Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane | Mendelssohn, Gershwin, Still

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Classical: Chamber Music Classical: Chamber Music Moods: Instrumental
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Mendelssohn, Gershwin, Still

by Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane

Here are three gorgeous pieces of music spanning the early 19th to mid 20th Centuries, arranged for double-reed quartet (two oboes, English horn, and bassoon).
Genre: Classical: Chamber Music
Release Date: 

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  Song Share Time Download
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1. Quartet in E-Flat, Op. 12: I. Adagio non troppo - Allegro non tardante (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
8:48 $0.99
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2. Quartet in E-Flat, Op. 12: II. Canzonetta: Allegretto (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
4:15 $0.99
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3. Quartet in E-Flat, Op. 12: III. Andante espressivo: Largo - IV. Molto allegro e vivace (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
13:24 $0.99
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4. Lyric Quartette: I. The Sentimental One (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
5:59 $0.99
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5. Lyric Quartette: II. The Quiet One (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
4:26 $0.99
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6. Lyric Quartette: III. The Jovial One (Arr. By Ken Watson)
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
3:10 $0.99
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7. Three Preludes, I. Allegro Ben Ritmato E Deciso, Arr. By Ken Watson
Ken Watson, Chris McFarlane, Trevor Mowry & Tessa Vinson
1:55 $0.99
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8. Three Preludes, II. Andante Con Moto E Poco Rubato, Arr. By Ken Watson
Ken Watson, Tessa Vinson, Chris McFarlane & Trevor Mowry
3:04 $0.99
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9. Three Preludes, III. Allegro Ben Ritmato E Deciso, Arr. By Ken Watson
Ken Watson, Trevor Mowry, Tessa Vinson & Chris McFarlane
1:35 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Why a double-reed quartet? I believe this grouping of instruments – two oboes, English horn, and bassoon – can attain the same acceptance and widespread popularity that the string quartet enjoys. The humanness of the double reed sound and the range of expression of these particular instruments are uniquely intensified in this combination. I chose the three pieces on this album to champion the idea of the double-reed quartet because they are well-known, they are gorgeous pieces of music, and they provide opportunities for all four instruments in the quartet to shine individually and in various combinations. From extreme delicacy to sheer power, these selections showcase the musical palette available to this ensemble.

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