Victor Wainwright and the WildRoots | Lit Up

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Blues: Piano Blues Blues: Memphis Blues Moods: Type: Vocal
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Lit Up

by Victor Wainwright and the WildRoots

Power-house blues, Memphis soul, and roots rock’n’roll. “Lit Up” Pure dynamite, set to explode, highly combustible, and ready to roll!
Genre: Blues: Piano Blues
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  Song Share Time Download
1. Big Dog's Runnin' This Town
3:35 $0.99
2. Ting Tang Bang
3:02 $0.99
3. Subliminal Criminal
3:14 $0.99
4. Walk Away My Blues
6:02 $0.99
5. Dixie Highway
3:13 $0.99
6. Weeds
3:54 $0.99
7. Little Ole' Shack
3:17 $0.99
8. Lit Up
3:20 $0.99
9. Our Last Goodbye
5:07 $0.99
10. Don't Doubt It 'ce est bon'
3:59 $0.99
11. Coin Operated Woman
2:46 $0.99
12. Pile of Blues
4:36 $0.99
13. Honky Tonk Heaven
3:47 $0.99
14. Let It Be the Same
3:43 $0.99
Downloads are available as MP3-320 files.


Album Notes
Power-house blues, Memphis soul, and roots rock’n’roll. Featuring the high-octane boogie piano and big soul sounds of vocalist and blues man Victor Wainwright, backed by one of the tightest smokin’ bands on the scene; the WildRoots.

Victor, along with producer/bassist/co-writer Stephen Dees have teamed up once again to deliver a blues and American roots ‘tour de force’. In short, they have scored another musical Bull’s Eye! On the heals of their critically acclaimed debut release “Beale Street to the Bayou”; their new CD “Lit Up” is poised to ignite blues fans with a freshness and flair that’s infectious and impossible to ignore.

Victor Wainwright, singer, pianist, “hepcat” from Memphis, Tennessee by way of the Savannah, Georgia; is a raucous high-octane dynamic performer and crowd pleaser with soul to spare. After earning what he calls a "double major in Boogie, a Ph.D. in Swing and a master's in Rhythm," the "Piana' from Savannah" is making a name for himself in a big way.

Stephen Dees is a rock n' roll aficionado, touring and-or recording as bassist and vocalist for Hall and Oates, Todd Rundgren, Pat Travers, and Foghat to name a few. He was a Billboard and MTV char-tee with his band Novo Combo, and has received great acclaim for his original rock band "Bandees."

The boogie blues "piana" player and savvy pop-rocker met in 2004 in Ormond Beach FL, where they were both on the bill of a benefit concert. Very impressed after hearing each other perform and finding that they had a common love for blues, R&B and roots rock ‘n’ roll out of the '50s and 60's, such as B.B. King, Ray Charles, James Brown, Muddy Waters, Otis Redding, Louis Jordan, Jerry Lee Lewis and Little Richard; they discussed the possibility of collaborating on an original recording project for Victor; paying homage to the music that has influenced them. Dees agreed to produce and co-write what would become Wainwright's 2005 release, "Piana from Savannah". "'s hard to follow the speed limit while this one's playing... Pinetop Perkins would be proud." [Backstage Pass Magazine]

After the release of the “Piana’ from Savannah” CD, and some outstanding live performances, they knew they had something special and decided to forge a more enduring working relationship. Victor Wainwright and the WildRoots were born.

The WildRoots debut CD, "Beale Street to the Bayou," was released in September of 2009; launching a successful radio promotion which landed them stellar reviews as well as charting #7 on the Root Music Report “Top 50 Blues”, #2 on the Blues Internet Charts, and #8 on the Tennessee Roots Charts. In addition, they hit #4 on Europe’s Collectif des Radio Blues Charts.

• “Victor Wainwright, wields a mighty left hand and a robust vocal delivery that brims with the very spirit of the blues. [Sheryl & Don Crow - Nashville Blues Society]

• “Extremely diverse with great songwriting, exceptional arrangements, flawless playing and vocals soulful enough to make Otis Redding sit up and take notice” [Bill Wilson - Billtown Blue Notes]

• “Victors’ piano playing is exciting and soulful, along with his strong vocals. Victor is a blues star on the rise. ” [Honey Piazza, Rod Piazza and the Mighty Flyers]

Their follow up CD “Lit Up” will be released on June 7th, 2011 and serviced to over 600 commercial and non-commercial radio outlets in conjunction with a worldwide tour in support of the project.

Returning WildRoots alumni includes Greg Gumpel on guitar, along with Ray Guiser & Patricia Ann Dees on saxophones; and introducing Billy Dean on drums.

“Lit Up” Pure dynamite, set to explode, highly combustible, and ready to roll!



to write a review

Silver Michaels

Lit Up - Memphis Tennessee
The phrase "highly anticipated" can carry some dangerous baggage with it; there's a huge potential for a letdown, and on the overall, precious few albums live up to the moniker. Thankfully, Lit Up from Victor Wainwright and the WildRoots not only meets those expectations but exceeds them.

The follow-up to Wainwright's critical success "Beale Street to The Bayou" builds on all the good juju from that release and actually manages to improve on every level. From any aspect you care to view this disc - songwriting, recording quality, and of course performance - this disc is an absolute winner. For starters, there's no chance a blues fan can get bored with this disc. Stylistically, Lit Up exhibits an understanding of a wide range of blues, from the flat out boogie of the album-opening "Big Dog's Runnin' This Town," straight through the heart of New Orleans with "Subliminal Criminal;" from a fine and comfortable Delta country feel with "Dixie Highway," through a superbly aching slow blues with "Our Last Goodbye;" for all of it, Wainwright and Company (Stephen Dees, Greg Gumpel, Patricia Ann Dees, Billy Dean and Ray Guiser) show themselves as consummate wizened pros. Folks... this is seriously good blues!

