Robert Linton | Throughout the Autumn Light

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Throughout the Autumn Light

by Robert Linton

Soft, Relaxing Instrumental pieces performed on the Classical Guitar with accompaniment of Cello, Violin, English Horn, Flugelhorn and EBow guitar.
Genre: New Age: Contemporary Instrumental
Release Date: 

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  Song Share Time Download
1. Throughout the Autumn Light
4:59 $0.99
2. Drifting Reflections
6:03 $0.99
3. Alongside the Silhouettes
5:09 $0.99
4. Seasons of Years Past
3:26 $0.99
5. Glistening After the Mist
4:48 $0.99
6. Shifting to the Fall
3:53 $0.99
7. Winds Swaying the Trees
4:15 $0.99
8. Moments of Reverie
3:49 $0.99
9. Sweet Dreams
4:55 $0.99
10. Evening Sunset
4:57 $0.99
Downloads are available as MP3-320 files.


Album Notes
It is almost summer as I write these words, but after hearing Robert Linton's new album Throughout the Autumn Light I am awaiting fall with baited breath. His album offers ten intricate acoustic guitar pieces dappled with muted sounds of English horn, cello, violin, ebow guitar and flugelhorn. These contemporary tunes are guaranteed to add color to your spirit after only one listen. I have to admit I played this one longer than I needed to, but not nearly as much as I wanted to. The music is that good.

I started reading Robert Linton's biography and when I came across the part that said he played piano, I scratched my head. I was listening to some extraordinary guitar tunes and not a piano note among them, but everyone has to start somewhere. He came from a family of musicians who played jazz and rock, and in 1993 settled down with a six string to make his magic. And magic it was. His latest CD, under the brilliant auspices of music legend and producer Will Ackerman, suspended time so that I could savor the fading warmth, the waning light and multi-colored season that we call fall, but what the poets referred to as autumn.

Throughout the Autumn Light takes in the mottled sunlight just before the fall...of the leaves that is. Autumn is an odd season, sometimes providing warmth in the late afternoon or a cool wind in the mornings. Like some enormous chameleon, Mother Nature changes her cloak and before you know it, her sister, winter is here. All she asks is that you enjoy the time in between. Linton captures that diminishing warmth with the help of Stephen Katz' friendly cello.

The cover of the album shows Robert standing with his guitar case under the shade of a tree, one of many in a row. Alongside the Silhouettes seems to be the perfect song for that image. The song is one of cooling shade and the promise of protection from the ravages of late summer's lingering heat and the coming winds, and yet you are still among a feast of color. Dig in.

Seasons of Years Past is a lazy song. Not one of lesser effort, but of languid intentions. I often have those times when I sit on the front steps and count the yellow hickory leaves as they fall to the ground. The tall tree itself reminds me of one thing, the scaly bark another. And each tree has its own story to tell, does it not? The one thing I do know is that I count my life in seasons, not in months anymore. This music is perfect for reflection.

I live on a hill so I am friends with the wind. Winds Swaying in Trees reminded me of Joaquin Rodrigo for some strange reason. Whenever I hear the wind in the trees, it sounds like the earth taking a breath. Everything moves in sequence. The leaves flutter and wave, the branches sway and then return to their origins. Then it happens all over again. Breathing. Once you have captured Robert's tempo, your heart seems to beat along with the music.

Moments of Reverie is the stuff that dreams are made of. The guitar and the violin of Tracy Silverman provide a pastoral quietus. The music allows for daydreams of the passing seasons and accountability of the years they took to accumulate. The melody is so beautiful, I could imagine the leaves changing colors before my eyes. I am an autumn person. I look forward to it like gardeners look forward to spring. I long for the cool mornings, warm afternoons and even cooler nights.

As it should be, Evening Sunset is the final tune on the album. The echoing purity of Jeff Oster's flugelhorn compliments Robert's gentle interpretation of sunset. It starts out with a sky full of copper and gold. A meandering breeze, the last chirrup of the crickets and a platinum crescent in the darkening sky tell us that it is the end of the day. Soon the stars will blink on and the night will be full of dark and beckoning me to sleep.

