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William F. Horton | Horton Dancehall for Midgets

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Recommended if You Like
"Trout Mask Replica Beefheart-ian psychedelicacy Free-Form polluted Rock-travag

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United States - Maryland

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Avant Garde: Psychedelia Spiritual: Inspirational Moods: Featuring Guitar
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Horton Dancehall for Midgets

by William F. Horton

40th Anniversary reissue March 11, 2014 Mid-70's U.S. release of fairly wired/ existential Free-Form polluted Rock-travaganza w/fevered 'n wailin' tantalo-voice ... imagine Johnny Arcesia strugglin' outta straight-jacket w/ frozen dreams of his coventrized hibernation camp! ... energies all gostly a-loose, eccentrically obsessed w/ the smooth "crack" of the neck of a goose ... traces of Beefheart's Magic Band, goblins cookin' up Hampton's grease, the very bones of hen-trix fermentin' in a joyous jug of disease ...; NOT easy to take ... will grab only if mentally at ease!
Genre: Avant Garde: Psychedelia
Release Date: 

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  Song Share Time Download
clip
1. Orange Rise
3:34 $0.99
clip
2. Search
2:23 $0.99
3. Hope
2:03 $0.99
4. Tumbling
2:30 $0.99
5. Believe
4:58 $0.99
6. Rages of Emptiness
5:33 $0.99
7. Light the Sky
2:50 $0.99
8. Dreams
6:33 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
Legendary album among psych collectors For 1976 this was certainly an odd album - in fact I wouldn't be surprised to see it date back to 1971 or earlier. The band consists of maestro Bill Horton on guitar and a couple of his friends handling bass and drums. Being a private release (and quite a legendary album among psych collectors), "Dancehall For Midgets" has that familiar raw and unpolished sound, which is so characteristic of low-budget hard-rock obscurities - however, unlike most albums of the genre, Horton isn't too keen on simplistic three-chord riffs and 4/4 rhythms. Instead, their brand heavy rock is stuffed with weird Beefheart-ian psychedelicacy - and since the band obviously had a knack for free-form jamming, the album often sounds almost like an outsider's take on "Trout Mask Replica”. Rambling, unstructured guitar improvs is what it's all about - add a healthy dose of expressive vocals (Mr. Horton obviously wasn't afraid of singing out of tune), and you'll probably get the full picture. Sure, the 1976 album couldn't be all like this, so be prepared for a couple of fairly conventional heavy-blues-rock numbers as well - good thing is that they are very few and far between, hence they don't spoil the impression. Overall this is quite a unique and unparalleled document of America's 1970s rock underground. Was it successful or not - please decide for yourself.

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