Trevor Stephenson | J. S. Bach: Two-Part Inventions, English Suite in A minor, Notebook for Anna Magdalena

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Classical: Traditional Classical: Baroque Moods: Type: Acoustic
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J. S. Bach: Two-Part Inventions, English Suite in A minor, Notebook for Anna Magdalena

by Trevor Stephenson

Solo Baroque, harpsichord music by Bach on a elegant and clear-toned replica 17th-century Dutch instrument. Realistic and natural recording technique--two ribbon microphones, tube pre-amps, no signal alterations, complete and unedited takes.
Genre: Classical: Traditional
Release Date: 

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  Song Share Time Download
clip
1. Inventions C major
1:23 album only
clip
2. C minor
1:58 album only
clip
3. D major
1:24 album only
clip
4. D minor
1:00 album only
clip
5. E-flat major
1:48 album only
clip
6. E major
3:17 album only
clip
7. E minor
1:53 album only
clip
8. F major
0:59 album only
clip
9. F minor
2:06 album only
clip
10. G major
1:06 album only
clip
11. G minor
1:12 album only
clip
12. A major
1:35 album only
clip
13. A minor
1:31 album only
clip
14. B-flat major
1:34 album only
clip
15. B minor
1:22 album only
clip
16. English Suite in A minor, Prelude
5:30 album only
clip
17. Allemande
3:32 album only
clip
18. Courante
1:50 album only
clip
19. Sarabande
3:17 album only
clip
20. Bourree I & II
4:19 album only
clip
21. Gigue
2:36 album only
clip
22. Minuet in G major
1:28 album only
clip
23. Minuet in G minor
1:43 album only
clip
24. Minuet in G major
1:32 album only
clip
25. Polonaise in G minor
0:55 album only
clip
26. Minuet in D minor
0:55 album only
clip
27. Musette
1:08 album only
clip
28. Enlightening thoughts of a tobacco smoker
1:35 album only
clip
29. Do with me, God, as Thou wilt
1:42 album only
clip
30. Be contented
1:14 album only
clip
31. When Thou art near
1:47 album only
clip
32. Polonaise in G minor
1:29 album only
clip
33. Minuet in C minor
1:15 album only

ABOUT THIS ALBUM


Album Notes
Trevor Stephenson—harpsichordist and artistic director of the Madison Bach Musicians—has degrees in piano performance from the University of Missouri and University of Illinois, and received a Doctor of Musical Arts degree in Historical Performance of Eighteenth-Century Music from Cornell University. In 1990 he moved to Madison, Wisconsin, where, with Norman Sheppard, he has rebuilt and customized a series of historical keyboard instruments ranging from Italian Renaissance harpsichords to Victorian pianos. In 1994 he founded the Light & Shadow concert and recording company and has released eleven recordings on that label. He tours throughout the United States as performer and lecturer, and has taught piano at Edgewood College since 1999. His harpsichord was made in 1997 by Norman Sheppard of Madison; it is modeled on a late 17th-century Dutch instrument by Couchet.

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