Scott Slapin & Tanya Solomon | Recital on the Road: What We Did On Our Summer Evacuation

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Classical: Traditional Classical: Chamber Music Moods: Instrumental
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Recital on the Road: What We Did On Our Summer Evacuation

by Scott Slapin & Tanya Solomon

Driven from their former house in New Orleans by Hurricane Katrina in 2005, this recording represents some of the music they were performing in recital from coast to coast.
Genre: Classical: Traditional
Release Date: 

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  Song Share Time Download
clip
1. Paul Hindemith: Sonata Op. 24 No. 1, Breit Vietel
Scott Slapin
1:32 album only
clip
2. Sehr Frisch Und Straff
Scott Slapin
1:55 album only
clip
3. Sehr Langsam
Scott Slapin
5:24 album only
clip
4. Resendes Zeitmass, Wild
Scott Slapin
1:29 album only
clip
5. Langsam, Mit Viel Ausdruck
Scott Slapin
4:43 album only
clip
6. Antonio Bartelomeo Bruni: Sonata No. 1 for Two Violas, Allegro Moderato
Scott Slapin &Tanya Solomon
4:23 album only
clip
7. Allegretto Moderato - Minuet Variazione
Scott Slapin &Tanya Solomon
2:49 album only
clip
8. Nicolo Paganini: Caprice No. 3, Originally for Violin
Scott Slapin
2:59 album only
clip
9. Johann Sebastian Bach: Allemande from the 6th Suite(Originally for 5 String Cello
Scott Slapin
6:27 album only
clip
10. Alessandro Rolla: Duet in E Flat Major for Two Violas, Andante M
Scott Slapin &Tanya Solomon
6:59 album only
clip
11. Thema Con Variazione
Scott Slapin &Tanya Solomon
4:56 album only
clip
12. Rondo Presto
Scott Slapin &Tanya Solomon
4:17 album only

ABOUT THIS ALBUM


Album Notes
"The CD's title is to be taken literally: Slapin and Solomon (husband and wife) fled Hurricane Katrina and spent 6 months on the road...Slapin and Solomon are a tried and true musical partnership, and their repartee in these two agreeable pieces is admirable, with echoing phrases tossed back and forth between the players. In Hindemith's Op. 25 No 1, Slapin surely breaks a speed record in the (in)famous 4th movement, which appropriately segues into the finale...the performance as a whole is beautifully shaped and passionately played...I can only admire Slapin's digital flexibility in Paganini's murderous stretches (Caprice No. 3) and his courage in tackling the Allemande from Bach's Sixth Suite in the original key." - The Journal of the American Viola Society (Carlos Maria Solare, Volume 23, No. 2)


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