Roxy Perry | Back in Bluesville

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Back in Bluesville

by Roxy Perry

Blues in various styles: Originals, Renditions of classics, Blues-Rock, Blues-Jazz, Delta, Vintage, Great Lyrics and Vocals, Harmonica, Great Band - Apart from the rest.
Genre: Blues: Jazzy Blues
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  Song Share Time Download
1. Back in Bluesville
4:01 $0.99
2. Whole Dog
4:45 $0.99
3. Midnight Train
3:52 $0.99
4. Crooked Path
3:36 $0.99
5. Nothing Like you
4:06 $0.99
6. Two Left Feet
3:35 $0.99
7. Stone in the Sea
5:28 $0.99
8. Get It
3:10 $0.99
9. Forgive and Forget
3:24 $0.99
10. Do It
4:52 $0.99
11. House of the Rising Sun
5:02 $0.99
Downloads are available as MP3-320 files.


Album Notes
Roxy Perry BACK IN BLUESVILLE Selected as Best Self Produced CD at BLUES FOUNDATION IBC EVENT JAN 28 2006

Jersey Shore Jazz and Blues Foundation entry Back in Bluesville by Roxy Perry was selected as the 2006 Best Self Produced CD in Memphis Saturday night. The judges evaluated:
(1) Musical Performance (2) Audio Quality of the Presentation (3) Cover Art and Design (4) Credits and Liner Information

The esteemed final round judges were: Randy Chortkoff (Delta Groove Productions); Bruce Iglauer (Alligator Records);Fred Litwin (NorthernBlues Records); Michael Powers (Yellow Dog Records); and Richard Rosenblatt (Tone Cool Records)


New York Blues Queen Increases Reign , (01/11/06)
What do you want in a great contemporary Blues album? Perhaps you want moody harmonica; guitars - electric and resophonic Dobro guitar styles - slide; stinging lead; soaring, soulful, Blues-Rock; impressive female torch vocals; full-band arrangements replete with horns (sax, trombone, muted trumpet); clever turn-of-phrase lyrics; rippling or pounding piano; Booker T organ; a dollop of Dixieland Jazz; some fun big band-style Swing; and original songs. Well, that is a pretty tall order for one CD. Here is the good news: Roxy Perry's third self-released album, Back in Bluesville, has it all, and all done tastefully!
Hailing from the New York/New Jersey area, Perry has somehow acquired the title "New York Blues Queen." That sets the bar high, but this album will convince listeners that she rocks and reigns.

The title song, Roxy Perry's big-bang first ballad, will make listeners clear a spot for it in their list of favorite songs for 2005! The style is full-ensemble Blues as opposed to only drums, vocals, and guitar. She's got those three in this song, plus piano and a hot horn section. Roxy employs a clever metaphor here that highlights the type of abuse the protagonist has endured: "Each white line on the road underscores the name of men I've known." "Back in Bluesville" packs a powerful punch. Listeners will go to that sensationally sad city with her for a four-minute vacation!

Best use of metaphor is found in the second song, "Whole Dog." Roxy has got the goods and is willing to share, but not until she gets full commitment. "I need a love that's gonna last," she sings. "I need the whole dog/I'm not gonna be satisfied with just a little piece of tail!"

During "Two Left Feet" Boogie purists will perk up when they hear this song, reminiscent of big-band Swing. It's great fun for those of us who embrace multiple styles of tempo in our definition of the Blues. "Two Left Feet" is about a dude who can't dance and doesn't know it. The best part of this song is when Roxy Perry and her backup-vocal boys try to guess what moves this "dancing fool" who "thinks he's cool" is doing. "Is it the Hustle?" Roxy asks. "No, no, no, no!" moan the males. "Is it the Swim?" "No, no, no, no!" Even if listeners happen to have "Two Left Feet" themselves, they'll have to dance to this one!

