XIV | Theta

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Electronic: Trip Hop Electronic: Down Tempo Moods: Mood: Dreamy
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Theta

by XIV

A dark and melodic blend of live and electronic sounds combining elements of Trip Hop, Down Tempo and Jazz. Sultry vocals by Kelly Samuels' weave seamlessly into a rich tapestry of hypnotic melodies, throbbing beats and deep, driving bass lines.
Genre: Electronic: Trip Hop
Release Date: 

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  Song Share Time Download
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1. Here I Stand
3:31 $0.99
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2. Concrete Flowers
3:56 $0.99
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3. What It's Like
4:21 $0.99
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4. Either/Or
4:12 $0.99
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5. Interruption
4:07 $0.99
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6. Our Better Days
2:56 $0.99
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7. Cymatics
1:58 $0.99
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8. Drain
4:20 $0.99
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9. We Know About the Reality
3:34 $0.99
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10. Woe Is Me
4:02 $0.99
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11. Let the Night Begin
3:44 $0.99
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12. Can't Sleep
4:35 $0.99
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13. The Alchemist's Prayer
5:00 $0.99
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14. 10-ft Tower
4:56 $0.99
Downloads are available as MP3-320 files.

ABOUT THIS ALBUM


Album Notes
XIV is expanding the boundaries of the Trip Hop and Down Tempo genres with their sophomore release. "Theta" retains the dark and dreamy film-score quality of their first release with tracks like "Drain" and "Woe is Me", but ventures into new territory with the faster pace of tracks like "Here I Stand" and "What It's Like". Many of the fourteen new tracks on this release (like "Either/Or" and "Interruption") have an anthem like quality which have earned XIV recognition from a wider audience. The hit single "Concrete Flowers" is featured on San Diego's "Staring at the Sun" compilation and is being played by San Diego radio stations like KPRI.

Though each track on the album can easily stand alone, there is a continuous flow to "Theta" as though each song was a single movement in a greater symphony. Tony Sandoval's pulsing bass provides the steady foundation from which the album's diverse architecture is built. At times the beats crunch and pound, while at others they skip and flutter. The guitar, keyboard and trumpet work of Nathan L. Samuels is always present to accent the sexy and soulful voice of Kelly Samuels. Her lyrics are deep and passionate. They seem as if they spring naturally from the notes themselves. The end of the album is like the final page of a classic novel, leaving one with a paradoxical mixture of yearning and satisfaction.

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