Oh, and don't be shy about adding "stellar production values" to the list of this album's merits. Producer/Arranger Stephen Dees exhibits superb judgment and taste with every flourish on the disc. Horns are added where they sound fantastic - never for mere effect, and as with all other aspects of the album, never gratuitously. Solos are appropriate, tasteful and skillful, adding to the solidarity of the feel throughout this album of a very, very good band playing together, never against one another. Adding a final perfect touch to the disc, Wainwright plays a proper acoustic piano on the album's entirety; he makes his love for and extreme skill on the instrument exceedingly obvious from start to finish.

Picking a favorite track on this release might be akin to choosing your favorite gem from a perfect necklace... but if my feet were held to the fire, I might go with "Walk Away My Blues." A medium-to-slow aching blues, it gives Wainwright a chance to shine in his two most accomplished arenas; his vocals (which never get enough credit in my book) are pleading and aching, and his piano playing on this track is a microcosm of the entire album; brilliantly presented, never flash for the sake of flash but in possession of every necessary chop in the book... and then some. The horns on this track again add so much to the presentation, lending something between a big band feel and the ambiance of a smokey back-room strip joint. The whole track just blows me away.

In fact, and I'm sure it's obvious by now, the whole album blows me away. Perhaps the simplest and most effective way I can say it is this... I've been living in Memphis for over three years now. I love the city, love the music and the musicians here and I do what I can to bathe myself in as much of our city's music as I can. To these ears, Lit Up is by far the finest recording I've heard from Memphis in my entire time here. Victor Wainwright and the WildRoots have done themselves, Memphis and all of the blues world very proud.

Robert Tooms

American Blues Magazine Review
(Memphis, Tennessee) One of the most talented musicians to come onto the Blues scene in the past few years is Victor Wainwright. His Lit Up CD does not disappoint if you like Blues and boogie-woogie piano matched to a big voice and well executed instrumentation. There are 14 songs on this CD and there is not a bad song on the CD...period. With so much mediocre music being released every year, it is delightfully refreshing to be able to wholeheartedly endorse a new CD. this CD is just terrific... bluesy and cool, well-recorded performances by a host of excellent musicians and full of original songs.

This release is yet another collaboration with Victor's longtime partner Stephen Dees and it delivers a slew of well-written original songs full of interesting and entertaining lyrics along with some great performances from a bigger lineup of talented players. Stephen also plays bass, acoustic guitar and some percussion on this record. Victor has added some good horn arrangements this time around and the effect is legit, foot-stomping Blues music. This is Victor Wainwright's 4th release and the Wildroots second official release.

Victor Wainwright and the Wild Roots come out of the chute with a rollicking jump Blues, "Big Dog's Running this Town." The CD never gets repetitive as Victor and the boys tour the listener through a vast array of Blues styles, from world class boogie woogie, to a Django-esque minor chord based "Weeds" replete with Victor's vocal which occasionally smacks of Louis Armstrong, then departing to "Little Ole Shack which hearkens back to Louis Jordan with it's group vocals and cool horn section. The title track, "Lit Up" adds some harmonica to the mix, Mark "Muddyharp" Hodgson providing the tracks. This CD indeed expands the usual palette of musical flavors and it is a welcome addition to see Victor and company spread their wings. Also welcome is the addition of the author's "musical grandson", Chris Stephenson, on Hammond B-3 on Stephen Dees' Blues ballad "Our Last Goodbye." This song also features some ripping electric guitar which sounds like the work of the most accomplished Greg Gumpel who also contributes some tasty resonator guitar to the CD on the tunes "Dixie Highway" and the all acoustic "Pile of Blues." Greg is Victor's best friend and has traveled many miles of road with the singing piano-playing bluesman.

The use of a great sounding Samick acoustic piano throughout the recording adds to the legitimacy of this recording's old school sound. The recording is well organized and sophisticated and maintains good sonic values from beginning to end without ever coming off as too slick...this is straight-up Blues of the first order. The record would be worth buying for just the jump Blues and boogie woogie alone, but it delivers the goods again and again with superb tips of the porkpie to many Blues styles. This is an entertaining listen from top to bottom and rates 5 stars. If you like the Blues, you should check out this musical offering and hear the future of the Blues for yourself. Victor and the Wildroots have captured the best of the old and infuse it with the energy of youth without sacrificing anything along the trip.

Not only is Victor an accomplished musician and one of the hardest working players that I have countenanced, but he is also a beautiful, kind, human being, sensitive and generous to a fault. This comes out in his music as you can almost see Victor smiling while delivering lyrics and shouting in his trademarked style. Touring constantly and working in situations that require lots of hard travel has not diluted the impact of this man and his band. Along his long road he has played with some of the finest players in the music business and even played loads of shows with the talented and extremely humorous Rev. Billy C. Wirtz, who contributed to the writing of "Honky Tonk Heaven." Victor has a great career ahead of him. He naturally possesses a unique delivery and does not have to imitate or copy anyone else. Moreover, he is always entertaining and madly talented. You will never see Victor play a room and not go over with the crowd in a big way. [Robert Tooms - American Blues Magazine]