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Pandelis Karayorgis Quintet | Afterimage

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Pandelis Karayorgis website Album page Pandelis Karayorgis Quintet web page Pandelis Karayorgis Bandcamp site Driff Records website

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Jazz: Avant-Garde Jazz Jazz: Free Jazz Moods: Type: Improvisational
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by Pandelis Karayorgis Quintet

Karayorgis's well received quintet with Chicago musicians presents it's second album, this time a live recording featuring a new set of compositions from Constellation Chicago. 
Genre: Jazz: Avant-Garde Jazz
Release Date: 

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  Song Share Time Download
1. Ledger
4:53 album only
2. Haunt
6:45 album only
3. Nest
5:23 album only
4. Velocipede
6:53 album only
5. Veil
4:21 album only
6. Afterimage
11:06 album only
7. Simmer
7:33 album only
8. Sway
6:22 album only
9. Obsession
6:46 album only
10. Never Ending
6:39 album only
Downloads are available as MP3-320 files.


Album Notes
Pandelis Karayorgis Quintet: Afterimage
Driff Records CD1404

Dave Rempis – alto, tenor and baritone sax

Keefe Jackson – tenor sax, bass and contrabass clarinets
Pandelis Karayorgis – piano

Nate McBride – bass
Frank Rosaly – drums

All compositions and arrangements by Pandelis Karayorgis.

Recorded live at Constellation, Chicago, April 18, 2014, by Dave Zuchowski
Mixing and editing by Antonio Oliart. Cover art by Monte Antrim. Design by Hidde Dijkstra, photos by Wendy V. and Pandelis Karayorgis. Special thanks to: Dave Zuchowski, Monte Antrim, Adrienne Pierluissi, Bruno Johnson, Mike Reed, Katie Young, Joel Peterson, Peter Margasak, Neil Tesser and Jorrit Dijkstra.

Afterimage is an outgrowth of the 2013 release “Circuitous.” It is a live recording made in April 2014 at Mike Reed’s Constellation in Chicago, during a brief tour. This group thrives on the tension between arranged and spontaneous, post-bop and avant-garde. A new set of original compositions was submitted to the group’s collective energy and was given shape during these performances. “Simmer,” “Haunt ,” and “Afterimage” are all through-arranged pieces with cued transitions, while the remaining seven pieces simply consist of a “head” that serves as a springboard to improvisation within an open format that the group arranges differently each time. Three of the pieces are tributes; “Velocipede” to Steve Lacy, “Sway” to Lennie Tristano, and “Veil” to Billy Strayhorn’s beautiful ballad writing (the only piece among these to feature chord changes).



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