Various Artists | Prettybelle: A Musical By Jule Styne and Bob Merrill (Cast Recording)

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Prettybelle: A Musical By Jule Styne and Bob Merrill (Cast Recording)

by Various Artists

The ground-breaking 1971 musical by Jule Styne and Bob Merrill features one of the greatest performances by the legendary Angela Lansbury.
Genre: Easy Listening: Musicals/Broadway
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  Song Share Time Download
clip
1. Overture
The Prettybelle Orchestra
5:09 $0.99
clip
2. Prettybelle
Michael Jason
1:50 $0.99
clip
3. Manic Depressives
Angela Lansbury
2:16 $0.99
clip
4. You Ain't Hurtin' Your Ole Lady None
Mark Dawson
2:47 $0.99
clip
5. You Never Looked Better
Angela Lansbury
2:21 $0.99
clip
6. To a Small Degree
Angela Lansbury
2:30 $0.99
clip
7. Back from the Great Beyond
Angela Lansbury & Mark Dawson
1:37 $0.99
clip
8. How Could I Know?
Angela Lansbury
2:27 $0.99
clip
9. I Never Did Imagine
Angela Lansbury & Bert Michaels
3:13 $0.99
clip
10. In the Japanese Gardens / Individual Thing
Peter Lombard & Angela Lansbury
2:33 $0.99
clip
11. I Met a Man
Angela Lansbury
2:20 $0.99
clip
12. God's Garden
Michael Jason & Peter Lombard
3:16 $0.99
clip
13. The No-Tell Motel
Angela Lansbury
3:19 $0.99
clip
14. I'm in a Tree
Angela Lansbury
2:28 $0.99
clip
15. When I'm Drunk I'm Beautiful
Angela Lansbury
3:47 $0.99
clip
16. Prettybelle (Reprise)
Angela Lansbury & Michael Jason
1:43 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
ANGELA LANSBURY
in
PRETTYBELLE - A New Musical
A Gower Champion Production
Book and Lyrics by Bob Merrill
Music By Jule Styne

Prettybelle is a musical with a book and lyrics by Bob Merrill and music by Jule Styne.

Adapted from the Jean Arnold novel of the same name, its central character is a Southern woman who, long abused by her recently deceased law officer husband, turns to alcohol for comfort, becomes a nymphomaniac prostitute, and eventually is institutionalized.

History

Bob Merrill and Jule Styne met with director Gene Saks for several weeks to work on the musical, but Saks eventually decided not to do the show. Merrill then suggested Gower Champion, who agreed to tackle the project because "It grabbed me." Angela Lansbury liked the idea of an intimate show for a small theatre.

The show was plagued with problems from the start. Merrill's and Champion's intent to bring to the stage the techniques and abstractions of avant-garde films never was fulfilled. Champion wanted a "no-glitz approach" and so the set design was a unit set that had to "take on...different aspects...and wasn't complex" Producer Alexander H. Cohen was dissatisfied with director/choreographer Champion's approach to the material and his dictatorial treatment of the cast, and the latter ultimately banned him from rehearsals. Leading lady Angela Lansbury pledged to boycott a move to Broadway unless everything was fixed during the out-of-town tryout in Boston.

Production

Cohen scheduled the Broadway opening at the Majestic Theatre for March 15, 1971, the last day of Tony Award eligibility, in order to get publicity for the show. The Boston tryout opened on February 1, 1971 at the Shubert Theatre. In addition to Lansbury, the cast included Jon Cypher and Charlotte Rae. Champion was the director, scenic design was by Oliver Smith and costumes by Ann Roth. Much to Lansbury's relief, Cohen closed the show in Boston on March 6, 1971.

Although bootleg recordings of the entire show are known to exist, no original cast recording was ever released at the time. In 1982, record producer Bruce Yeko (who heads the Original Cast Records record label) reunited the principal members of the original cast (Angela Lansbury, Mark Dawson, Peter Lombard and Bert Michaels) to record a new studio album of the show.

Synopsis

Prettybelle Sweet is the alcoholic wife of a bigoted southern sheriff. After his death, she learns that he and his friends have been unjust to the local minority people. However, as Prettybelle attempts to make amends, she discovers that the people of the small town do not approve. She permits the minority men to rape her and she becomes involved with Mason, a liberal lawyer. As the townspeople riot, Mason betrays her and she retreats to an asylum.

Response

The opening night audience was angered by the musical's story. "Clearly, Boston was not the place to open an unconventional musical like this one." Oliver Smith noted that "the audience absolutely resented every moment of it, and just booed and hissed and carried on." The critics were brutal. Critic Kevin Kelly said the it was "pretty bad", and Variety wrote that it was "a collection of ethnic slams and four-letter words." However, critic Elliot Norton praised the show, writing that "this bold new show...could become a memorable American musical play. It can and it should."

According to Steven Suskin, the musical was "rather fascinating if unconventional, and the score is not uninteresting. But the show's subject matter, back in the dark days of 1971, doomed it."

Ken Mandelbaum wrote that "it did not work and was a serious turn-off to the audience. However, Angela Lansbury was never better than in this title role."


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