Tomoko Sawano | & Tomonbe: Melodious Etudes / Rochut / Bordogni No. 1 - 30 (Carl Fischer)

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Classical: Vocal Music Classical: Art songs Moods: Featuring Bass
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& Tomonbe: Melodious Etudes / Rochut / Bordogni No. 1 - 30 (Carl Fischer)

by Tomoko Sawano

practice with the piano not only as technical etudes, also as fully musical pieces.
Genre: Classical: Vocal Music
Release Date: 

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  Song Share Time Download
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1. No.1
1:31 album only
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2. No.2
2:12 album only
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3. No.3
2:20 album only
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4. No.4
2:42 album only
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5. No.5
2:37 album only
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6. No.6
2:46 album only
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7. No.7 Slow
2:15 album only
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8. No.7 Fast
1:40 album only
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9. No.8
1:27 album only
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10. No.9 Slow
2:26 album only
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11. No.9 Fast
2:05 album only
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12. No.10 Slow
3:06 album only
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13. No.10 Fast
2:28 album only
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14. No.11 Slow
2:33 album only
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15. No.11 Fast
1:44 album only
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16. No.12
2:29 album only
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17. No.13
2:21 album only
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18. No.14 Slow
4:11 album only
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19. No.14 Fast
3:15 album only
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20. No.15
3:09 album only
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21. No.16 Slow
2:21 album only
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22. No.16 Fast
1:55 album only
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23. No.17
3:10 album only
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24. No.18 Slow
3:18 album only
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25. No.18 Fast
2:39 album only
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26. No.19
2:38 album only
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27. No.20 Slow
2:21 album only
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28. No.20 Fast
1:52 album only
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29. No.21
3:36 album only
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30. No.22
2:20 album only
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31. No.23
3:16 album only
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32. No.24 Slow
1:23 album only
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33. No.24 Fast
1:07 album only
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34. No.25 Slow
2:50 album only
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35. No.25 Fast
2:31 album only
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36. No.26
2:28 album only
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37. No.27
2:03 album only
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38. No.28
2:16 album only
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39. No.29 Slow
2:59 album only
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40. No.29 Fast
2:27 album only
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41. No.30
1:47 album only
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Are you always practicing these etudes alone?

What are you actually learning from these etudes?

They have a lot of wonderful musical essence,
but it could be that you are only playing the notes and overlooking the most crucial points you have to learn.

It is not so easy to understand the musical structure
if you are only using the solo part.

These piano accompaniments draw your attention to the musical aspects
rather than the technical ones.

Be prepared to not only move your slide or valves,
but to experience deep musical expression.

I tried playing these études with some exaggerated musical expression
in order to suggest:

How to phrase,
control dynamics elastically,
manage tempo naturally,
take breath without harming musical articulations,
consider suitable tone color fitting to specific harmony, manage suitable
length of rest, and more different kinds of musical expressions…

Each étude is not just a sequence of notes, but rather a piece of music.
I play them in a manner in which I could imagine playing myself as the solo brass player.

It is my wish to support your musical expression through these accompaniments.
It is my pleasure to present these accompaniments
and hope you will enjoy them as your musical partner.

Editing and mastering by Hidehiro Fujita

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