Pi | Fire Horse Girl

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United States - California - LA

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Folk: Folk Pop Pop: 70's Pop Moods: Type: Vocal
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Fire Horse Girl

by Pi

A smoky alto soars over a warm bed: sultry, but playful, walking the line between musicality and indulgence with perfection. Love, obsession, and friendship share the spotlight, while the songs crawl under your skin...into your life where they belong!
Genre: Folk: Folk Pop
Release Date: 

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  Song Share Time Download
1. Reckless
4:06 $0.99
2. New Shoes
2:40 $0.99
3. Pocket
3:29 $0.99
4. Santa Ana
4:10 $0.99
5. Reverie
3:41 $0.99
6. Feet of Clay
4:18 $0.99
7. Nemesis
3:56 $0.99
8. Amnesiac
3:18 $0.99
9. Not Over
3:50 $0.99
10. Ace
2:40 $0.99
11. Light
3:37 $0.99
Downloads are available as MP3-320 files.


Album Notes
Produced by Randy Wine
Recorded at Private Island Trax, Geisha Studio by Randy Wine and Pi Jacobs
Mixed and Mastered by Randy Wine at Hollyview Sound

Joel Alpers- drums, percussion
Fredo Ortiz- percussion
Paul Eastburn - Upright and Electric Bass, Viola, Violin
Aaron Jacobs - Acoustic Guitar
Ted Silbert - Electric Guitar
Doug Gorlin - Electric Guitar
Daryl Shawn- Spanish Guitar
Tim Young- Electric Guitar
Justin Reinhardt - Grand Piano
Michael Bluestein- Piano, Keyboards
Johnny Thunder- Trombone
Dan Boissy- Tenor Sax
Steve "Mofongo" Giraldo - Trumpet
Randy Wine - Acoustic Guitar, Percussion, Programming
Pi- Acoustic Guitar, Electric Bass, Vocals, Horn Arrangements, Percussion, Programming

Art Director: Grace Jehan
Photography: Patrick Bolton
Hair / Makeup: Mina Kang
Assistant Maya Lubinsky



to write a review

John Payne

Reprinted from LA WEEKLY October
Singer-songwriter Pi’s got this very nice long-player out called Fire Horse Girl, produced with high style and taste by Randy Wine (U2, Aretha Franklin). Very nice? Well, in a way-overcrowded field of singer-songwriters who trendishly seek to evoke the depth and charms of their great forebears from the ’70s, Pi somehow carries it off, and she does it with the most deceptively simple tools: She writes memorable tunes, and she sings them with a satisfying alto sweetness that’s free of “singerly” gimmickery. That simplicity also applies to her lyrical matter, which, like so many others’, addresses the trials and tribulations of love, loss, liberty and life itself; yet on songs like “Santa Ana,” which weaves gingerly finger-plucked acoustic guitar around Pi’s unadorned voice, and especially the chart-topper-in-a-parallel-universe “Brand New Shoes,” with its strolling bounce and sunshiney harmonies, that ’70s vibe gains an addictive new relevance.