Suzi  More & Glenn Tiedemann | Suzi More Sings Max Kowalski, Op. 17, On Poetry of Goethe

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Suzi More Sings Max Kowalski, Op. 17, On Poetry of Goethe

by Suzi More & Glenn Tiedemann

Suzi More with Glenn Tiedemann, Sings the Opus 17 of Max Kowalski, on the Poetry of Goethe.
Genre: Classical: Romantic Era
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  Song Share Time Download
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1. Wenn ich dein gedenke
Suzi More & Glenn Tiedemann
0:43 $0.99
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2. Wie sollt ich heiter bleiben
Suzi More & Glenn Tiedemann
0:53 $0.99
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3. Lieb' um liebe
Suzi More & Glenn Tiedemann
1:24 $0.99
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4. Nennen dich den großen dichter
Suzi More & Glenn Tiedemann
1:06 $0.99
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5. O daß der sinnen doch so viele sind!
Suzi More & Glenn Tiedemann
0:47 $0.99
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6. Bedenklich
Suzi More & Glenn Tiedemann
0:59 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Max Kowalski(1882-1956) was born in Kowal, Poland. His family moved the next year to Frankfort, Germany, where he grew up, studied and earned Doctorates in both Music and Law (his specialty was Copyrights). His teacher of compostition was Bernhard Sekles and voice, Alexander Heineman. In Germany from 1913 till 1931, Max Kowalski was a prolific composer of beautiful lieder in the Romantic style. Although he was Jewish, Max Kowalski wrote music of all styles and genres, from Japanese, Chinese, Danish, Arabic, French and that of many great German authors, he even wrote a Marienlieder in his Opus 12. He was friend to many other composers, artists and performers and every song cycle he wrote was quickly published until Adolf Hitler and the Third Reich took over the country. In the late 30's Kowalski was very involved with the "Kulterbund" in Frankfort, Germany and his music continued to have popularity in their orchestral concerts. He is mentioned and highlighted by his presence at the last Kulturbund concert(1938) in Martin Goldsmith's book entitled "The Inextinguishable Symphony". By the end of 1938, Kowalski was arrested and spent time in Buchenwald but within a month he was released and he fled to England where he spent the rest of his life teaching voice, singing in a Synagogue and making a humble living. Although no music of his was ever published again, he kept writing new works, 17 new song cycles in manuscripts which singers performed in concerts and on radio. Opus 1 is his first composition dated 1913 and first published by Leukart in Germany. It had been out-of-print many years until Dr. Walter Foster of Recital Publications in Huntsville, Texas took up the committment to bring as many of Max Kowalski's song cycles to the public as possible. So far, all of his 17 previously published cycles have been reprinted and several of the manuscripts are being printed as first editions.

A New Jersey native, Miss More has performed extensively throughout the United States and abroad. She has been soloist and has appeared in numerous operatic roles performing with the Festival Chorus of New Jersey, the Masterwork Chorus and Orchestra, Orpheus Chamber Singers, the Plainfield Symphony, Ars Musica Antiqua, the Garden State Chorale, the State Repertory Opera, Jersey Lyric Opera, Choral Baccarelli (Sao Paulo, Brazil), the Academy of Vocal Arts Opera Theatre (Philadelphia, PA), Montclair Chamber Orchestra, and numerous others. In 1989, she was the award-winning collaborator along with composer Loretta Jankowski, of a song cycle entitled Phoenix, published internationally by Boosey & Hawkes, in December 1993. The work, featuring Ms. More, was presented at both the Los Angeles, California (1989), and Little Rock, Arkansas, national Association of Teacher's of singing (NATS) conventions. She is a recipient of several Lila Wallace/Reader's Digest Incentive Grants, for performance and research. She is a member of the NATS, NJ, NYC and National chapters. Also, a composer of jazz, folk and children's songs. Her voice teachers and coaches include Franco Rossi-Roudett, Terrence Shook, Helen Fenstermacher, Chloe Owens, Daniel Ferro, Marlena Malas, Dorothea Discala, Frank Valentino, Deborah Taylor, and Dolores Cassinelli. She has appeared in master classes with Elly Amelling, Jerome Hines, Judith Raskin, and Daltin Baldwin. Ms. Morehead holds a B.A. degree from Rutgers University, M.A. degree from Jersey City State College, and pursued studies at the Academy of Vocal Arts, in Philadelphia, and New York University.
She has worked as voice teacher, chorus director and Orff specialist at the Newark School of the Arts for over 27 years. As well as has taught over twenty years in the New Jersey school systems, now retired.

Glenn Tiedemann, Organist, Composer, Arranger, A native of New Jersey, his musical studies included Richard Paige Eckstein (Theory), Ralph Kneeream, David Randolph (Choral Music, German Diction) and Ting Ho (Theory and Composition) Has served as Organist Choir Director for the Belleville Reformed Church, Belleville, New Jersey, Central Brick Presbyterian Church in East Orange, and Brookdale Reformed Church, Bloomfield, New Jersey. In addition to his organist/director duties, Mr Tiedemann has been a very active church member and has worked as a member of the Advisory Board for a new hymnal for use in both the Christian Reformed Church and Reformed Church in America with denominations throughout the USA and Canada. Publication date is set for 2013.
In his own words “I am a lover of the human voice; from the effortlessly floating melodies and open harmonies of Gregorian Chant thru the nearly acrobatic melodies of the Mozart Aria. I also love the rich sounds and expansive harmonies of the Romantic Symphony and Piano Concerti; such as Rachmaninoff & Mahler. Max Kowalski's Music contains elements of all of the above - a brilliant composer who is truly worthy of being remembered.”

Final Mastering and Artwork by Max Caselnova at Fox Studios, Rutherford, NJ.


Opus 17 Songs of Goethe

1.Wenn ich dein gedenke

2.Wie sollt ich heiter bleiben

3.Lieb' um Liebe

4. Nennen dich den großen Dichter

5. O daß der Sinnen doch so viele sind!

6. Bedenklich

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