Ursula George | I'm Drivin'

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Blues: Classic Female Blues Folk: Folk-Rock Moods: Type: Vocal
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I'm Drivin'

by Ursula George

Rootsy interpretation of sexy, femaie-penned blues classics, with a few surprise renditions from the modern era. Do You Need (a Whole Lotta) Love?
Genre: Blues: Classic Female Blues
Release Date: 

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  Song Share Time Download
1. Caught Me Wrong Again
3:00 $0.99
2. A Man for Everyday in the Week
2:44 $0.99
3. Little Honey
4:21 $0.99
4. I'm a Mighty Tight Woman
3:09 $0.99
5. Honest I Do
2:50 $0.99
6. Oh Babe Hold On
0:04 $0.49
7. You Got to Know How
2:38 $0.99
8. Living with the Blues
3:21 $0.99
9. Dont You Get Me High
3:01 $0.99
10. You Need (a Whole Lotta) Love
4:02 $0.99
11. How Long Blues
4:34 $0.99
12. I Think That Was It
0:02 album only
13. Little Honey (alt. mix)
4:21 $0.99
Downloads are available as MP3-320 files.


Album Notes
" I’m Drivin’ " is the second release of blues/roots act Ursula George, of Providence, Rhode Island. It features a collection of female-penned blues tunes of the classic era, as well as a few surprise rendtions of the later-day. Receiving particular attention is "You Need (a Whole Lotta) Love," a modern interpretation of the Willie Dixon tune later covered by Jimmy Page and Led Zeppelin, now reimagined with a twist.

Lori Urso - Vocals; Rhythm, lead and slide guitar
Marty Richards - Drums, piano and percussion

About the players:

Singer/guitarist Lori Urso has been performing since the early age of seven. She discovered the blues in her teens, and since then her life has been a mission to support and promote blues music, and in particular the female songwriters of the Vaudeville and Classic Blues eras. Her first release - Ursula George, "Blue Basics" (Tommytiger 1999) - met with critical acclaim, and made the rotation of radio stations worldwide, including popular syndicated shows like Acoustic Café, and satellite radio.

Drummer Marty Richards is well known to the New England music scene. A Berklee grad, he began his jazz career with the Gary Burton Quintet, segued into blues, playing with many of the genres finest acts, including Duke Robillard, John Hammond, Kim Wilson and the Blues Brothers, and most recently has taken the drum chair for top rock acts including the J. Geils Band and the Joe Perry Project. He has appeared on more than 100 recordings, but this is the first recording of Marty on piano as well as drums.



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