The Get Right Band | Who's in Charge?

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Who's in Charge?

by The Get Right Band

Rock, funk, reggae, and psychedelia from Asheville, NC power trio, NPR's "World Cafe" performers, and Relix Magazine's "On The Verge" pick!
Genre: Rock: Funk Rock
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  Song Share Time Download
1. Who's in Charge?
3:58 $0.99
2. Interlude #1
0:39 $0.49
3. Requiem for the Chemical Memory
3:53 $0.99
4. Beginner's Love
3:35 $0.99
5. Belt Loops
3:52 $0.99
6. Munitions Man
6:48 $0.99
7. Treat You Like
6:52 $0.99
8. Motivation
4:28 $0.99
9. Interlude #2
3:40 $0.99
10. Somebody Help Me
6:06 $0.99
11. Heartbreak Kid
4:34 $0.99
12. Write This Song for You
3:31 $0.99
13. Interlude #3
0:34 $0.49
14. If I Forget
4:59 $0.99
Downloads are available as MP3-320 files.


Album Notes
One of Relix Magazine’s “On The Verge” picks and winner of Home Grown Music Networks "Best Band of The Year" award, THE GET RIGHT BAND is “hip-shaking, earthquaking pure funk fun” (The Alternate Root). Combining catchy, clever songwriting with musical expertise and fearless improvisation, the live show promises to make you shake everything you’ve got. From funk to rock n’ roll to reggae, this is a dance party.

Relix called the band “an ass shaking good time” and Martin Anderson of WNCW radio comments that “The Get Right Band is one of those acts that make Asheville’s music scene so vibrant and exciting. They lay down some very cool grooves.”

The band is built on the musical brotherhood that guitarist/vocalist Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school. Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, possesses guitar chops that can soothe or rage and a charismatic swagger as a frontman and a singer. “Durocher has an impressive range and rich clarity to his vocals—think a more soulful Dan Auerbach,” writes Connect Savannah. Gentry’s virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). With the addition of Jian-Claude Mears, a powerful and dynamic drummer, the group’s sound has become an unstoppable force.

The Get Right Band has been wowing audiences around the country and the Caribbean with their unparalleled live show since their inception in 2011, playing such legendary festivals and venues as FloydFest (Floyd, VA), Music City Brewers Fest (Nashville, TN), All Go West Fest (Asheville, NC), Steppin’ Out (Blacksburg, VA), The 8×10 (Baltimore, MD), The Orange Peel (Asheville, NC), The Pour House (Charleston, SC), The Green Parrot (Key West, FL), Skipper’s Smokehouse (Tampa, FL), LiveWire (Savannah, GA), The Beach Bar (St. John, US Virgin Islands), and many more. The band has rocked hard and jammed relentlessly every step of the way.

The Get Right Band will release their second full-length album, Who's in Charge?, on August 5, 2016. The album was recorded and mixed by Julian Dreyer (who has worked with The Avett Brothers, Dawes, Band of Horses) and mastered by Brian Lucey (who has worked with The Black Keys, Grace Potter, Dr. John, Beck, Dr. Dog). This album demonstrates the single mind and tightness the band has developed over the last couple of years, playing over 150 dates a year on the road. The songwriting and production are both more mature, more raw, and more emotionally honest.

The band released their first full-length album, Bass Treble Angel Devil, in September, 2014. The hour-long juggernaut of high-energy tunes, bold and witty lyrics, and adventurous production approach has listeners singing along and shaking their asses from track one. The album has gained traction on college and independent radio stations nationwide and was lauded for its “infectious, danceable blend of funk, rock, reggae and just plain unique sounds” (Augusta Chronicle).

The Get Right Band’s debut CD, Shake, was released in February, 2013. Hittin’ The Note Magazine says the disc is “fun, full of energy and excitement, and should be listened to with the volume turned all the way up.” The rock n’ roll album features stripped down but creatively layered and produced performances of the band’s original tunes. It’s “groove with rock melodies built on funk attitudes,” says The Mountain Xpress. From the seductive blues of “Voodoo Doll” to the dance party vibe of “Chromaticize” to the Caribbean influenced “Touch The Holy,” (inspired by the band’s Caribbean tours) Shake’s “impressive stylistic range manages to all fit within the band’s distinctive image” (WNC Magazine). The Grateful Web writes that the disc is a “tasty mix of hip-swinging selections that leaves the listener thirsty for more.”



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