"Crooked Path" will make Dobro fans rejoice as it provides some down-home Blues and one might imagine the Louisiana bayou on a warm summer night when listening to it. The not-so-straight-and-narrow road in the title did not lead Perry's narrator to a life of crime or eternal damnation, but back to her old flame. "So many times I've watched the sun go down, and then I wonder why I watch it all alone." She says to her former lover, "It's strange what we put ourselves through." One gets the sense that she regrets walking this "Crooked Path," but only halfway: "All the while I knew the truth!"

The liner notes reveal that, "this album was created with the intention of exploring both modern and traditional Blues styles to their limits." For example, how about a little Dixieland Jazz on "Nothing Like You." It starts out with jazzy piano then adds the brass horns backing Perry's soft vocals. By mid-song, hotly-picked guitar has you marching down Bourbon Street.

Eric Burdon and the Animals made the traditional song "House of the Rising Sun" famous, but Roxy's cover provides a pleasant re-introduction to it. The "House" (of the Rising Sun) is one of negotiable affections and as Roxy reveals in her version, it's "the ruin of many a poor girl, and, God, I know I'm one." Sung by a female, the lyrics provide an entirely different perspective on the song. "I've got to wear that ball and chain" might refer to working at the House, in her case, rather than being a client. You can hear the weary resignation in Roxy's voice and mournful harp.

This is great music; allow Roxy to reign the Blues down on you.

James Walker is a contributing editor at BluesWax

Back in Bluesville
Blue Perry Hill Records

Being the "New York Blues Queen" - a title Roxy Perry either adopted or accepted on her 1998 album of the same name -might not be the hardest distinction to claim. But this leather-clad vocalist has the kind of voice and delivery that could save her throne if Gotham did suddenly get flooded with distaff blues singers; her sound is full, smoky, dark, wise, worldly, and genuine. Most modern "blues queens" are cartoonish parodies of the big blooze mama archetype, but listen to "Midnight Train," which shares more than a word of its title with Patsy Clines's "Walking After Midnight" - like Cline, Perry sounds simultaneously resigned and determined, as if sultry laments were at once a vindication of her struggle and her sexuality. Listen with the corner of your ear, and it sounds as if she's packing up and leaving town; listen with your own pain, and it sounds like a suicide note. How many female blues singers still know how to do that?

The brand of blues Perry works on her third album is mostly urban, moody, and polished (It's filled with sax and piano). But she covers a lot of ground inside those parameters, going for big-band on the title track, boogieing on "Two Left Feet," tightening up the funk-rock genre on "Stone in the Sea," and incorporating Booker T.'s "Green Onions" into "Forgive and Forget." Backup comes from a crack band of locals, with Dave Fields and Tim DeHuff's guitar matching her anguish note-for-note.

She has a way with a phrase, too, taking what could be ordinary stories of love among the barflies and selling them with a clever and utterly honest turn of phrase: She's looking for the "Whole Dog," you understand, "not just a piece of tail." Seldom has the cherished female trophy of commitment sounded so sexy. Perry's voice is just that impressive; it's a rough yet feminine wonder that attempts to carry the tradition of prewar torch singing into the modern age..... Back in Bluesville offers evidence that, whatever the scene is like, she's earned her crown.

Blues Revue Magazine
Issue No. 96 OCT/NOV 2005

ROXY PERRY - Back in Bluesville
BluePerry Hill Records

The powerful horns on the opening track of this CD roll in like thunder and the rich guitar work generates an electricity that sets us up for a trip we're sure not to forget. "Back in Bluesville" is a powerful blues allegory with Roxy's rich vocals leading us down the road she's been on many, many times before - the road that always leads her back to Bluesville.

This is a superb opening for a long awaited CD, which takes us down many paths in various moods and styles. Roxy's a gutsy and powerful vocalist and her lyrics are as ear catching and clever as ever.

In the horn driven "Whole Dog" Roxy lays it on the line to her lover, proclaiming she's the real deal and he better not fail - She wants the Whole Dog, not just a piece of tail. Roxy's commanding vocals and Eric Merovitch's powerful horns are solid and tight and give this tune its punch.

