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Electronic: Electronica New Age: Progressive Electronic Moods: Type: Instrumental
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Progressive new age electronic
Genre: Electronic: Electronica
Release Date: 

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  Song Share Time Download
1. Troposphere
5:56 $1.29
2. Cumulonimbus
5:32 $1.29
3. Stratosphere
5:50 $1.29
4. Stratocumulus
5:44 $1.29
5. Altocumulus
5:36 $1.29
6. Atmosphere
7:19 $1.29
7. Mesosphere
6:37 $1.29
8. Nimbostratus
6:24 $1.29
9. Altostratus
4:38 $1.29
10. Thermosphere
6:33 $1.29
11. Cirrostratus
4:36 $1.29
12. Exosphere
6:04 $1.29
Downloads are available as MP3-320 files.


Album Notes
The inspiration for this album came from the atmosphere around the Earth. The songs are inspired by the different layers of air around our world, the different cloud formations that are encountered in these layers and the sounds of different weather phenomena. While listening to this album you will travel through these layers of air starting on the surface of the Earth and ending up in space.
Press Information

Atmosphere is a great new album of synth music from Dutch synthesist Michel van Osenbruggen, aka
Atmosphere is a concept album, based on the layers of atmosphere that surround the Earth, the various types of clouds that are encountered within each layer and the sounds of weather that might occur at each layer. The tracks are arranged to follow the layers of the atmosphere, as if you were taking a trip from the earth into space. The “atmosphere” concept isn't heavy-handed, but serves as a framework for Osenbruggen’s music, which is electronic music in the synth music tradition of artists like Tangerine Dream, 80’s Jan Hammer & Jean Michel Jarre. The music has a symphonic electronica texture with an emphasis on traditional analog-style sounds.
The tracks on Atmosphere are very melodic, without being pop-ish.
One of the highlights of the album is Stratocumulus. It features a sequenced synth bass line, a string/brass synth melody line and phased synth strings. builds on this with tasteful use of electronic percussion, effects and a bit of sampled ambient effects.
Another highlight is Allocumulus, which has an almost hymnlike quality. It begins by stating the theme with muted synth strings, accompanied by subtle percussive effects. It then repeats the theme in a series of variations, repeating once in an arpeggiated version, and then building to a broader statement of the theme with electronic rhythms and new instrumentation of the melody. Osenbruggen brings back the arpeggiated variation on the theme and then builds the piece back up to another peak.
Jarre fans may smile a bit when hearing the track Mesosphere, which echoes the sounds of Oxygene and Equinoxe with its use of heavily phased synth strings and a melodic bass line.
Another highlight is Allostratus. It’s built around a descending bass line that repeats throughout most of the piece. Osenbruggen gives it a modern feel by using multiple layered basslines and electronic percussion, without taking it into dance music territory. Osenbruggen adds interest through effective used of synth orchestration and the use of several breaks.
Overall,’s Atmosphere is a treat for synth fans. Osenbruggen’s style of symphonic electronica will appeal to fans of classic synth music & space music artists of the late 70’s and 80’s – but it’s not too hard to imagine these tracks being remixed as dance music, too.

This release from 2008 offers 71 minutes of pleasant electronic music. is Michel van Osenbruggen. He is joined by Hans Landman, who plays most of the lead lines in one track. A study of the planetary atmosphere, voyaging from the ground to outer space and examining the various cloud formations and weather conditions that dwell within that gas envelope. One might expect this music to be airily ambient, but it possesses a suitable degree of rhythm and lively melody. The electronics exhibit a chugging quality, comprised of cyclic pulsations that churn amid a foundation of atmospheric textures. Keyboard triggered riffs float with undulant disposition. What seems to be an elegant simplicity in structure is actually a pleasant complexity achieved as the sonic threads intermingle and merge into a pacific flow. Most of the sounds are light and airy, excellently conveying a sense of gaseous certification. There are instances wherein deeper tones are employed, injecting a touch of drama to the fanciful whimsy. E-perc defines languid rhythms which provide soothing locomotion to the melodies. The beats are soft and understated so as not to disrupt the music’s delicate character. Environmental samples of a meteorological nature are utilized to lend the electronic pastiches a terrestrial flavor. These compositions manage to be simultaneously spry and calming. The activity found within these songs displays a meticulous restraint, never going overt or reaching a hyperactive pace, while the passivity is deceptively lush, exploring melodic realms too substantial to be considered ambient. The result is a selection of affable tuneage crafted with delicate intentions.
Matt Howarth / Sonic Curiosity



to write a review


Writings by Serge Kozlovsky
World changes like a shot
What will you find yourself tomorrow?

