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New Trinity Baroque & Predrag Gosta | Buxtehude: Membra Jesu Nostri

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Andrew Parrott Rene Jacobs William Christie

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Classical: Baroque Classical: Early Music Moods: Type: Vocal
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Buxtehude: Membra Jesu Nostri

by New Trinity Baroque & Predrag Gosta

New Trinity Baroque presents Buxtehude's most famous cantata cycle "Membra Jesu Nostri" with a new flare.
Genre: Classical: Baroque
Release Date: 

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  Song Share Time Download
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1. Cantata I. Ad Pedes (To the Feet): I. Sonata
New Trinity Baroque & Predrag Gosta
0:49 $0.99
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2. Cantata I. Ad Pedes (To the Feet): II. Ecce Super Montes [Chorus]
New Trinity Baroque & Predrag Gosta
1:07 $0.99
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3. Cantata I. Ad Pedes (To the Feet): III. Salve Mundi Salutare [Chorus]
New Trinity Baroque & Predrag Gosta
0:45 $0.99
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4. Cantata I. Ad Pedes (To the Feet): IV. Clavos Pedum [Soprano I]
New Trinity Baroque & Predrag Gosta
1:14 $0.99
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5. Cantata I. Ad Pedes (To the Feet): V. Dulcis Jesu [Bass]
New Trinity Baroque & Predrag Gosta
1:23 $0.99
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6. Cantata I. Ad Pedes (To the Feet): VI. Ecce Super Montes [Chorus]
New Trinity Baroque & Predrag Gosta
1:16 $0.99
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7. Cantata II. Ad Genua (To the Knees): I. Sonata in Tremulo
New Trinity Baroque & Predrag Gosta
1:20 $0.99
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8. Cantata II. Ad Genua (To the Knees): II. Ad Ubera Portabimini [Chorus]
New Trinity Baroque & Predrag Gosta
1:48 $0.99
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9. Cantata II. Ad Genua (To the Knees): III. Salve Jesu [Tenor]
New Trinity Baroque & Predrag Gosta
0:56 $0.99
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10. Cantata II. Ad Genua (To the Knees): IV. Quid Sum Tibi Responsurus [Altus]
New Trinity Baroque & Predrag Gosta
0:58 $0.99
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11. Cantata II. Ad Genua (To the Knees): V. Ut Te Quaeram [Trio]
New Trinity Baroque & Predrag Gosta
1:04 $0.99
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12. Cantata II. Ad Genua (To the Knees): VI. Ad Ubera Portabimini [Chorus]
New Trinity Baroque & Predrag Gosta
1:43 $0.99
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13. Cantata III. Ad Manus (To the Hands): I. Sonata
New Trinity Baroque & Predrag Gosta
0:45 $0.99
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14. Cantata III. Ad Manus (To the Hands): II. Quid Sunt Plagae [Chorus]
New Trinity Baroque & Predrag Gosta
1:33 $0.99
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15. Cantata III. Ad Manus (To the Hands): III. Salve Jesu [Soprano I]
New Trinity Baroque & Predrag Gosta
1:23 $0.99
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16. Cantata III. Ad Manus (To the Hands): IV. Manus Sanctae [Soprano II]
New Trinity Baroque & Predrag Gosta
1:22 $0.99
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17. Cantata III. Ad Manus (To the Hands): V. in Cruore Tuo Lotum [Trio]
New Trinity Baroque
1:29 $0.99
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18. Cantata III. Ad Manus (To the Hands): VI. Quid Sunt Plagae [Chorus]
New Trinity Baroque & Predrag Gosta
1:36 $0.99
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19. Cantata IV. Ad Latus (To the Side): I. Sonata
New Trinity Baroque & Predrag Gosta
0:34 $0.99
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20. Cantata IV. Ad Latus (To the Side): II. Surge, Amica Mea [Chorus]
New Trinity Baroque & Predrag Gosta
1:31 $0.99
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21. Cantata IV. Ad Latus (To the Side): III. Salve Latus [Soprano I]
New Trinity Baroque & Predrag Gosta
1:09 $0.99
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22. Cantata IV. Ad Latus (To the Side): IV. Ecce Tibi Appropinquo [Trio]
New Trinity Baroque & Predrag Gosta
1:09 $0.99
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23. Cantata IV. Ad Latus (To the Side): V. Hora Mortis [Soprano II]
New Trinity Baroque & Predrag Gosta
1:12 $0.99
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24. Cantata IV. Ad Latus (To the Side): VI. Surge, Amica Mea [Chorus]
New Trinity Baroque & Predrag Gosta
1:28 $0.99
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25. Cantata V. Ad Pectus (To the Breast): I. Sonata
New Trinity Baroque & Predrag Gosta
0:35 $0.99
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26. Cantata V. Ad Pectus (To the Breast): II. Sicut Modo Geniti [Trio]
New Trinity Baroque & Predrag Gosta
2:19 $0.99
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27. Cantata V. Ad Pectus (To the Breast): III. Salve, Salus Mea [Altus]
New Trinity Baroque & Predrag Gosta
1:20 $0.99
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28. Cantata V. Ad Pectus (To the Breast): IV. Pectus Mihi Confer Mundum [Tenor]
New Trinity Baroque & Predrag Gosta
1:20 $0.99
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29. Cantata V. Ad Pectus (To the Breast): V. Ave, Verum Templum [Bass]
New Trinity Baroque & Predrag Gosta
1:22 $0.99
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30. Cantata V. Ad Pectus (To the Breast): VI. Sicut Modo Geniti [Trio]
New Trinity Baroque & Predrag Gosta
2:28 $0.99
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31. Cantata VI. Ad Cor (To the Heart): I. Sonata
New Trinity Baroque & Predrag Gosta
2:10 $0.99
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32. Cantata VI. Ad Cor (To the Heart): II. Vulnerasti Cor Meum [Trio]
New Trinity Baroque & Predrag Gosta
2:05 $0.99
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33. Cantata VI. Ad Cor (To the Heart): III. Summi Regis Cor [Soprano I]
New Trinity Baroque & Predrag Gosta
0:43 $0.99
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34. Cantata VI. Ad Cor (To the Heart): IV. Per Medullam [Soprano II]
New Trinity Baroque & Predrag Gosta
0:40 $0.99
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35. Cantata VI. Ad Cor (To the Heart): V. Viva Cordis Voce Clamo [Bass]
New Trinity Baroque & Predrag Gosta
1:08 $0.99
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36. Cantata VI. Ad Cor (To the Heart): VI. Vulnerasti Cor Meum [Trio]
New Trinity Baroque & Predrag Gosta
2:01 $0.99
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37. Cantata VII. Ad Faciem (To the Face): I. Sonata
New Trinity Baroque & Predrag Gosta
0:41 $0.99
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38. Cantata VII. Ad Faciem (To the Face): II. Illustra Faciem Tuam [Chorus]
New Trinity Baroque & Predrag Gosta
1:20 $0.99
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39. Cantata VII. Ad Faciem (To the Face): III. Salve, Caput Cruentatum [Trio]
New Trinity Baroque & Predrag Gosta
1:03 $0.99
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40. Cantata VII. Ad Faciem (To the Face): IV. Dum Me Mori Est Necesse [Altus]
New Trinity Baroque & Predrag Gosta
1:15 $0.99
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41. Cantata VII. Ad Faciem (To the Face): V. Cum Me Jubes Emigrare [Chorus]
New Trinity Baroque & Predrag Gosta
0:50 $0.99
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42. Cantata VII. Ad Faciem (To the Face): VI. Amen [Chorus]
New Trinity Baroque & Predrag Gosta
1:20 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Hailed by the critics as “Atlanta’s most adventurous early music ensemble” (The Atlanta Journal-Constitution), NEW TRINITY BAROQUE is recognized as one of the leading early music ensembles today. Founded by Predrag Gosta in London in 1998, NTB was initially established as an ensemble of international musicians, and they continue to maintain this presence through collaborations with U.S. and international artists: past soloists include soprano Evelyn Tubb, recorder player Marion Verbruggen, violinists Ingrid Matthews, Florian Deuter, Bojan Cicic and John Holloway, harpsichordist Steven Devine, and others. Each season, the ensemble presents over thirty concerts and educational events in Atlanta and other cities throughout the U.S. and in Europe, performing on period instruments of the 17th and 18th centuries. The group’s repertoire ranges from chamber to orchestral, from cantatas to operas, and its styles from Renaissance to Classical.

