Eric Thomas and Helen Wolfson | My Slice of Forever

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United States - North Carolina

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Folk: Modern Folk Blues: Work Songs Moods: Mood: Upbeat
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My Slice of Forever

by Eric Thomas and Helen Wolfson

From the blues on the hammered dulcimer to a string-bending guitar lead on Turlough O'Carolan's eighteenth century "George Brabazon," to Eric's original "occupational angst" music, Eric and Helen cover a lot of ground.
Genre: Folk: Modern Folk
Release Date: 

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  Song Share Time Download
clip
1. Occupational Euthanasia
4:44 album only
clip
2. Rights of Man
6:08 album only
clip
3. Tin Foil Hat
4:13 album only
clip
4. George Brabazon
4:43 album only
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5. The Wild West Is Where I Want to Be
4:27 album only
clip
6. Reel de Montreal/Missouri
5:05 album only
clip
7. Bedtime Blues
3:21 album only
clip
8. Danny Boy
4:50 album only
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9. Folsom Prison Blues
3:24 album only
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10. Twenty-first Century Troglodyte
5:15 album only
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11. Flowers of Edinburg
5:18 album only
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12. Single-tasking Person in a Multi-tasking World
2:43 album only
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13. My Slice of Forever
4:39 album only

ABOUT THIS ALBUM


Album Notes
Helen says...

The diverse music on \"My Slice of Forever\" is part of a continuing evolution that started in an unlikely place. The CD includes Eric\'s original music, a couple of joint creations, some traditional Celtic tunes, and more. Most of the tracks are collaborations, and we each have one solo track (\"Danny Boy\" is solo hammered dulcimer; \"My Slice of Forever\" features Eric on two guitars, bass, and vocals.)

When I first met Eric, I was just beginning to perform in public. I was thrilled to find out that he was a musician, and I eagerly asked him what kind of music he played. At the reply, \"Mostly rock \'n roll and rhythm and blues,\" my heart sank. But, I didn\'t give up on him!

The first time that he showed up at my house, he brought a guitar and announced that he thought that it would be fun to trade tunes. He confidently pulled the guitar out of its case and sang me \"Georgia on My Mind,\" figuring, I suppose, that anybody would like this popular jazz standard. Suffice it to say that \"Georgia\" is still not high on my list of favorites. And, as Eric sang, I became more and more panicked. \"What,\" I was thinking, \"can I possibly play from my repertoire that he would like?\" I finally decided that if he didn\'t like J.S. Bach\'s \"Jesu, Joy of Man\'s Desiring,\" there was no hope for him.

So, when he finished \"Georgia,\" I picked up my hammers, walked to the corner of the room where the dulcimer lived, and started to play. I usually play this arrangement through twice: once on the wooden side of the hammers and once on the leather-covered side. I had my back to Eric, and a bookcase was partially blocking his view, but as soon as I finished, he asked, \"What did you do about half way through to change the tone?\" I knew right then that he was somebody who paid attention to small but important details!

A year and a half later, Eric sang \"You Are So Beautiful to Me\" as I walked down the aisle, and I played \"Jesu\" for him during our wedding ceremony.
Although it took us only a year and a half to figure out how to combine our lives, it took us a lot longer to even consider that we could combine our musical styles. Eric learns entirely by ear; I learn almost entirely from sheet music. He has been improvising all his life; I have only recently begun to improvise. But somehow he got the idea that I should come up with a back-up for a song he\'d written for my son -- \"Bedtime Blues\" -- and somehow, I managed to do it. Later, it occurred to me that it would be fun to take one of the very steady old Irish tunes that I played (Turlough O\'Carolan\'s Planxty George Brabazon) starting with a guitar backup and gradually transitioning to a modern guitar lead. We call our version \"Roll Over,Turlough.\" This piece was so much fun to arrange that we were hooked.

Over the last few years, we\'ve developed a repertoire that ranges from traditional fiddle tunes to blues, to country, and beyond. Eric has developed his own genre of \"occupational angst\" music, which comes directly from his experiences in the corporate IT world. Playing together is a continual adventure, full of fun and surprises!

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