Colored images of quickly moving and transforming clouds appear with the first chords of the album “AtmoSphere” by Its music is very vivid and visual. And yet, it is very strong and well-composed.

Michel van Osenbruggen (a.k.a. creates the project in the best traditions of European electronic music. It recalls Tangerine Dream and in the whole the best releases of famous Berlin School. On the other hand Michel van Osenbruggen’s music is penetrated with the spirit of romanticism (like compositions of Jean-Michel Jarre).

“AtmoSphere” is the second album of Michel van Osenbruggen. His synthesizer’s melodies amaze by clearness of musical palette. The artist masterfully weaves the sounds of thunder storms, rain and wind into his music. And it is a very melodious and full of aerial harmonies. Also, Michel van Osenbruggen’s music has a strong dramatic effect. is undoubtedly a new bright project not only on the European but also on the world electronic music scene.

Serge Kozlovsky


Inspired by the layers of atmospheres which surround our planet.
Michel van Osenbruggen (Synth. NL) 2nd album is inspired by the layers of atmospheres which surround our planet. A little in the same vein as its 1st opus, AeroDynamics, the Dutch synthesist continues to forge energetic music with catchy rhythms. Atmosphere offers a beautiful range with a touch closer to nebulas atmospheres than cosmic one, as we found on AeroDynamics. A new kind of progressive synth pop with a heavy approach.

Troposphere is fomented like a grain in space. A train comes from nowhere and releases heteroclite sound effects. The ambiance is cosmic, except for fine cymbals which initiate a percussion set more vigorous, in a cosmic sphere with Mellotron chorus and light hazes. A syncopated sequence is melting agreeably in this space landscape, creating a sustained rhythm which girdles an active nebulosity. In a track, Synth.NL situates his music. Melodious and rhythmic, stuffed of heavy Mellotron which gives the impression to slow down the tempo. Heavy and dilly-dally Troposphere, just like Cumulonimbus which seems to be his remix, rebound in the tympanums with an amazing sound richness.
Atmosphere abounds of these titles with vaporous and climatic intros which lead to frank and vigorous rhythms, with a Jean Michel Jarre touch. Titles like Troposphere, Altocumulus, the excellent Altostratus and the very Jarrian Exosphere with his delightful violins, exploit chipped sequences on percussions very well freshened and on melodious synth. Some great cosmic candy, intelligent and appealing.
Stratosphere intro plunges us into a cosmic static broth which is animating softly on circular cymbals and a hiccupping sequence which surrounds a movement hardly rhythmic. Melodious, the synth floats wistfully whereas the title immerses in a black mood with, in background, the initial melody which floats more than agitating. One of the more ambient tracks we find on this album, along with Thermosphere and Cirrostratus which always oscillate between the fragmented nebulosity and rhythms. Atmosphere is more elaborate. A soft rotary sequence with a Mellotron choral insufflates a soft melody that dry strike of percussions does not manage to spoil. A good track, like the majority that composes Synth.NL 2nd opus.
Synth pop with a more progressive touch, like Mesosphere and its long synth solos and Nimbostratus with its dramatico-cosmic approach.

If you have like AeroDynamics, AtmosPhere will not disappoint you. A strong album in rhythm and which brushes the roots of ambient EM does not go unperceived. There is a strong Jarre influence, in particular on percussions and synthesized refrains which bite easily the ear.
A good album for fans of pop synth, with great percussions moves and well builds orchestrations.

Sylvain Lupari / Guts Of Darkness