The rock-oriented "Stone in the Sea" displays Dave Fields' masterful guitar work, as Roxy displays her vulnerable side singing about a Svengali-like relationship wherein she goes down like a Stone in the Sea at his every move and intention.

"Midnight Train" could be Roxy's darkest, yet most determined lyrics yet. The Midnight Train calls her to pack up and leave an abusive relationship. The soundtrack is not what you would expect in a song of this nature as it plays a slow, determined, yet almost upbeat verve. Roxy's voice is subtle when she sings "Tonight's the night my pain will end and you'll never raise a hand to me again," yet you feel the underlying strength and persistence in it.

Switching to an upbeat gear, everyone will know the guy Roxy is singing about in the jiving "Two Left Feet". Whether you play in a band or go out to hear one, there's always that guy out there on the dance floor, screaming for more and doing the absolute worst dance routine humanly possible. As Roxy states "He's gotta be my biggest fan. He's at every gig I land!"

The opening notes to "Get It" bring to mind the Mills Brothers classic "Opus One," but then Roxy chimes in and brings this jumpy number around her way. It's a fun tune with Roxy cautioning, "You better get it while I still got it."

Against the backdrop of a Booker T-style riff, the keyboard driven "Forgive and Forget" tells of being "Lied to and cheated - Wronged and mistreated."

The lightly funky/rockish "Do It" has Roxy letting it all out by telling her long time admirer to stop playing around and just "Do It". A funky-choppy guitar underscores Roxy's frustration and her harp solo fits well into this lighter track.

Matt Baxter, Roxy's collaborator on her previous CD, "Roxy Perry - New York Blues Queen," makes a special appearance playing dobro on the one tune he and Roxy wrote together for the CD, "Crooked Path." Baxter displays his superb slide-playing skills on this Delta-style burner with Roxy's harp and vocals lamenting "It's a wonder what life puts us through - and it's that crooked path that led me back to you."

Also featured on the CD is celebrated multi-musician Bill Holloman who is credited with "All Horns" on the one tune he plays on - the big easy, jazzy New Orleans inflected swing number "Nothing Like You." Here Roxy boasts to her new lover's ex, "No headaches do I fake. We got hot loving every night - thanks to your mistakes."

The CD's only cover song is the traditional "House of the Rising Sun." This song previously appeared on the 2002 Grammy nominated compilation CD "Public Domain" [Purchase Records] "It sounds nothing like anybody else's version. I can almost throw a copyright on it for the arrangement," Perry said. A haunting harp and guitar compliment the song behind Roxy's emotional parable.

This is Roxy Perry's third CD. All the players on the CD are here in full force. Bob Fusco on bass and Linda Geiger on drums lay down the backbone as the canvas for all the colors of this journey. Eric Merovitch's thundering horns open the CD and in particular are the driving force behind "Whole Dog," and he keeps it right and tight throughout the CD. Guitarist Tim DeHuff's tasteful style appears on three tracks complimenting Roxy's colorful vocals. Dave Fields' guitar and keyboard work follow Roxy down every street of Bluesville.

Roxy Perry has a lot to say on Bluesville, covering the many moods of her personality; witty and jazzy to pensive and determined but always up front giving you the full strength of her enormous talent. While the CD's foundation is in the blues, the tracks touch on rock, jazz, and even a bit of country. According to the liner notes, Roxy proclaims, "This album was created with the intention of exploring both modern and traditional blues styles to their limits, as we do in our live show." They have succeeded in their intentions.

Back in Bluesville is currently available on, and there's more info about Roxy on

Roxy Perry
Back in Bluesville
BluePerry Hill Records

Roxy Perry, widely heralded as the NY blues queen, has now completed her third CD. An accomplished composer, she wrote ten of the eleven tunes, and her lyrics speak to the constant search for meaning. The original tunes on this effort cover a diverse range of subjects and emotions.

