Recliner | Unfinished Conversations

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Unfinished Conversations

by Recliner

Three years of songwriting produced this fusion of styles in one rocking album. Blending tube-driven amps with rock solid rhythms and sweet vocal harmonies, Recliner's sixth was well worth the wait.
Genre: Rock: Rock & Roll
Release Date: 

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  Song Share Time Download
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1. I Like It
3:45 $0.99
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2. In All the World
4:41 $0.99
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3. Out of My Head
5:25 $0.99
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4. See the Stars
4:41 $0.99
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5. Lollipop
4:15 $0.99
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6. Boneyards
3:54 $0.99
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7. Not the One
3:20 $0.99
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8. Fell for a Spaceman
3:24 $0.99
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9. Happiness (How Long)
3:15 $0.99
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10. Running Out of Time
3:25 $0.99
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11. Glitter and Glue
4:53 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
LEARN MORE ABOUT RECLINER

Recliner is a San Francisco band with a dynamic sound drawn from big guitars, a powerful rhythm section and sweet vocal harmonies. At least that's what we've been saying.


What others say:

"...Their catchy, pounding, defiant, neurotic performance will make you want to shake your ass--believe me, take it from this ass."

--Jet, KUSF 90.3 FM

"The band's popularity was built on its high-energy shows, musical tightness, and the fact that Kevin Seidel is one of the best rock vocalists I've heard in a long time. Recliner very well could be 'The Next Big Thing' out of San Francisco."

--The Davis Enterprise Newspaper

"Recliner play a contagious, danceable rock ala the Pixies, Cheap Trick and Social Distortion."

--SFStation.com

"I can't stand people who cry that music is dead in San Francisco...I always KNOW a great scene is just around the corner. Recliner proves me right again."

--Nadine Condon (famous SF booker, founder Nadine's Wild Weekend)


A WHOLE LOT MORE ABOUT RECLINER

Recliner started in the great, anything goes city of San Francisco in 2001 by four friends (John Benson, George Carney, Ward Evans and Kevin Seidel) who'd played in various bands and decided it was time for something new, fun and a little different. So they ditched their primary instruments, picked up new ones, threw them up in the air, and hit record.



Instant Success – MAKE A FRIEND (2004)

We’d like to tell you the band was an instant success, their shows attracting a who's who of indie hepcats and tastemakers. But that would be lying. Regardless, that one drunk guy, and those two drunk girls at the first show can say they were there in the beginning. If only they could remember.

However, the band’s first self-titled EP in 2003, and full-length release, Make a Friend, soon began to make waves. The band found themselves touring far off lands­–places like Davis, California and Tokyo, Japan. And soon they were getting airplay across the U.S., and as far away as Chile.

TRANQUILIZER (2006) – AFTER THE FOG (2008)

Recliner's third and fourth releases found the band honing its songwriting chops, drawing from a broader palette of sounds (Moog, grand piano, bassoon, trumpet) and recording to analog tape. Tranquilizer mixed devil-horned rockers with punk-rock blasts, and twelve-string janglers. After the Fog took a more exploratory approach to the music, drawing on post-rock and less traditional song structures. All the while, sounding like Recliner.


Swimming Pools ­– Movie Stars

Then things began to pick up steam. The band found themselves in the company of sports stars and other best-selling bands in a series of video games (ESPN MLB 2k5, ESPN NFL 2k5, 2KSports NHL 2007 and NHL 2009). Its music also found its way onto commercials and TV shows, including MTV’s Made, Meet the Barkers, and Trailer Fabulous. They appeared as featured artist on millions of digital jukeboxes across the country. And three self-produced videos could be seen on Fuse TV, Rhapsody.com, and Rollingstone.com and were nominated for a Bammy (remember those?). The proverbial DIY ball was rolling.

Phase Two

Following the sad, yet amicable departure of founding members Ward Evans and John Benson for a promising directing career, George and Kevin considered wiping the slate clean and starting anew. Europop, perhaps? They recruited guitarist Joe Bettencourt and drummer Gareth Finucane and the new entity was soon writing. To their surprise, the songs had an unmistakable “Recliner” sound and spirit. It was clearly the next step for a band whose sound had progressed with every album. Recliner would live on.


FAKE LOVE SONGS (2011)

Fake Love Songs certainly retained the bands signature sound, exploring a number of song structures and feels, including hard-driving rockers, upbeat lullabies, and headphone worthy psychedelia. It’s also the band’s first “conceptual” record, explains singer Kevin Seidel. “This record picks up where Ex-Girlfriend Collection (off Tranquilizer) left off,” he says. “I saw a lot of my friend’s relationships dissolving and started writing lyrics from their perspectives. There's a nice little story arch, though we definitely left it open to listener interpretation. No broadway shows are planned.”

UNFINISHED CONVERSATIONS (2015)

With new drummer, Keviano Azevedo onboard for this release, Recliner have taken a more collaborative approach to their recording this time around. Each member of the band contributed at least one song, with all members helping round out the writing over the better part of three years. They retained their straight-to-tape recording ethic, with a twist. This time recording at famed Decibelle Studio in San Francisco and Panoramic Studio in Stinson Beach, they laid down basics to tape for that signature warmth and then dumped them into Pro-Tools to give them a little more freedom and use the studio as an instrument. The results are nothing short of inspired with the most varied record yet, while still retaining the signature Recliner harmonies and hard rocking charm fans have come to expect six albums in.

THERE YOU HAVE IT

So there you have it–the story of Recliner, so far. A hazy memory of that one drunk guy and his two girlfriends, and a good deal of DIY success along the way. And if you've made it this far, what are you waiting for? Grab the latest CD, pour yourself a Dark and Stormy and put on the good headphones--or better yet, come on out for a live show.

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