The Get Right Band | Live in Asheville

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Rock: Rock & Roll Rock: Funk Rock Moods: Type: Live Recordings
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Live in Asheville

by The Get Right Band

The Get Right Band has been described as a funk-rock-reggae band, a psychedelic-indie-rock band, and a jam band--while they are indeed all of these things, the shapeshifting power trio is fiercely determined to not be pigeon-holed by any of them.
Genre: Rock: Rock & Roll
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  Song Share Time Download
1. Heart or Bones (Live)
4:14 $0.99
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2. Shut Yo' Mouth (Live)
5:36 $0.99
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3. Touch the Holy (Live)
8:16 $0.99
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4. Video Killed the Radio Star (Live)
3:20 $0.99
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5. Nothin' on the FM (Live)
4:17 $0.99
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6. Who's in Charge? (Live)
4:06 $0.99
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7. Devil on My Shoulder (Live)
5:20 $0.99
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8. Requiem for the Chemical Memory (Live)
5:23 $0.99
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9. Dancin' Shoes (Live)
7:38 $0.99
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10. Drums (Live)
2:26 $0.99
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11. We Work All Day (Live)
4:40 $0.99
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12. You Look Like Sunlight (Live)
1:38 $0.99
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13. The Carpenter's Daughter (Live)
7:15 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
"The Get Right Band are the type of performers that you just know will break out. Their songs are infectious and take you immediately to a very happy place. The lyrics are smart and bear weight."
-The Huffington Post

The Get Right Band has been described as a funk-rock-reggae band, they’ve been described as a psychedelic-indie-rock band, and they’ve been described as a jam band. While they are indeed all of these things, they are fiercely determined to not be pigeon-holed by any of them. They are shapeshifters, focused on following their muses to honest self-expression, to whatever excites them. The Get Right Band proudly carries the torch in a long line of genre-bending power trios from Cream to The Jimi Hendrix Experience to The Police to Violent Femmes to Primus to Green Day to Nirvana to Sublime. It’s the space between the notes, the rawness, and the maneuverability that makes a power trio, well, so damn powerful.

“An ass shaking good time.”
-Relix Magazine

The Get Right Band’s career highlights include shows with Everclear, Rusted Root, Dr. Dog, Smash Mouth, Ozomatli, Dirty Dozen Brass Band, and Victor Wooten; appearances on NPR’s World Cafe and Nashville’s Music City Roots television show; and performances at major festivals and venues including FloydFest, StrangeCreek, Riverbend Fest, The Orange Peel, Brooklyn Bowl, and The Hamilton.

“I love this song!”
-Marc Maron, of WTF podcast

The band is built on the musical brotherhood that guitarist/vocalist Silas Durocher and bassist Jesse Gentry have formed playing music together since middle school. Durocher, who is a trained composer and has been commissioned to write for symphonies and chamber groups, has guitar chops that can soothe or rage and a charismatic swagger as a frontman and a singer. “Durocher has an impressive range and rich clarity to his vocals—think a more soulful Dan Auerbach” (Connect Savannah). Gentry’s virtuosic bass playing “catapults from elastic to nasty” (The Mountain Xpress). With the addition of Jian-Claude Mears, a drummer with “precision, passion, and an inescapable momentum” (Live For Live Music), the group’s sound has become an unstoppable force. They have been wowing audiences around the country and the Caribbean since their inception in 2011 with an unparalleled live show and a relentless tour schedule.

“Tight and diverse jams and a distinctive, intellectual but accessible worldview.”
-Live For Live Music

On August 5, 2016, The Get Right Band released their third studio album, Who’s in Charge? The record was made at Asheville’s legendary Echo Mountain Studios (Widespread Panic, Zac Brown Band, Smashing Pumpkins), engineered, mixed, and co-produced by Julian Dreyer (The Avett Brothers, Dawes, Band of Horses), and mastered by six-time Grammy winner Brian Lucey (The Black Keys, Grace Potter, Dr. John, Beck). The album has received praise and support from such giants as The Huffington Post, NPR, Relix, WTF with Marc Maron, Live For Live Music, PopWrapped, and dozens of radio stations around the country. The powerful songs and the pop/rock/psychedelic approach to production puts the album in the realm of acts like My Morning Jacket, Dr. Dog, and The Black Keys (with hints of Sublime and early Chili Peppers).

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