The title cut of interprets the travails on the blues road, which always bring her back to Bluesville. Perry's satiny vocals caress the ballad "Midnight Train" with polished emotion on lyrics that relate to an abusive relationship. On "Crooked Path," Baxter's splendid slide guitar displays a Delta blues influence on this upbeat lament. "Nothing like You" has a Jazz-influenced Dixieland rhythm on Perry's sultry vocals. A humorous vocal take on "Two Left Feet" is delightful on this jump blues tune. "Stone in the Sea" is a light rock adventure with tasteful guitar support. "Forgive and Forget" is bluesy number with a vibrant vocal rendering. The cover of "House of the Rising Sun" features a soulful Perry on harmonica and smoldering vocals in a delightful arrangement of this traditional tune.

This CD is resplendent with original material sensitively rendered with taste by the formidable band members. Roxy Perry has an alluring voice which she uses to great effect. This is a good one that goes beyond the blues!

by Dorothy L. Hill
Jazz Now Magazine




to write a review


Back in Bluesville
I was lucky enough to see Roxy locally for the first time this past summer. Just had to get her CD. She touches upon several types of blues. A must have for the blues fan.


Fantasic CD Powerful & Tender Voice
Roxy has hit the mark with this disc! She is a main stay in the blues! I wish her the very best in her career. Her voice is a true testament to all women singing the blues and she will im my opinion have a great following!

The very best to you,Roxy!

A Blues Fan-not worthy of being a reviewer!

This is what it is all about!
Roxy is Hot! Her latest CD proves her to be among the finest Blues performers around. As I listened to Roxy on this latest work, I was reminded of my first love, Diane Schuur, performing live. . .Roxy renders an absolutely first class performance! Buy this CD, now. It will make you stomp your feet, it will make you laugh, but most importantly, it will make you want to rush out to see this talented singer and her cast of first-class musicians perform live!

Ray D\'Ariano

Roxy Perry singing House of the Rising Sun, a cut that on it's own makes 2005 a
Twenty three past two on a rainy Saturday night/Sunday morning . . . I'm just back from an evening of Bensen-Scott Big Band jazz . . . a musical organization that gives relevance to that old "stone cold gas" chestnut. We're talkin' big, bold and sassy brass interpretations of Ellington, Jimmy Van Heusen . . . "Here's To That Rainy Day," Hoagy Charmichael and all that marvelous, sophisticated, and just plain cool jazz.

Yeah, Gene Bensen, Regent Scott and the fourteen, fifteen, sixteen other cats just spent a few hours of their lifetime creating the sounds that had pretty women in their sexy summer dresses, and the dapper and lucky cats they were with, dancing through the moon lit rain. Just sensational! My suggestion is to log onto and place your order for their latest CD "Dreams Do Come True." You won't regret it.

So now its time to say goodnight, but I see there's this parcel that arrived in the post and it begs to be opened because the return address belongs to the one and only Ms. Roxy Perry. This can't wait till daybreak.

And so I open it to find a new CD and there she is, the beautiful brown-eyed girl Van Morrison still sings about on satellite radio.

What's one to do at twenty to three? Find the Discman, man! And so I do and remove the japa meditation disc and insert the new one. Headphones on and away we go: Instantly we're hit with the second big band sound of the evening, this time it's a wall of blues, a sound as thick as a teenagers belligerent head . . . and we learn that Roxy's been down this road many times in the past, well hey, you know, they say three times a charm and this is the lady's third solo CD, okay? You got a Memphis kind of organ thing riffing off the piano, guitar and Eric Merovitch's horns . . . and the queen informs us that she's "Back In Bluesville" stayin' down on the end of lonely street? Not sure of the exact location, but "you know the hotel there just keeps my room on hold," and that's where this CD is coming from. This opener ends with a Twilight Zone/Raymond Chandler mystery riff that warns . . . experienced blues travelers only . . . all others proceed at your own risk.

