Sleeping Bee | There Is No Rose

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There Is No Rose

by Sleeping Bee

"There is No Rose" is a carol dating back to the 15th century which Lindsey Horner and Sleeping Bee have re-imagined for these times, ancient yet timelessly modern.
Genre: Folk: Modern Folk
Release Date: 

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1. There Is No Rose
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Album Notes
Season’s greetings from Sleeping Bee, otherwise known as Lindsey Horner, Andy Goessling, Randy Crafton and Timothy Hill. We have a special gift for you in the form of a new/old song recorded especially for the time of year that’s in it. “There is No Rose” is a carol dating back to the 15th century and we have re-imagined it for these times.

The words are ancient and traditional, a mix of middle English and Latin, full of innocent wonder and nature imagery. The music is by Lindsey, all the boys helped arrange it, and it was recorded at Randy’s excellent studio, Kaleidoscope Sound.

Though ostensibly a Christmas song, it can be enjoyed all through the year. So, do enjoy it and please feel free to share this link with anyone else you think may also like hearing it so that the gift can keep on giving.

There is No Rose
music - Lindsey Horner
words - Traditional

Timothy Hill - voice, guitar
Lindsey Horner - bass, low whistle, med. whistle
Andy Goessling - bouzouki, mandolin, 12 string guitar, clarinet, soprano saxophone
Randy Crafton - frame drums, various percussion

Recorded at Kaleidoscope Sound, Union, NJ, USA, Dec. 18, 2013

Engineered, mixed and mastered by Randy Crafton assisted by Kyle Cassel.

There is no rose of such virtue
As is the rose that bare Jesu

Alleluia, Alleluia, Alleluia

For in this rose contained was
Heaven and earth in little space

Res miranda, res miranda, res miranda

There is no rose of such virtue
As is the rose that bare Jesu

For by that rose we may well see
There be one god in persons three

Pari forma, pari forma, pari forma

There is no rose of such virtue
As is the rose that bare Jesu

The angels sung and the shepherds too
Gloria in excelsis deo

Gaudeamus, gaudeamus, gaudeamus

There is no rose of such virtue
As is the rose that bare Jesu

Now leave we all this worldly mirth
And follow we this joyful birth

Transeamus, transeamus, transeamus

res miranda = wondrous thing
pari forma = one and the same
gaudeamus = let us rejoice
transeamus = let us go

Sleeping Bee is the new musical endeavor of four longtime friends and multi-instrumentalists, Lindsey Horner, Andy Goessling, Randy Crafton and Timothy Hill. Their style can best be described as “Transcendent Acoustic Alt Folk Jazz Celt Grass” and their music showcases their wide range of musical expertise and a depth of feeling gathered from years of experience.
The first instrumental recording, Heyday Maker, exists in that unique early 21st century area where Folk, Jazz, Celtic song forms, melodic improvisation, and original ideas all happily co-exist and vitalize each other. The recording features original pieces by both Andy and Lindsey, one by the great Keith Jarrett, one by the also great Bob Dylan and a rethinking of two compositions by the 18th century Irish bard, Turlough O’Carolan. Lindsey plays bass and various tin whistles while Andy is heard on guitars, mandolins and bouzouki. Valued friend and percussionist, Randy Crafton, adds his artistry to the proceedings.
While Andy and Lindsey have known each other since they were teenagers, their musical careers have moved in somewhat different orbits over the intervening decades. Andy grew up in rural New Jersey and Lindsey in the heart of New York City so it is perhaps not surprising that Lindsey has been more associated with Jazz and improvised musics of that urban center while Andy has been more involved in the bluegrass and roots music scenes. They have talked for years about pooling their talents and resources and doing something together but could never quite find the right time to get that promising idea off the ground – until now. Indeed, it could be fairly said that both of these musicians have spent most of their careers making other artists sound good. This recording could be seen as their chance to have their say.

With Heyday Maker completed and released, Andy, Lindsey and Randy expanded the concept by adding singer and guitarist, Timothy Hill. Timothy is a unique artist who specializes in harmonic singing whereby two or more notes can be sung at once - as well as the more conventional types of singing. 

Lindsey Horner has most often been heard with artists associated with the cutting edge: guitarist Bill Frisell, pianist Myra Melford, drummers Bobby Previte and Allison Miller, trumpet player Dave Douglas and many of the visionary musicians from the days of the Downtown and Knitting Factory scenes in New York of the 1990’s and beyond. He also has firm roots in Irish music having played for years with non-pareil singer-songwriter, Susan McKeown and Irish music legend, Andy Irvine. He currently plays in the band of exciting Celtic fiddle virtuoso, Eileen Ivers. He also has produced five previous recordings of his own music, several more as a co-leader and played on many more as a sideman.
Multi-instrumentalist Andy Goessling has enjoyed a long and varied career backing and being a part of many seminal projects in the acoustic, folk and bluegrass scenes. He has supported artists such as Garnet Rogers and the late, great Rick Danko and has served in the house band at the Falcon Ridge Folk Festival backing up Greg Brown, Richard Shindell, Vance Gilbert and many others. He has played with Allman Brothers guitarist, Warren Haynes, and two of his personal Bluegrass heroes, David Bromberg and John McEuen. Currently a member of the highly regarded band, Railroad Earth, Andy was chosen, with the other members of Railroad Earth, to be a part of Phil Lesh and Friends and also helped Phil open his new club, Terrapin Crossroads in a band which included other original Grateful Dead member, Bob Weir.
Drummer/percussionist, Randy Crafton has over 100 recording credits to his name, has toured extensively through North America, Europe and Asia, performed on Broadway, and premiered over 40 works by composers such as John Cage and George Crumb.  As an educator he has held positions at The Juilliard School, The New School, Drummers Collective, and the Berklee College of Music, and has served as the chairman of the World Percussion Committee for the Percussive Arts Society. As the owner and chief engineer of Kaleidoscope Sound just outside New York City, he has recorded and produced scores of artists from Richie Havens to the Mingus Big Band.
Singer-composer Timothy Hill’s musical explorations span the genres of folk, jazz, world music, contemporary classical and improvisation. At various times in his career he has shared the stage with Pete Seeger, Jeff Buckley, Bill Frisell, Allen Ginsberg and John Cage. Working with David Hykes and the Harmonic Choir, he has been a pioneer in the art of harmonic singing, prompting The New York Times critic Robert Palmer to praise Hill as "a virtuoso of the Tibetan chanting technique." Mr. Hill has released three recordings of original songs - This Bright World, The Human Place, and Spirit's Body. He contributed to the spoken-word-with-music collection Pete Seeger: The Storm King, and has recorded with diverse artists such as alternative rock chanteuse Katell Keineg, klezmer clarinetist Giora Feidman, composer/cellist Robert Een and Irish traditional singer and flautist Cathal McConnell. Hill performed on eight recordings by David Hykes and the Harmonic Choir, including their seminal work, Hearing Solar Winds.



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