Robert Linton's Throughout the Autumn Light is one of those rare albums that I will never tire of listening. I will keep it on the rack and on the IPod and play it whenever I need a bit of escape to a world of relaxation and dreams. Forget three hundred bucks an hour for therapy. Listen to this instead.



to write a review

Michael Diamond

Review excerpt from Music & Media Focus
Falling softly like leaves from a tree, the first gentle notes glide effortlessly from Robert Linton’s guitar creating an ambience that is perfectly described in the title of his latest CD. This atmosphere continues throughout the album and is captured in song names like “Glistening after the Mist”, “Shifting to the Fall”, “Seasons of Years Past”, and “Evening Sunset.” Robert’s instrument of choice is the nylon string acoustic guitar, which he tends to pluck fingerstyle, rather than strum, providing a harp-like sonority, which I found quite heavenly and relaxing. In fact, if you are looking for the perfect soundtrack for a mellow Sunday morning, you couldn’t do much better than this.

Complimenting the guitar with Zen-like brush strokes of sound are some wonderfully talented instrumentalists with impressive recording credentials in their own right. Among them are Jill Haley (English Horn), Stephen Katz (Cello), Tracy Silverman (Violin), Jeff Oster (Flugelhorn), and Jeff Pearce (E-Bow Guitar).

This album definitely captures the feeling of Autumn in that it’s melodies are more introspective and reflective, like a world preparing for the calm of Winter, rather than portraying the bright buzzing energy of Spring or Summer. Robert Linton has the artistic acuity to convey a particular mood in a way that envelops the listener and draws them into his space for the duration of the recording. His guitar playing is sensitive, deft, and evocative, providing a gentle journey you’ll want to embark upon often.

For a full length review of this CD as well as others, please visit:

Raj Manoharan (

The RajMan Review
Robert Linton is a man of deep thoughtfulness, and this sensitivity is evident on his latest recording of lyrical guitar instrumentals.

Linton plays finger-style nylon-string guitar on the ten tracks, which exude such tranquil beauty and peaceful solace that they work their way into your soul without you even realizing it. They become part of your being without any conscious effort or mood-setting required, which is the essence of true musical artistry.

While the compositions and the guitar-playing stand on their own, they are beautifully accented on various tracks by Stephen Katz on cello, Tracy Silverman on violin, Jill Haley on English horn, Jeff Oster on flugelhorn, and Jeff Pearce on e-bow guitar. The most affecting of these collaborations for me is “Glistening in the Mist,” with the gentle finger-picked strokes of Linton’s classical guitar and the drawn-out siren-like sustain of Pearce’s e-bow guitar creating a lingering, haunting eloquence. I hope that Linton and Pearce seriously consider recording an album of classical/e-bow guitar duets.

This is a fine guitar album and is highly recommended for guitar enthusiasts as well as anyone seeking a perfect soundtrack for relaxation and solitude.

Kathy Parsons

From MainlyPiano
"Throughout the Autumn Light" is the fourth release from acoustic guitarist/composer Robert Linton. Mixed, mastered, and co-produced (with Linton) by Grammy winning producer Corin Nelsen, some of the ten tracks are solo guitar while some are backed by an impressive group of musicians (as duets), most of whom play on many of Will Ackerman’s productions (Ackerman produced Linton’s previous release Whisperings At Nightfall). The overall sound of the album is warm yet pristine and clear. Most of the pieces are paced at about the same tempo, which makes the album ideal for meditation, massage, or quiet background music. While the music is slow and relatively uncomplicated, the soulful melancholy is stirring and poignant.

"Throughout the Autumn Light" begins with the title track, a sweet and gentle guitar solo that evolves into a guitar/cello duet with Stephen Katz. Tinged with melancholy reflection, it gracefully anticipates the coming changes of season. “Drifting Reflections” is a gorgeous duet for guitar and English horn (Jill Haley). Flowing and effortless with occasional pauses (like true reflection!), this is a favorite. The nostalgic and dreamy “Seasons of Years Past” brings in Tracy Silverman on violin, adding soft color washes to the gentle guitar. “Glistening After The Mist” is a collaboration with Jeff Pearce on EBow guitar (The EBow is a hand-held electronic bow that replaces the pick, allowing the guitarist to mimic strings, horns, and woodwinds.). As always, Pearce is evocative and masterful. The guitar solo “Shifting to the Fall” has an almost tragic air that is achingly beautiful - another favorite! I also love “Winds Swaying the Trees” with Stephen Katz. The cello/guitar combo isn’t very common, but this album makes me think it should be. The velvet tones of the cello are the perfect complement to the plucked guitar strings. “Sweet Dreams” is a tender solo guitar lullaby. The closing track is “Evening Sunset” with Jeff Oster on flugelhorn - another instrumental combo you don’t hear very often but that works well. Soothing and relaxing, it’s a lovely finish to an exceptional album.

"Throughout the Autumn Light" is a beauty from start to finish! Recommended!