New Trinity Baroque’s concerts are consistently highly praised. Performances from the past include several Southeastern U.S. and Southern Europe premieres, such as Monteverdi’s “Vespers” of 1610, Handel’s “Gloria”, Bach’s “Christmas Oratorio”, Corelli’s Concerti Grossi, Vivaldi’s “L’Estro Armonico” Concertos, Pergolesi’s “Stabat Mater”, Mozart’s “Eine kleine Nachtmusik” and Divertimenti for Strings, as well as operas such as Purcell's "Dido and Aeneas", Monteverdi's "L'Orfeo" and "The Coronation of Poppea", etc. NTB is also an active recording ensemble with almost a dozen CDs to its credit.

NTB's members regularly present lectures, educational events and masterclasses. The ensemble was an Affiliate Ensemble at Georgia State University's School of Music since 2003, and the Ensemble-in-Residence at Oxford College of Emory University since 2004. The group is also the Ensemble-in-Residence at St. Bartholomew’s Episcopal Church in Atlanta for over 10 years, which is its main performing venue.

New Trinity Baroque has toured England, Finland, Sweden, Serbia and Croatia, appearing at festivals such as Korkyra Baroque, the Belgrade Early Music Festival, Sastamala Gregoriana festival in Finland and the Piccolo Spoleto Festival in Charleston, South Carolina.

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