The Huval-Fuselier Cajun Trio | The Huval-Fuselier Cajun Trio

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United States - Louisiana

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Folk: Traditional Folk Folk: Traditional Folk Moods: Type: Acoustic
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The Huval-Fuselier Cajun Trio

by The Huval-Fuselier Cajun Trio

The Huval-Fuselier Cajun Trio - Brothers Luke and Phillip Huval and friend Zach Fuselier are from Scott, Louisiana - Their debut CD blends traditional and innovative elements into a new and entertaining craft. Enjoy!
Genre: Folk: Traditional Folk
Release Date: 

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  Song Share Time Download
clip
1. Amede Two-Step
3:38 $0.99
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2. Mean Woman
3:21 $0.99
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3. I Don't Want You Anymore
2:57 $0.99
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4. Les Veuves De La Coulee
2:15 $0.99
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5. J'ai Fait Une Grosse Erreur
3:35 $0.99
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6. Grand Texas
3:12 $0.99
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7. Mon Cher Bebe Creole
3:42 $0.99
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8. Long Lonesome Road
2:55 $0.99
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9. Tennessee Waltz
3:21 $0.99
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10. Mamou Hot Step
2:22 $0.99
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11. Parting Waltz
3:23 $0.99
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12. Long Black Train
3:52 $0.99
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13. Bosco Blues
3:32 $0.99
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14. La Valse a Luke
2:41 $0.99
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15. You Are My Sunshine
2:57 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
"The Huval-Fuselier Cajun Trio makes a powerful debut here with a clear vision and masterful execution. Milton Vanicor would be proud." Joel Savoy

"Here we go again. Southern Louisiana just keeps producing these fascinating, talented, creative young musicians who are madly in love with the music of yesterday and equally in love with the possibilities of tomorrow. I watched these kids growing up backstage at the festivals and hanging around at the jam sessions. And the first things you know, they're picking up instruments and playing. And then, they're singing. And then, they're creating and communicating and captivating us with music that is at once respectful and innovative. Even at their young ages, Luke, Phillip, and Zachary have already been playing together for years. Their sound is tight and confident. Their vocals are convincing because they made the effort to learn not just the songs, but the language of the culture that produced the songs. They know what they're singing, even when it's about someone else's heartaches and hangovers. They are old souls in youthful bodies with nimble fingers and silky voices. A great example pf how folklorist Henry Glassie defined tradition: 'Using the past to construct the future.'" Barry Jean Ancelet

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