Steve Lieberman the Gangsta Rabbi | 2nd King of Jewish Punk 3169: The Last of the Great Punk Rock Bass Heroes

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2nd King of Jewish Punk 3169: The Last of the Great Punk Rock Bass Heroes

by Steve Lieberman the Gangsta Rabbi

While it may sound harsh and uninviting; "2nd King of Jewish Punk" is filled with raw emotion and passion, and that is something much of commercial music is missing nowadays
Genre: Metal/Punk: Punk Metal
Release Date: 

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  Song Share Time Download
1. My Very Last Year (Extreme Edit)
4:44 $0.99
2. Little Kosher Girl
4:19 $0.99
3. Jewish Riot
3:18 $0.99
4. Bassett Hound Pull-Toy
6:44 $0.99
5. A Dove Flies over Baghdad
5:26 $0.99
6. I Want a Bass with a Whammy Bar
4:58 $0.99
7. Get It Get It Get It (Shift Shift Shift)
4:48 $0.99
8. G-D Loves Me Tho I'm Crazy
4:41 $0.99
9. 3 Little Puppies
5:17 $0.99
10. Yada Yada Ya Ya
4:26 $0.99
11. Midianites
5:03 $0.99
12. 1st Diaspora Egypt
6:09 $0.99
13. Puppy in a Cup
3:35 $0.99
14. Cancer Ward 3-Phlebotomy
4:37 $0.99
15. 25 Days in a Coma
7:50 $0.99
Downloads are available as MP3-320 files.


Album Notes
As we discussed in our previous feature in What We’re Spinning (Indie Shout Out!) Vol. 22, Steve Lieberman is undeniably a highly versatile, insanely unpredictable, and wildly creative individual.

As he has done on all of his previous releases, Steve sings and plays all of the instruments.

The music contained within this album features a large a delicious cacophony of varied instrumentation including the use of; guitar, bass, trombones, flutes, mangal vadya, melodica, beat-machines, and double bass drums.

Also noted in our previous feature, but integral to understanding the personality captured within his music; Steve is considered what many in the music world refer to as an “outsider musician”.

An outsider musician refers to individuals whom compose music that blatantly ignores commercial industry standard musical or lyrical practices. This is often because they have no formal training (or refuse to), or because they passionately disagree with conventional rules of music in general.

With this release, Lieberman does justice to the title “King of Jewish Punk”.

This release is meant to be biting and uninviting, as its increased harshness serves as a symbol for Steve’s on-going struggle with terminal cancer. Every song on this release, except for “25 Days in a Coma”, are rewritten and rerecorded from Lieberman’s impressively vast back catalog.

My personal favorite on the album is “1st Diaspora Egypt”. With its unpredictability and feverish soloing, this track truly encapsulates that raw excitement and energy that Steve will always be fondly remembered for.



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