Karen Savoca & The Mind's Eye | On The River Road

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United States - NY - Upstate NY

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Rock: Folk Rock Rock: Americana Moods: Type: Lyrical
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On The River Road

by Karen Savoca & The Mind's Eye

Funky folky americana... Winner of 1995 MUSICIAN MAGAZINE's Best Unsigned Band Contest.
Genre: Rock: Folk Rock
Release Date: 

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  Song Share Time Download
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1. On The River Road
3:52 $0.99
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2. Lucky You're Mine
4:20 $0.99
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3. Till My Heart
5:26 $0.99
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4. Light A Candle
5:02 $0.99
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5. Sanctuary
3:42 $0.99
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6. Language Of Love
5:22 $0.99
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7. Eight Tons Of B-flat
2:50 $0.99
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8. This Train
6:32 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Karen Savoca's mom was the featured vocalist on a nightly TV show in Fresno, California. When her family moved east to northern New Jersey, she met a young builder, choosing marriage and motherhood over a singing career. It was no surprise that her little girl was always dancing and singing. At ten, Karen bought her first album on a whim... it was Life, by Sly and The Family Stone.

For years Karen's folks drove every weekend from NJ to their camp in the mountains of upstate NY, toggling between country and city... early training for a life on the road. When Karen was thirteen they built a log home and settled there. Friends were astonished at her ability to learn the lyrics to any song in one listening. Although she wanted to play the drums, she got piano lessons instead. The piano was next to the TV, so she would jump up to play during commercials and half-times. She bought herself a guitar with the birthday money she'd saved, and when no one was around she started composing. Living on a mountain offered plenty of solitude for the little poet, and she wrote privately for many years, all the while performing at school, county fairs and coffeehouses.

Never doubting that she would live a life of music, she attended Crouse College at Syracuse University, but Karen had always sung in her own voice, and the curriculum was operatic and restrictive... she switched her major to Elementary Ed where she developed passionate views about teaching young children. During that time she honed her singing style with several groups in clubs on and off campus.

While he was visiting home from Atlanta, Karen met guitarist Pete Heitzman in a mystical encounter. He'd gone to a club to catch an old friend's band, and Karen was their new singer. They jammed all night... powerful chemistry evident right from the start. Pete joined the band the next day, and the two have been together ever since.

Karen and Pete moved to New York City for four years... gigged, worked strange temp jobs, wrote songs, and saved enough to assemble a studio... and returned to the relative peace of Syracuse.

By now the response to Karen's songs was so positive that they formed an all original, improvisation-laced band with the best jazz and funk players in the area. The Mind's Eye played every Monday for seven years at The Orange Grove, a bar just off the SU campus. With the band, Karen played a Hohner Clavinet, lots of hand percussion, and finally got herself a drum (that's a conga, not a bongo). Their audience danced and improvised as well, call and response style, sometimes developing elaborate counterpuntal routines. Known as Grovers, Karen and Pete encounter these SU grads wherever they go.

Walkin' The Bridge appeared in 1988, and charmed T-Bone Wolk into co-producing On The River Road in 1993. The song, "Language Of Love" was chosen out of 3,500 entries to win the Grand Prize in MUSICIAN Magazine's Best Unsigned Band Contest in 1995.

The duo split off and developed their unique spare approach, retaining the dynamic of the dance band. By now Karen's vision was in full bloom, and after many years of pleading, Pete finally convinced her that they should perform under her name. In 1997 they signed with Fleming/Tamulevich &; Associates booking agency and began their travels. 1998's Sunday In Nandua was another collaboration by Karen, Pete and T-Bone, and has been added to many radio playlists across the country and abroad.

Karen's music confounds even the most staunch pigeonholers. It's bravely non-traditional, yet completely accessible. Her appearance on the contemporary folk scene says more about the extremely broad-minded audience of folk than it does about her music.

The duo's live performances are uplifting and hypnotic, more funk than folk. At the Vancouver Folk Festival '99, as the Sunday sun was setting, for the first time in 22 years, 10 thousand people inexplicably removed their shoes and waved them over their heads.

Playing conga and hand percussion, Karen infuses the music with her love of Soul, R&B, and World rhythms. Together she and innovative guitarist Pete Heitzman have been described as a self-contained mini-band with "the fearlessness of a high-wire act working without a net." It's an elusive mix... melodic, funky and spontaneous.

They live and record in an old renovated church in rural upstate New York. Their latest indie release, Here We Go, was co-produced by Karen and Pete, and features long-time collaborator, multi-instrumentalist Tom "T-Bone" Wolk (Elvis Costello, Shawn Colvin, Sat. Night Live Band, Eileen Ivers...).

150 shows in 1998 introduced them to new audiences all across the country. This included five tours with national treasure and Grammy nominee Greg Brown, and an appearance with Greg on A Prairie Home Companion in '99.

Karen and Pete recently scored brother James Savoca's beautiful first feature length film, Sleepwalk, which is currently airing on The Independent Film Channel.

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Reviews


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Ryan Riggs

Very powerful, moving. Excellent vocals backed by strong instrumentals
I'm hooked with the very first chords of the title track, On the River Road. As soon as i put it in and hear it start up, i know i'm in for a ride with great beats, the kind of groove that makes me want to move. The lyrics are very moving without being too serious. I've just put it in to get a feel for the album in order to review it, and i find myself having trouble skipping through songs, i have to listen to them all. Lucky You're Mine features a whispy, almost haunting sound, very soothing. Till My Heart speaks to me on a very personal level, a great song of longing and waiting for the return of love. Light a Candle has a very distinct groove, as most of the tracks on this disc do. One of the great things about this disc is that if i let it loop in the background, it can do so several times before i even notice that i've listened to the whole thing. Very funky and peaceful at the same time, a great accomplishment.
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Rachel Elert

Great peice of work!
Ictually, I bought this CD at the same time as her newest one, All my Excuses, and I think I like this one even better! (All my excuses is fantastic, so that's quite a compliment!) This recording is very soulful and true which brings a kind of alert peace to the listener. The quote made by Greg Brown on the compalation CD that I discovered her on was not kidding "If Karen were Native American, her name would be 'Sings Like Two Birds'". I was Absolutely not disappointed! I recommend this CD to anyone with a taste for talent. - Rachel Elert, teacher in Michigan
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Ken Crook

Every cut on this CD has earned my respect!
This MUSIC is proffesional, well written and unique. It pulled me in and held my attention. This was my introduction to Karen's and friends music and I find myself wanting more! Well Done!
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Kathryn G.

She is too amazing for words, my favorite female voice
I have had this CD since it first came out. I had the DIVINE PRIVLEDGE OF MEETING THIS AMAZING WOMAN, and watch her do a soundcheck before a gig at a local nightclub. It was the first time I ever had SHIVERS from hearing someone sing. WOW. This is in my Top 5 favorite albums for life!!!
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Jessica L. nee` P.

Lovely Album
I was introduced to this CD by a former boyfriend, who gave me a taped copy of the album. I just about wore that tape out. I've moved to digital music formats, and it's been a while since I have listened to my tapes, River Road included. Listening to this album for the first time in a long time, on CD, was special. It moved me, not just for memories that are associated with the music, but because the music itself is so great. Til My Heart just gets to me. Sanctuary, Eight Tons, such sweet stuff. Thanks, Stu O.
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