Sandy Ewen & Weasel Walter | Idiomatic

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Avant Garde: Free Improvisation Avant Garde: Electro-Acoustic Moods: Mood: Weird
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Idiomatic

by Sandy Ewen & Weasel Walter

Alien improvised music modernism with non-linear drumming and prepared guitar deconstruction.
Genre: Avant Garde: Free Improvisation
Release Date: 

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  Song Share Time Download
clip
1. Twenty Two Minutes and Thirty Eight Seconds
Sandy Ewen & Weasel Walter
22:39 album only
clip
2. Twenty Three Minutes and Forty Three Seconds
Sandy Ewen & Weasel Walter
23:49 album only
clip
3. Twenty Nine Minutes and Twenty Nine Seconds
Sandy Ewen & Weasel Walter
29:29 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes

Idiomatic
by Sandy Ewen / Weasel Walter

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Can This Even Be Called Music? thumbnail
Can This Even Be Called Music? Under the name Idiomatic, the group goes in long form musical peregrinations, which yields three tracks, each over twenty minutes long, that alternate between hectic improvisation and crushing atmospheres of noise and distortion. The verdict is quite simple: this album is awesome!
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(22:38) 00:00 / 22:38



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Compact Disc (CD) + Digital Album

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The compact disc version of this release, packaged in a 4 panel digipak

Includes unlimited streaming of Idiomatic via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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$13.99 USD or more




1.

(22:38) 22:38



2.

(23:43) 23:48



3.

(29:29) 29:29


about
Almost 80 minutes of jarring, surreal, raw improvised music by the duo of Sandy Ewen (guitar) and Weasel Walter (drums/live electronics) captured on this clear, powerful studio recording. Each musician speaks a distinctively deconstructed language on their respective instrument and their interaction is often surprising, always relentless and subtly alien. Sandy Ewen's approach eschews the obligatory mounds of effects pedals (save one for panning) many guitarists use, instead concentrating on direct physicality, extended techniques and non-standard approaches using various simple preparations made with ordinary objects. Weasel Walter's articulate, fleet drumming aims to constantly disrupt continuity, creating chaotic scaffolds of focused illogic, and his use of simple live electronic processing blurs the roles within the soundscape. This is fast-paced musical Modernism in action by two unique voices in modern improvisation.

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