"Whole Dog," is next and you better you pay attention 'cause Roxy's running it down for you with vocals as smooth as a floor polished by the deaf dude who lives above you in 6M. We got some tasty sax riffs trading off with some smoldering vocals, and hey, hey, hey, this is some second helping, we still got nine more slices to go. Whose idea was it to order the extra jalapenos? Tasty, with a kick of Bob Fusco's bass, like the Times Square shuttle, sneakin' under the whole thing. I mean, you know it's there even when you don't know it's there, but he'll get you over to 42nd Street in time to catch Solomon Burke at BB Kings. Reliable, you can count on Bobby and the Queen, she knows all about that. Why do you think she's laughin' at the end of the cut?

And this "Midnight Train" through Bluesville doesn't just stop at BB's. Oh no, we can go back in time as well, and on cut three, I mean, it's 1950 and Peggy Lee is intoxicated down on Bourbon Street, you dig? Go on ask, what is this man saying now? But get that rock dream fixed in your head and please don't misunderstand, that's not Roxy, she's as together as she's ever been, but we got proof positive that Mr. Zimmerman and U2 don't own the Daniel Lanois sound. Oh mercy, he wasn't even in Bluesville on the nights all this went down. Yeah, there's the haunting sound of her harp and some underscored Spector-inspired multi-finger snapping over the light and tight honky tonk piano and guitar . . . both cutting through some thick swamp fog . . . all under and not fighting, at peace actually, with the Queen's laid back smooth and oozing vocals . . . proving less is more and that there ain't a style she can't sing. Last stop; please check the overhead rack for your personal belongings.

So after what was left of the moonshine and a few hours sleep on a sleepy dusty delta dawn we find ourselves on the front porch, and it's not even noon yet, and 96 humid degrees. So what's a poor girl to do 'cept walk down that "Crooked Path." I mean half the horn section went to town looking for what they need and the rest of the boys are out back drinkin' peach wine and eatin' tatar salad . . . hey, every young man needs some recreation, you dig? But the Queen's just hangin' with Matt Baxter and his Dobro, and letting you know, hey, you may have enjoyed the first three tunes, and don't get me wrong, I'm delighted you did, but I don't really need that big old thick wall of blues thing to put over what lies under my agenda. I can sit on an old country porch in the heat and blend in with the folks, but don't for a second forget that I am royalty, you know? So let's just sit a spell and pick a bit.

At this point, my friends I will say that "Crooked Path' is the cut.

You know every movie has that scene or that line, and the sign of a great CD is that cut. The one, you know, one could argue that it's all subjective, but that argument in itself is, you see? So to you, it's that one and to him it's the other, and that guy over there, the one with the two left feet, I mean that poor bastard isn't even listening to the same record. I mean, he's still back in the 70's figuring' how he's gonna beat Ticketmaster tomorrow morning at 9 and score some McCartney tickets, alright? Nothin' wrong with that, see? Even if he ends up buyin' 'em on eBay. Cool, get it done, right? But the thing is, what I really mean is reality is all there is, only our individual interpretations of it differs. That said, "Crooked Path" blows me away and is worth the price of admission, we're talking a small slice of 100% pure purity and we're here in 2005. It's worth a major celebration to learn it still exists. What a cut!

And there's a lot more! On "Nothing Like You" you got a woman talking truthful trash in the key of Dixieland on a riverboat with Pete Fountain when he was just a kid. Roxy nails the last line, the "I ain't nu uh thin like you." Made me smile.

Need a little boogie? There's "Two Left Feet," a little 1946 Louie Jordan -zoot suite jive. Why not? And if you've just come of age and are just havin' your first taste . . . welcome children, it's always new for someone and today's your lucky day.

Next she's goin' down, down, down like a "Stone In The Sea," and time is tight so you best get the hell out of her way because there's nothing more dangerous that a blues woman in lust. The guitar work shines on this one, but just like on every other cut, it's totally imaginative and smooth as the rough surface of a starfish - vocals that drip all over your headphones like hot fudge on cherry vanilla ice cream.

