Suzi More & Angela Manso | Suzi More sings Loretta Jankowski, Phoenix

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Suzi More sings Loretta Jankowski, Phoenix

by Suzi More & Angela Manso

Phoenix is an art song by Loretta Jankowski. A powerful work dedicated to the spiritual growth in all women and men who have had to struggle with unknown fears.
Genre: Classical: Art songs
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  Song Share Time Download
clip
1. First Try
Suzi More & Angela Manso
2:45 album only
clip
2. Rainstorm
Suzi More & Angela Manso
3:03 album only
clip
3. Reverie
Suzi More & Angela Manso
2:52 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
This was a song cycle written in 1989 which won the NATS (National Association of Teachers of Singing) Art Song Composition Competition. Music by Loretta Jankowski, lyrics by Susan Morehead (aka Suzi More), this song cycle was originally performed by Susan Morehead, soprano and Victoria Griswold, piano at the NATS Convention in California. The original tessitura of this song was extremely high and deemed too difficult for most soprano voices, hence, this recording is a later performance with lower notes. It is recorded with Suzi More and Angela Manso.

A New Jersey native, Miss More has performed extensively throughout the United States and abroad. She has been soloist and has appeared in numerous operatic roles performing with the Festival Chorus of New Jersey, the Masterwork Chorus and Orchestra, Orpheus Chamber Singers, the Plainfield Symphony, Ars Musica Antiqua, the Garden State Chorale, the State Repertory Opera, Jersey Lyric Opera, Choral Baccarelli (Sao Paulo, Brazil), the Academy of Vocal Arts Opera Theatre (Philadelphia, PA), Montclair Chamber Orchestra, and numerous others. In 1989, she was the award-winning collaborator along with composer Loretta Jankowski, of a song cycle entitled Phoenix, published internationally by Boosey & Hawkes, in December 1993. The work, featuring Ms. More, was presented at both the Los Angeles, California (1989), and Little Rock, Arkansas, national Association of Teacher's of singing (NATS) conventions. She is a recipient of several Lila Wallace/Reader's Digest Incentive Grants, for performance and research. She is a member of the NATS, NJ, NYC and National chapters. Also, a composer of jazz, folk and children's songs. Her voice teachers and coaches include Franco Rossi-Roudett, Terrence Shook, Helen Fenstermacher, Chloe Owens, Daniel Ferro, Marlena Malas, Dorothea Discala, Frank Valentino, Deborah Taylor, and Dolores Cassinelli. She has appeared in master classes with Elly Amelling, Jerome Hines, Judith Raskin, and Dalton Baldwin. Ms. Morehead holds a B.A. degree from Rutgers University, M.A. degree from Jersey City State College, and pursued studies at the Academy of Vocal Arts, in Philadelphia, and New York University.

Pianist Angela Manso has served as musical/director/pianist for over forty operas and musical theater productions, including twenty for New York City's Bel Canto Opera Company. She served as assistant conductor for the Carnegie Hall performance of Mrs. H.H.A. Beach's Grand Mass in E-Flat Major, a work that was subsequently recorded in the Newport Classics label. Ms. Manso was the official accompanist for the first World Harmonica Championship on the Isle of Jersey, U.K., during which she performed in recital with harmonica virtuoso, Cham-Ber Huang, and accompanied internationally renowned artist Larry Adler and Mr. Huang performing the Bach Double Violin Concerto arranged for two harmonicas. As a composer, her Prayer for Mankind was performed by the Central City Chorus with Director Mr. Charles Pilling and organist Harry Huff. Women Singing, a women's choir directed by Ms. Phyllis Clark, performed Ms. Manso's O Son of Spirit! (originally written for eight-part mixed choir and arranged for four-part women's voices by Ms. Clark for the concert). The Celestial Tree was performed by Monica Jalili, soprano, and Angela Manso, pianist, at the Festival of the Arts presented by Global Music in New York City in 2002. Ms. Manso's chamber piece, Dawn, written for women's voices, harp, Native American flute, and Tibetan bells and ting-shas, was presented at the New York Baha'i convention in 2001.

This recording was done in Plainfield, New Jersey at the French School of Music studios in 1998. Recorded by Robert Speiden and remastered in 2012 by Max Caselnova of Clearcut Recording Studio, Garfield, New Jersey.

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