State Street Traditional Jazz Band | Ain't She Sweet

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Jazz: New Orleans Jazz Jazz: Traditional Jazz Combo Moods: Mood: Upbeat
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Ain't She Sweet

by State Street Traditional Jazz Band

Traditional New Orleans jazz with a bandleader who learned this music directly from the masters in the French Quarter.
Genre: Jazz: New Orleans Jazz
Release Date: 

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  Song Share Time Download
1. You Gotta See Your Mama (Live)
4:02 $0.99
2. Some of These Days (Live)
5:42 $0.99
3. That's My Baby (Live)
5:44 $0.99
4. Shake That Thing (Live)
5:48 $0.99
5. You Tell Me Your Dream (Live)
6:06 $0.99
6. Old Gray Bonnet (Live)
4:51 $0.99
7. Memories (Live)
4:58 $0.99
8. Tishomingo Blues (Live)
7:27 $0.99
9. Brother Can You Spare a Dime (Live)
5:33 $0.99
10. Closer Walk (Live)
6:24 $0.99
11. Tiger Rag (Live)
6:44 $0.99
12. Ain't She Sweet (Live)
5:43 $0.99
Downloads are available as MP3-320 files.


Album Notes
The State Street Traditional Jazz Band pays homage to music birthed over 100 years past to its authentic origins at the turn of the 20th Century. These enchanting sounds were heard then in New Orleans and throughout the Louisiana Delta region.

However, following WW I, jazz moved north out of New Orleans, and in the course of the move it inevitably began to change.....

Yet, many musical greats kept it alive such as the Original Preservation Hall Jazz Band, Louis Armstrong, "Kid" Thomas Valentine, Sweet Emma Barrette, the Humphrey Brothers, etc.

Sadly, today those music legends have passed, but the State Street Traditional Jazz Band is dedicated to playing, preserving and keeping this music alive!

"At the dawn of this past century, a new music was born in New Orleans. It was a 'good time' music to make people happy. Its appeal was so immediate that the music soon swept over the whole country and then circled the globe. It was not so much a kind of music, as a style of playing. Essentially it was simply a way of 'playing a melody with a beat.' New Orleans musicians learned to work together to produce the loose, relaxed beat that is so irresistible that one cannot help but dance, or at least sway and tap one's foot to its swing. The easygoing, almost hypnotic rhythm at times seems to run effortlessly by itself. In this style of music, where the musicicans strive to help each other rather than grab the spotlight, it is natural for impromptu ensemble choruses to be a feature. Working together harmoniously can generate a feeling of power. The ensembles often build with a cumulative effect and surging momentum to thrilling climaxes.

In New Orleans Style the melody is always clearly heard. The melody is never disguised but is sung by the various instruments with a beautiful vocal like warmth. As one New Orleans trumpeter expressed it, the idea is to 'play pretty for all the people.' The tune is not obscured by harmonic padding and complicated arrangements, for these musicians know that the secret of true excellence in music, as in life itself, lies in simplicity. New Orleans Style has never encouraged the hectic rushing and frantic, hysterical screaming that passes for jazz in many places. Instead, relaxed tempos to which people can dance or march even in a hot climate are chosen. New Orleans music has always been functional.

In a New Orleans band every instrument is considered a rhythm instrument and is responsible for contributing subtleties of rhythm and accent to the regular beat as the players improvise on some favorite tune. The emphasis on a pretty melody and a vital beat has always been fundamental in the playing of New Orleans bands, while harmony has never been given the importance it received in Western European music. Notwithstanding the usual simplicity of New Orleans-style chord structure, there is plenty of harmonic interest, even dissonance in New Orleans Jazz. Due to the basic ensemble style with several players improvising counterparts to the melodic line, the result is often thrillingly complex.

The tempo of this music is apt to be a little more moderate, especially in a spirited number than that adopted by bands in other and cooler sections of the country. "Racehorse Dixieland" tempo is avoided. Although always played with a feeling of enthusiasm and intensity, New Orleans musicians try to play with a pretty and expressive tone to produce music that sings as well as swings."

~ William Russell (famed New Orleans Jazz Critic)



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