Richard Tillinghast and One Hum | The Door Is Open

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United States - Washington

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Folk: Modern Folk Kids/Family: Kid Friendly Moods: Type: Acoustic
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The Door Is Open

by Richard Tillinghast and One Hum

Americana trio of guitar, cello, and percussion playing eclectic and heartfelt songs from the Columbia River Gorge area of Washington and Oregon.
Genre: Folk: Modern Folk
Release Date: 

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  Song Share Time Download
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1. Mother, I Thank Thee
3:39 $0.99
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2. Is Your Love Enough
5:02 $0.99
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3. The Door Is Open
3:59 $0.99
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4. Sunrise
3:42 $0.99
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5. The Moon Is Coming Through the Trees
3:59 $0.99
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6. Still
3:57 $0.99
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7. Meet the Bee
4:48 $0.99
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8. Flag Girl
2:54 $0.99
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9. Last Girl I'll Ever Love
3:15 $0.99
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10. Circles in the Sky
3:41 $0.99
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11. First Night in My New House
3:22 $0.99
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12. Having a Baby
3:24 $0.99
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13. My Darling Son
4:19 $0.99
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14. Town in the Distance
3:09 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
review of Richard Tillinghast’s previous CD, Sweet By and By,” - The Dalles (Oregon) Chronicle
Pairing a guitar and banjo playing singer songwriter with a classically trained cellist is not an obvious choice, but it’s a musical marriage that works beautifully.
White Salmon’s (Washington) Richard Tillinghast has high praise for cellist Tova Cochrane, who plays in the Hood River Symphionetta. “She’s a good friend and an improvisational musician,” he writes, “who stretches her classical tendencies playing with a country boy like me.”
The pair will appear at The Mint in The Dalles for the release party of Tillinghast’s fourth CD, “Sweet By and By.”
Tillinghast is blessed with a unique voice. He’s been compared to everybody from Eddie Vedder to James Taylor. For us, it’s a blend of John Prine and John Stewart, with echos of Pete Seeger in the phrasing, but none of those do it justice; in the end, he’s an individual.
And though he’s an excellent performer throughout, that voice was born to sing in a minor key.
Tillinghast also has a poet’s ear and economy of expression, with a sweet spot for the telling phrase.
On the song, “Orion the Hunter,” he writes: “The wind is raging, the fire is out of control/ and I’d cross the bridge back to you, but I’m tired of paying the toll.”
Tillinghast has paid his own set of tolls, and traveled the world extensively, including a seven year stint in Europe in which he worked as a horse wrangler, potter, and door-to-door salesman as well as a musician.
That experience gives and unusual depth to the songwriting, which is well matched with his guitar and banjo skills.

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