The Weeds | In Between Stations

Go To Artist Page

Recommended if You Like
Charo Godzilla Happy Harry Hardon

Album Links
GroupieTunes PayPlay Tradebit PassAlong Bitmunk Apple iTunes

More Artists From
United States - Florida

Other Genres You Will Love
Spoken Word: With Music Spoken Word: Poetry Moods: Mood: Sex Music
Sell your music everywhere
There are no items in your wishlist.

$5 SALE

Choose 3 or more different CDs from our Sale Bin and get each CD for just $5. Each CD will be listed at full price until you place at least 3 different eligible CDs into your shopping cart. You can get 3 or more CDs for $5 each, so sample as much new music as you want!
NOTE: Download purchases are not eligible for the $5 sale.

Find more eligible titles here.

In Between Stations

by The Weeds

Avant Jazz/Funk & Smokin' Word
Genre: Spoken Word: With Music
Release Date: 

We'll ship when it's back in stock

Order now and we'll ship when it's back in stock, or enter your email below to be notified when it's back in stock.
Continue Shopping
just a few left.
order now!
Buy 2 or more of this title's physical copies and get 20% off
Share to Google +1

To listen to tracks you will need to update your browser to a recent version.

  Song Share Time Download
clip
1. Mic Check Collage
3:52 $0.99
clip
2. In The City
5:09 $0.99
clip
3. Our Potential Legacy
4:20 $0.99
clip
4. Dawn at Dusk
5:45 $0.99
clip
5. A New Syndrome
4:27 $0.99
clip
6. Fate
2:25 $0.99
clip
7. Don't Parade On My Rain
5:11 $0.99
clip
8. Lap Dance
7:05 $0.99
clip
9. In Between Stations
3:18 $0.99
clip
10. Conception
1:38 $0.99
clip
11. Background Guy
2:01 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Excerpts from a review by Sean Piccoli, pop-music writer, Tribune Wire Services:

"An intriguing collection of spoken-word pieces set to responsive percussion and loops...

"As its title suggests, the album is concerned with flux and transition -- things continuously scattering and regrouping to ends unknown. The rhythms provide continuity as well as a flexible, sympathetic consort to the language. Matza speaks words that are chosen not just for what pictures they might evoke, but often their phonic similarities...

"This is where the words themselves seem to be in cahoots, swapping code and winking at one another like traffic lights as they carry -- and alter -- thoughts along the linguistic chain. This is not a groundbreaking form of manipulation; verbal association is as old and familiar as child's play. But the Weeds do it with an attention to form that is both structured and, within the edifice, free-ranging. The words then go off the range altogether by slipping into the listener's brain and bouncing around in ways that encourage new, spontaneous word-gaming.

"Playing along at home might yield utter nonsense or a vision of the listener's own making. But this leap from author to audience is where spoken-word has, to my mind, an advantage over music in its provocative power: Stripped to a bare soundtrack, or none at all, words without melodies and chords to suggest their meanings become more actively and creatively engaged by the listener.

"For anyone who thinks we are all, as somebody once said, "creatures of art," spoken word as heard on In Between Stations proves that one person's finished portrait can be another's palette.

"That, or I have become one of those people who sees hidden messages in the newspaper..."



The Weeds is the brainchild of poet/spoken-word artist Adam Matza. The project is dedicated to the spoken word, the written word, experimental rhythm-based music and improvisational performance. Pioneers in the South Florida spoken-word scene, The Weeds take audiences on an emotional, intellectual and spiritual journey through the urban-jungle.

From January of 1996 through the end of 1997 and again in 2003-4, The Weeds, featuring a revolving cast of talented musicians, played most of the prestigious nightclubs, coffeehouses, taverns, bookstores and record stores in South Florida, as well as participating in major festivals and events.

Often controversial, The Weeds built a strong following and received extensive media coverage, garnering positive reviews for their live performances, as well as their debut release "Beer," the 1997 cult classic featuring 16 live, studio and radio show performances.

After a sabbatical starting in late 1997, the Weeds returned to the studio and stage in 2003, releasing a new CD titled "In Between Stations."

The Weeds adhere to the Miles Davis ethos of "don't play what you know, play what you don't know."

The Weeds is fronted by Matza, whose intense, sometimes confrontational, style captured the imagination and emotions of audiences from the time he hit the South Florida scene in 1989, a time when few people had heard of spoken-word.

In 1993, Matza formed and fronted the original, spoken-word based Baboons, which at the time was one of the most popular and infamous bands in South Florida. During his time as a Baboon, the group won the 1994 Jammy Award for Best World Music Group and he also appeared on Roosterhead's 1994 Jammy Award Winning CD "Traditional Cock," collaborating with the late Michael Kennedy on a version of "Our Potential Legacy." The year was rounded out when New Times Miami named the open mic at Blue Steele in South Beach as Best Open Mic in Miami, singling out Matza's performances as "in-your-face-poetry."

From 1989-1994, Matza wrote for the Associated Press, the Miami Herald and XS Magazine (which was later renamed CityLink) and ran two popular open mics - "Bandemonium" on South Beach (1991) and "Wide Open Mic" in Fort Lauderdale (1994). As Promotions Manager for Squeeze nightclub (1994-1997), he was a co-founder of the explosively successful XS Music Festival, as well as many other music and art events.

In 1995, Matza released "Weeds," a collection of poetry spanning a decade. New Falcon Publishing picked up the rights to publish Matza's poetry in late 1995, and two poems appear in the 1996 anthology "Rebels & Devils: The Psychology of Liberation," alongside works by William S. Burroughs, Timothy Leary and Robert Anton Wilson, among others.

In May of 1997, Matza organized and produced "Poetry-Palooza," a 10-hour spoken-word marathon featuring more than 100 South Florida poets, writers, storytellers and spoken-word artists. The event drew hundreds of people and raised money for Kids in Distress, a Fort Lauderdale-based charitable organization.

Later that year, Matza organized "The Freedom of Expression Rally" on the streets of downtown Hollywood, again attracting hundreds and featuring several of the top poets and musicians in the region.

CityLink Magazine named Matza "Best Poet" in South Florida in 1998.

Matza moved to San Francisco in 2004 and performed at the 2005 North Beach Festival, as well as open mics in the Haight Ashbury district.

Matza moved back to South Florida in 2007 and is currently living in the 'hood in Deerfield Beach.

He is working on his next CD.

Read more...

Reviews


to write a review



oooo sexy baby, i can dig it..very hot. great stuff adam
glad to see you're still kickin...=)
Read more...

Jessica Franklin

Perfect mix of poetry, spoken word and music
I just heard this CD for the first time and I have to say I had never heard of spoken word and music. In Between Stations has made me hungry for more from The Weeds and curious about other artists. Adam Matza's words and delivery are stark and poignant, and the music is unusual, unexpected, yet somehow it makes sense. I can't take this CD out of my player. If I lived in San Francisco, I would hope that The Weeds would be playing live. I cannot imagine how much better it would be to see them in person.
Read more...