On "Get It" we've got some hot rod Lincoln guitar blazing under her breezy harp playing just seconds before she wails "tomorrow, tomorrow, tomorrow," who the hell knows about that, you understand? So the queen suggests, in no uncertain terms, that you get it before it goes." Who can argue?

"Forgive and Forget" is next and we welcome Booker T and The MG's, special mystery guest stars here for sure. Unless, Roxy's band . . . Dave Fields, Tim DeHuff, Eric Merovitch, Linda Geiger, and Bob Fusco duplicated The MG's patented sound. And hey, with no offense intended, that's an impossibility, right? So here's to the mystery guests who must be playing without credit due to some type of legal mumbo jumbo. It don't matter anyway because this tribute to the Stax Volt sound is just another way of underscoring and presenting the sugar in the tea vocal styling of the queen who swears she was good, and hey, that's all you need to know.

Next Ms. Perry demands that you "Do It." And if you can't understand what she's laying down here, well get up and just do it over there. I mean, if this song was a book it could be called "Blues For Dummies" because it's a straight out no holds bared invitation to just get on with it, you know, or else . . . later and enough . . . and it had to be said so that's it.

And somehow our trip through Bluesville ends up at "The House of the Rising Sun." Doesn't it always? I mean, come on, if we're really going to be honest and adults about all this you have to admit, that one way or another we always end up here even if it's just for a road runner. Dylan got here first on his debut LP, and, of course Eric Burdon brought the joint to the attention of the masses with the aid of some good old fashioned mid-60's payola and the then flourishing Top 40 format.

I remember one time when I was in New Orleans riding around in the back of a horse drawn carriage and the ebony dude who was showing us around took us to this place and explained that this was where fathers brought their sons to lose their virginity, and hence it was called The House of the Rising Son (Delta humor you see) and now it's like a few years later, and here's Roxy Perry doin' the tune. Could anything be more perfect? Only CD #4 as a collection of all authentic, public domain blues classics, but we're getting way ahead of ourselves here. Right now you have the opportunity to hear Roxy Perry singing "The House of the Rising Sun," a cut that on its own, makes 2005 a great year.

There's no more music, just another great photo of Ms. Perry on the back looking all pretty and peaceful and cool and so, you know, I got mine, and you all should get your own.

I gotta call this night a day, so see you in my dreams.


Great stuff!!!!!
Although I've only known Ms Roxy over the internet (she's on the east coast, I'm way out in the NW), her music on this CD shows a growth since the New York Blues Queen (I still dig that one out to listen to as well). Good blues is, in my mind, timeless. And to that end, great job! Thanks for the music!

john bell

best heard this year.
great singer, great band,great cd. what more can i say? the best i have heard all year.

Ken Barthell

Great blues singer and band
This cd is blues at it's best. Roxy is so for real and owns those songs. The guitar work is excellant as is the rest of the members performances. I'd love to see this group live.


what a great CD!
This is a wonderful CD that I just love! After hearing Whole Dog on a music channel, I knew I had to hear more! Roxy beautifully sings with such emotion and feeling throughout the wide variety of styles of songs on this CD. I highly recommend this to anyone who wants to feel the music, not just listen!


Fantastic CD
I heard a clip of one of her songs on a public radio station and had to have more. When I located the artist (Roxy Perry) and the CD I immediately placed an order! I must say, I was not disappointed. I even got my finace hooked on the CD!! Excellent all around!

Linda Spinale

If you are a blues lover, buy this CD!
Having only heard the 2 minute clips of each song, I can hardly wait till my copy arrives!! What a tease that was! My basic feeling about this CD is that Roxy delivers. Now, blues is blues, and every human knows what that is. But Roxy has her finger on the pulse of what blues is for a woman. The first cut, Back in Bluesville, makes me want to feel the lust of sweaty dancing with a strong man, but reminds me of the price you always end up paying for that pleasure . . . ending up back in bluesville. Her lyrics are moving and on the money, and her vocal delivery puts you right in that moment. What more can I say? A long-awaited CD - that was worth the wait!
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