “Everything You Say” – but those influences carry much further beyond just Neil’s vocals. On the album, his bluesy influences permeate throughout many of the tracks, which are often centered in a rock context. Along with plenty of “shred guitar” and hints of prog-rock, this can be heard on tracks such as “The Day The Tides Stood Still,” “When The Days Were Young,” “Wild Seed,” “Brave New World,” the futuristic / bluesy “The Punchline,” and others. Neil’s study of classical music can particularly be heard as well on pieces such as “The Sleeper” and “Into The Twilight,” among others, but these pieces are truly a fusion of rock, classical, and world/ethnic. Latin, Flamenco, and Jazz influences can also be heard on the tracks “Mi Corazón,” “And The Sun Goes Down...” and “Paradise Lost,” respectively – and genre-defying tracks like “Shadow Armada” fall into a style all their own.

Residing in Los Angeles (although originally hailing from New Jersey), Neil is ramping up for solo tour dates in L.A. and the southwest region, and will be booking cities all over amidst also doing periodic live dates with singer/songwriter Michelle Kash in L.A. and New York. (Keep an eye out for upcoming Rambaldi tour dates!) All updates can be found at www.NeilRambaldi.com, with additional information being posted on Facebook (@neilrambaldi), Twitter (@neilrambaldi), and Instagram (@neilrambaldi).

With the accolades Neil has garnered thus far, and the broad span of his musical talents, we must heed the words one Dutch music critic has said about him: “We need to keep our eyes wide open for this talented man” (Strutter’zine, NL). With no need to concern himself with current trends in order to make great music, there is creative truth in Neil’s music, and this matches the purity that has inspired him in the deserts of the southwest U.S. and beyond... Take an epic journey down this desert highway, and discover “what is” Neil Rambaldi.

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